The Prestel Dictionary of Art and Artists in the 20th Century

The Prestel Dictionary of Art and Artists in the 20th Century

Author: Frank Zöllner

Publisher: Prestel Publishing

Published: 2000

Total Pages: 392

ISBN-13:

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"This full-color, one-volume dictionary provides a guide through the maze of twentieth-century art. Including artists, movements, photographers, techniques, styles, and turn-of-the-century precursors, The Prestel Dictionary of Art and Artists in the 20th Century draws on the expertise of over sixty art historians to give a comprehensive description and interpretation of the last artistic century. Concise entries, all specially commissioned for this book, and many illustrated with works in color, cover the questions raised by encounters with modern art. Cross-references provide links between artists, concepts, and techniques, and a selected bibliography gives the latest and best books for further reading."--Rabat de la jaquette.


The Oxford Dictionary of Art and Artists

The Oxford Dictionary of Art and Artists

Author: Ian Chilvers

Publisher: Oxford University Press

Published: 2017-09-27

Total Pages: 1264

ISBN-13: 0191024171

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Covering Western art from the ancient Greeks to the present day, this best-selling and authoritative dictionary is more wide-ranging than any comparable reference work. It contains over 2,500 clear and concise entries on styles and movements, materials and techniques, and museums and galleries. It also includes biographical entries for artists, critics, collectors, dealers, and patrons, with places and full dates of birth and death (in many instances correcting misinformation that has found its way into other sources). For this new edition, entries have been thoroughly revised and updated, and more than fifty new entries have been added, for example Tracey Emin and Jack Vettriano. Browsers and readers with an interest in a particular area will benefit from the classified list of all the entries in the book - an invaluable innovation that makes it easy to see immediately which collectors, for example, or 18th-century French artists, or printmaking terms, are included in the dictionary. Written in an engaging manner with many entries enlivened by quotations from artists and critics, this dictionary is a pleasure to browse, whilst its A-Z structure and classified list makes it perfect for quick reference. Previously entitled The Concise Oxford Dictionary of Art and Artists, this major new edition is essential for students and teachers of art, design, art theory, and art history, and it is ideal for artists, visitors to art exhibitions and galleries, and anyone with an interest in art.


Icons of Art

Icons of Art

Author: Jürgen Tesch

Publisher: Prestel Publishing

Published: 1997

Total Pages: 228

ISBN-13:

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Prestel's experienced editors have selected what they consider to be the 100 most important works of art created this century. Each work is reproduced in color on one full page. The facing page contains description and background of the work, concise biography and picture of the artist, and comparative art. 160 color and 140 bandw illustrations.


A Dictionary of Art and Artists

A Dictionary of Art and Artists

Author: Peter Murray

Publisher: Puffin Books

Published: 1972

Total Pages: 504

ISBN-13:

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Fully revised for its seventh edition, this comprehensive and detailed reference contains entries on major artists of the last seven centuries; short biographies of over 1,200 artists; descriptions of artistic techniques and styles; definitions of artistic movements; and much more. An indispensable source of information for both artists and those interested in the arts in general. Copyright © Libri GmbH. All rights reserved.


Henri Michaux

Henri Michaux

Author: Nina Parish

Publisher: BRILL

Published: 2007-01-01

Total Pages: 346

ISBN-13: 9401204926

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Henri Michaux is both a recognised poet and visual artist, arguably one of the greatest ‘double artists’ of the twentieth century. This book presents the first detailed examination of a particular interdisciplinary aspect of his production, namely, the innovative experimentation with signs contained in four works: Mouvements, Par la voie des rythmes, Saisir and Par des traits. Questions arise concerning their literary and visual status as, in their attempt to render interior rhythm and dynamism, they occupy an interstitial space between writing and drawing, between the book and the canvas, between the Western alphabet and Chinese characters. This study addresses these questions by analysing the conception, production and reception of Michaux’s signs and the literary and artistic contexts in which they were produced.