An irresistible roller coaster of a high school romance, perfect for fans of Beth Reekles and Jenny Han. Macy Anderson is a seventeen-year-old tomboy and captain of her school's soccer team. Sam Cahill is a rich bad boy with a British accent and cocky attitude. Macy tells herself she won't fall for his charm. But as the two get to know each other, and Macy starts uncovering Sam's secrets, she begins to realise keeping that promise to herself is going to be harder than she thought . . .
Formerly titled Deceptive AttractionCaleb Martin faces a life crisis -- and he's pretty embarrassed about it. A talented soccer star, he has the chance to sign a lucrative five-year contract and be rich and famous. Two problems - Cal's gay and signing the contract means he has to stay in the closet, maybe for life. Plus, he'll have to spend his years diving for soccer balls when he'd like to be helping people like the rest of his family. A one-night stand with a beautiful man rocks Cal, but the mysterious guy vanishes only to reappear where Cal is house-sitting. Too much coincidence? And then a cute tomboy throws Cal's life choices into confusion. How could he wind up with a commitmentphobe and a woman dedicated to her work in Africa? To top it off, there's a big surprise in a snowstorm. Cosmic joker strikes again.
Presley is a six-year-old biracial boy who sees how sad his cancer-stricken sister, Paisley, is when she goes bald. So Presley gets the bright idea to grow his hair to make a wig for his four-year-old sister.
Women We Love: Femininities and the Korean Wave is an edited volume exploring femininities in and around the Korean Wave since 2000. While studies on the Korean Wave are abundant, there is a dearth of thought put toward the female-identifying stars, characters, and fans who shape and lead this crucial cultural movement. This collection of essays is one of the first works to focus on gender and the key female actors of this global phenomenon. Using “women” as an inclusive term extending to all those who self-define as women, this volume examines the role of women in K-pop and K-drama industries and fandom spaces, encompassing crucial intersectional topics such as queering of gender, dissemination of media, and fan culture. In addition to the communities engaged with visual culture of the Korean Wave, the audience for Women We Love will reflect the contributors to this text. They are K-pop and K-drama fans, queer, international; they are also academics of Asian histories, sociology, gender and sexuality, art history, and visual culture. The chapters are playful, intersectional, and will be adapted well into syllabi for media studies, gender studies, visual culture studies, sociology, and contemporary global history. “Women We Love goes far beyond the dyad of the flower boy Hallyu star and his female fan to offer readers an illuminating discussion of plural femininities in the Korean Wave since the turn of the millennium. The essays will answer many burning yet heretofore unanswered questions about the affective resonances and political significance of Korean popular culture’s gender dynamics, which have fascinated, puzzled, and at times frustrated many fans and observers. Rigorously interdisciplinary, yet grounded in textual detail, historical context, and material reception practices, this is a timely and valuable contribution to the study of gender, fandom, and global media.” —Michelle Cho, University of Toronto “This is a provoking and fascinating book—one of the most awaited books in Hallyu studies. Drawing from a multitude of feminist theories and case studies, this edited volume not only provides captivating and much-needed discussions but also critically expands the current debates in gender studies, feminism studies, and fan studies. This book is vital literature for researchers, students, and practitioners who are willing to advance their understanding of the Korean Wave from a new scope and angle.” —Dal Yong Jin, Simon Fraser University
Based on the author’s viral New York Times op-ed, this heartfelt book is a celebration and exploration of the tomboy phenomenon and the future of girlhood. We are in the middle of a cultural revolution, where the spectrum of gender and sexual identities is seemingly unlimited. So when author and journalist Lisa Selin Davis's six-year-old daughter first called herself a "tomboy," Davis was hesitant. Her child favored sweatpants and T-shirts over anything pink or princess-themed, just like the sporty, skinned-kneed girls Davis had played with as a kid. But "tomboy" seemed like an outdated word—why use a word with "boy" in it for such girls at all? So was it outdated? In an era where some are throwing elaborate gender reveal parties and others are embracing they/them pronouns, Davis set out to answer that question, and to find out where tomboys fit into our changing understandings of gender. In Tomboy, Davis explores the evolution of tomboyism from a Victorian ideal to a twentyfirst century fashion statement, honoring the girls and women—and those who identify otherwise—who stomp all over archaic gender norms. She highlights the forces that have shifted what we think of as masculine and feminine, delving into everything from clothing to psychology, history to neuroscience, and the connection between tomboyism, gender identity, and sexuality. Above all else, Davis's comprehensive deep-dive inspires us to better appreciate those who defy traditional gender boundaries, and the incredible people they become. Whether you're a grown-up tomboy or raising a gender-rebel of your own, Tomboy is the perfect companion for navigating our cultural shift. It is a celebration of both diversity and those who dare to be different, ultimately revealing how gender nonconformity is a gift.
Starting with the figure of the bold, boisterous girl in the mid-19th century and ending with the “girl power” movement of the 1990’s, Tomboys is the first full-length critical study of this gender-bending code of female conduct. Michelle Abate uncovers the origins, charts the trajectory, and traces the literary and cultural transformations that the concept of “tomboy” has undergone in the United States. Abate focuses on literature including Louisa May Alcott's Little Women and Carson McCullers's The Member of the Wedding and films such as Peter Bogdanovich's Paper Moon and Jon Avnet's Fried Green Tomatoes. She also draws onlesser-known texts like E.D.E.N. Southworth's once wildly popular 1859 novel The Hidden Hand, Cold War lesbian pulp fiction, and New Queer Cinema from the 1990s. Tomboys also explores the gender and sexual dynamics of tomboyism, and offers intriguing discussions of race and ethnicity's role in the construction of the enduring cultural archetype. Abate’s insightful analysis provides useful, thought-provoking connections between different literary works and eras. The result demystifies this cultural phenomenon and challenges readers to consider tomboys in a whole new light.
Everyone assumes that Zee is a lesbian. Her classmates, her gym buddies, even her so-called best friend. Even Zee is starting to wonder. Could they be onto something? Everyone assumes that Art is gay. They take one look at his nice clothes and his pretty face and think: well, obviously. But there’s more to Zee and Art than anyone realizes. What develops is a powerful connection between two people who are beautiful in all the ways they've been told are strange. As they explore their own complex relationships to gender, sexuality, and identity, they fall for the complexities they find in each other. With his trademark frankness, B. T. Gottfred delves inside both characters' heads in this story about love and living authentically.
Born to a carnival mother, Jack never knew his father. His mother died when he was in his teens, leaving him to fend for himself. However, Jack is not without skills and smarts. He perfects a knife and sword act where he keeps himself safe by making the steel blades go exactly where he wants them. Getting his GED and working to educate himself while keeping up his carnival act leaves no time for a social life, but he's been too busy to miss it. Doug comes from a very ordinary middle class background, but his parents sent him to college and he now has a good but boring job in IT. Although razzed about being gay back in high school, he has come to terms with his sexuality but has not found Mr. Right. When a druggie loser boyfriend moves out, Doug is lonely and hurt. Looking for distraction, he goes to the carnival and it's there he sees red-headed, mercurial Jack. The man is enthralling, the opposite of everything Doug is and knows. Can two men with such widely different lives find common ground to build a bond?
With the tomboy figure currently operating in a liminal space between extinction and resurgence, Reclaiming the Tomboy: The Body, Identity, and Representation is an unabashed celebration of her rebellious, independent, and pioneering spirit. This collection examines the tomboy as she appears throughout history, in the arts and in real-life. It also addresses how she has changed over the centuries, adapting to the world around her and breaking new boundaries in new ways (sometimes with a "simple" selfie). While this collection addresses the claim of the tomboy as being antiquated or even "problematic," it more vigorously offers examples of where she is thriving and benefiting from her tomboy identity. Ultimately, this book underscores the tomboy's legacy as well as why she is still relevant, if not needed, today.
