The Pre-Raphaelite Lens

The Pre-Raphaelite Lens

Author: Diane Waggoner

Publisher: Lund Humphries Publishers

Published: 2010

Total Pages: 230

ISBN-13: 9781848220676

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The rich dialogue between photography and Pre-Raphaelite art explored within this fascinating catalogue is organised around the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. Fully illustrated with over 200 images, this volume combines groundbreaking scholarship with stunning imagery.


Truth & Beauty

Truth & Beauty

Author: Melissa E. Buron

Publisher: Prestel

Published: 2018

Total Pages: 0

ISBN-13: 9783791357287

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This catalog was "published by the Fine Arts Museums of San Francisco and DelMonico Books (Prestel) on the occasion of the exhibition of the same name at the Legion of Honor, San Francisco, from June 30 to September 30, 2018."


Holman Hunt and the Pre-Raphaelite Vision

Holman Hunt and the Pre-Raphaelite Vision

Author: Katharine Aileen Lochnan

Publisher: Art Gallery of Ontario

Published: 2008

Total Pages: 228

ISBN-13:

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"This abundantly illustrated book accompanies a major exhibition of William Holman Hunt's work. It explores the artist's vision and its relevance to contemporary audiences. Despite the great interest in Pre-Raphaelitism, it has been nearly forty years since the last exhibition devoted to Holman Hunt, one of the founders of the movement. His vision, which inspired the Pre-Raphaelite Brotherhood, has lost neither its timeliness or significance." "The book illustrates paintings by Hunt and his associates, John Everett Millais, Dante Gabriel Rossetti and Arthur Hughes, and also includes drawings, prints, photographs and textiles. It examines Hunt's work in the context of the Brotherhood, and his ideas in relation to the artistic, spiritual, intellectual, emotional and social issues of his age."--Jacket.


The American Pre-Raphaelites

The American Pre-Raphaelites

Author: Linda S. Ferber

Publisher: Yale University Press

Published: 2019

Total Pages: 0

ISBN-13: 9780300242522

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"The exhibition is organized by the National Gallery of Art, Washington"--Colophon.


Temple of Science

Temple of Science

Author: John Holmes

Publisher:

Published: 2020-10-23

Total Pages: 192

ISBN-13: 9781851245567

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Built between 1855 and 1860, Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. Inspired by John Ruskin, the architect Benjamin Woodward and the Oxford scientists worked with leading Pre-Raphaelite artists on the design and decoration of the building. The decorative art was modelled on the Pre-Raphaelite principle of meticulous observation of nature, itself indebted to science, while individual artists designed architectural details and carved portrait statues of influential scientists. The entire structure was an experiment in using architecture and art to communicate natural history, modern science and natural theology. 'Temple of Science' sets out the history of the campaign to build the museum before taking the reader on a tour of art in the museum itself. It looks at the façade and the central court, with their beautiful natural history carvings and marble columns illustrating different geological strata, and at the pantheon of scientists. Together they form the world's finest collection of Pre-Raphaelite sculpture. The story of one of the most remarkable collaborations between scientists and artists in European art is told here with lavish illustrations.


Reading the Pre-Raphaelites

Reading the Pre-Raphaelites

Author: Tim Barringer

Publisher: Yale University Press

Published: 1999-01-01

Total Pages: 182

ISBN-13: 9780300077872

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This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.


Edith Wharton and the Visual Arts

Edith Wharton and the Visual Arts

Author: Emily J. Orlando

Publisher: University of Alabama Press

Published: 2007

Total Pages: 265

ISBN-13: 0817315373

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This work explores Edith Wharton's career-long concern with a 19th-century visual culture that limited female artistic agency and expression. Wharton repeatedly invoked the visual arts as a medium for revealing the ways that women's bodies have been represented (as passive, sexualized, infantalized, sickly, dead). Well-versed in the Italian masters, Wharton made special use of the art of the Pre-Raphaelite Brotherhood, particularly its penchant for producing not portraits of individual women but instead icons onto whose bodies male desire is superimposed.