The Portuguese and Brazilian Theatre
Author: Motley Books
Publisher:
Published: 1974
Total Pages: 12
ISBN-13:
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Author: Motley Books
Publisher:
Published: 1974
Total Pages: 12
ISBN-13:
DOWNLOAD EBOOKAuthor: Claudia Tatinge Nascimento
Publisher: Routledge
Published: 2019-07-23
Total Pages: 269
ISBN-13: 0429881894
DOWNLOAD EBOOKAfter the Long Silence offers a ground-breaking, meticulously researched criticism of Brazilian contemporary performance created by its post-dictatorship generation, whose work expresses the consequences of decades of state-imposed censorship. By offering an in-depth examination of key artists and their works, Cláudia Tatinge Nascimento highlights Brazil’s political trajectory while never allowing the weight of historical events to offset key aesthetic trends. Brazilian theater artists born around the time of the nation’s 1964 military coup experienced the oppressive rule of dictatorship throughout their formative years, but came of age as Brazil re-entered democracy some two decades later. This book showcases how the post-dictatorship generation developed performances that mapped the uncharted territories of Brazil’s political trauma with new dramaturgies, site-specific and street productions, and aesthetic experimentation. The author’s in-depth research into a wide array of archival materials and publications in both Portuguese and English demonstrates how the artistic practices of significant post-dictatorship artists such as Cia. dos Atores, Teatro da Vertigem, Grupo Galpão, Os Fofos Encenam, and Newton Moreno were driven by critical thinking and a postcolonial sentiment, proving symptomatic of the nation’s shift from an ethos of half-truth telling into a transitional justice that fell short in affirming citizenship. Ideal for scholars of the intersection of theatre and politics, After the Long Silence: The Theater of Brazil’s Post-Dictatorship Generation offers insight into the function of theater in times of political turmoil and artmaking practices that emerge in response to oppressive regimes.
Author: Brazil. Embaixada (U.S.)
Publisher:
Published: 1974
Total Pages: 120
ISBN-13:
DOWNLOAD EBOOKAuthor: Irving Brown (Consulting Bibliographer)
Publisher: Routledge
Published: 2013-10-11
Total Pages: 546
ISBN-13: 1136119000
DOWNLOAD EBOOKAn annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Author: Augusto Boal
Publisher: Get Political
Published: 2008
Total Pages: 184
ISBN-13: 9780745328386
DOWNLOAD EBOOK''... brilliantly original ... brings cultural and post-colonial theory to bear on a wide range of authors with great skill and sensitivity.' Terry Eagleton
Author: Diego Santos Sánchez
Publisher: Routledge
Published: 2017-11-06
Total Pages: 412
ISBN-13: 1315405083
DOWNLOAD EBOOKTheatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.
Author: Rogério Budasz
Publisher: Oxford University Press
Published: 2019-03-22
Total Pages: 485
ISBN-13: 0190050039
DOWNLOAD EBOOKOpera in the Tropics is an engaging exploration of theater with music in Brazil from the mid 1500s to the early 1820s. Author Rogério Budasz delves into the practices of the actors, singers, poets, and composers who created and performed Jesuit moral plays, Spanish comedias, and Portuguese vernacular operas and entremezes during the colonial period, as well as the Italian operas that celebrated the new independent nation in 1822. A Brazilian producer claimed in 1825 that the goal of music-theater was to instruct, entertain, and distract the population. Budasz argues that this threefold goal had in fact been present throughout the colonial period, in different combinations and with different purposes, at the hands of missionaries, intellectuals, bureaucrats, political leaders, and cultural producers. While Budasz demonstrates a continuity from Portuguese theatrical practices, primarily through the circulation of artists and repertory, he also examines a number of localized departures from the metropolitan model, particularly in the ethnic and gender profile of theatrical workers, in the modifications determined by local tastes, priorities, and materials, and in the political use of theater as an ideological and civilizing tool within the paradoxical context of a slave society. An eye-opening narrative of the transformations and uses of a colonial art form, Opera in the Tropics will be essential reading for all interested in the music and theater in Iberian and Latin American culture.
Author: Don Rubin
Publisher: Taylor & Francis
Published: 2000-09-21
Total Pages: 644
ISBN-13: 9780415227452
DOWNLOAD EBOOKNow available in paperback for the first time this volume covers the Americas from Canada to Argentina, including the United States. An indispensible tool for anyone interested in the cultures of the Americas or in modern theatre.
Author: Aleksandar Dundjerović
Publisher: McFarland
Published: 2017-10-13
Total Pages: 214
ISBN-13: 1476630178
DOWNLOAD EBOOKBrazil has one of the most vibrant theater cultures in the world, home to a wide variety of theatrical expression. This collection of 15 interviews includes some of the country's most prolific creative minds--Ze Celso (Teatro Oficina), Antunes Filho, Gerald Thomas, Nos do Morro, Rudolfo Vasquez (Os Satyros), Antonio Araujo (Teatro Vertigem), Enrique Diaz (Cia do Atores) and Lia Rodrigues, to name a few--discussing their approaches to the collaborative theater process. They describe a collective creative environment in which practitioners are concerned with fundamental questions about social, cultural and artistic contexts in which productions are staged, and the interdisciplinary climate that predominated from the beginning of the 1980s.
Author: Roberto Gonzalez Echevarría
Publisher: Cambridge University Press
Published: 1996-09-19
Total Pages: 896
ISBN-13: 9780521410359
DOWNLOAD EBOOKThe Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.