After the Long Silence

After the Long Silence

Author: Claudia Tatinge Nascimento

Publisher: Routledge

Published: 2019-07-23

Total Pages: 269

ISBN-13: 0429881894

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After the Long Silence offers a ground-breaking, meticulously researched criticism of Brazilian contemporary performance created by its post-dictatorship generation, whose work expresses the consequences of decades of state-imposed censorship. By offering an in-depth examination of key artists and their works, Cláudia Tatinge Nascimento highlights Brazil’s political trajectory while never allowing the weight of historical events to offset key aesthetic trends. Brazilian theater artists born around the time of the nation’s 1964 military coup experienced the oppressive rule of dictatorship throughout their formative years, but came of age as Brazil re-entered democracy some two decades later. This book showcases how the post-dictatorship generation developed performances that mapped the uncharted territories of Brazil’s political trauma with new dramaturgies, site-specific and street productions, and aesthetic experimentation. The author’s in-depth research into a wide array of archival materials and publications in both Portuguese and English demonstrates how the artistic practices of significant post-dictatorship artists such as Cia. dos Atores, Teatro da Vertigem, Grupo Galpão, Os Fofos Encenam, and Newton Moreno were driven by critical thinking and a postcolonial sentiment, proving symptomatic of the nation’s shift from an ethos of half-truth telling into a transitional justice that fell short in affirming citizenship. Ideal for scholars of the intersection of theatre and politics, After the Long Silence: The Theater of Brazil’s Post-Dictatorship Generation offers insight into the function of theater in times of political turmoil and artmaking practices that emerge in response to oppressive regimes.


World Encyclopedia of Contemporary Theatre

World Encyclopedia of Contemporary Theatre

Author: Irving Brown (Consulting Bibliographer)

Publisher: Routledge

Published: 2013-10-11

Total Pages: 546

ISBN-13: 1136119000

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An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.


Theatre of the Oppressed

Theatre of the Oppressed

Author: Augusto Boal

Publisher: Get Political

Published: 2008

Total Pages: 184

ISBN-13: 9780745328386

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''... brilliantly original ... brings cultural and post-colonial theory to bear on a wide range of authors with great skill and sensitivity.' Terry Eagleton


Theatre and Dictatorship in the Luso-Hispanic World

Theatre and Dictatorship in the Luso-Hispanic World

Author: Diego Santos Sánchez

Publisher: Routledge

Published: 2017-11-06

Total Pages: 412

ISBN-13: 1315405083

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Theatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.


Opera in the Tropics

Opera in the Tropics

Author: Rogério Budasz

Publisher: Oxford University Press

Published: 2019-03-22

Total Pages: 485

ISBN-13: 0190050039

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Opera in the Tropics is an engaging exploration of theater with music in Brazil from the mid 1500s to the early 1820s. Author Rogério Budasz delves into the practices of the actors, singers, poets, and composers who created and performed Jesuit moral plays, Spanish comedias, and Portuguese vernacular operas and entremezes during the colonial period, as well as the Italian operas that celebrated the new independent nation in 1822. A Brazilian producer claimed in 1825 that the goal of music-theater was to instruct, entertain, and distract the population. Budasz argues that this threefold goal had in fact been present throughout the colonial period, in different combinations and with different purposes, at the hands of missionaries, intellectuals, bureaucrats, political leaders, and cultural producers. While Budasz demonstrates a continuity from Portuguese theatrical practices, primarily through the circulation of artists and repertory, he also examines a number of localized departures from the metropolitan model, particularly in the ethnic and gender profile of theatrical workers, in the modifications determined by local tastes, priorities, and materials, and in the political use of theater as an ideological and civilizing tool within the paradoxical context of a slave society. An eye-opening narrative of the transformations and uses of a colonial art form, Opera in the Tropics will be essential reading for all interested in the music and theater in Iberian and Latin American culture.


The World Encyclopedia of Contemporary Theatre

The World Encyclopedia of Contemporary Theatre

Author: Don Rubin

Publisher: Taylor & Francis

Published: 2000-09-21

Total Pages: 644

ISBN-13: 9780415227452

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Now available in paperback for the first time this volume covers the Americas from Canada to Argentina, including the United States. An indispensible tool for anyone interested in the cultures of the Americas or in modern theatre.


Brazilian Collaborative Theater

Brazilian Collaborative Theater

Author: Aleksandar Dundjerović

Publisher: McFarland

Published: 2017-10-13

Total Pages: 214

ISBN-13: 1476630178

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Brazil has one of the most vibrant theater cultures in the world, home to a wide variety of theatrical expression. This collection of 15 interviews includes some of the country's most prolific creative minds--Ze Celso (Teatro Oficina), Antunes Filho, Gerald Thomas, Nos do Morro, Rudolfo Vasquez (Os Satyros), Antonio Araujo (Teatro Vertigem), Enrique Diaz (Cia do Atores) and Lia Rodrigues, to name a few--discussing their approaches to the collaborative theater process. They describe a collective creative environment in which practitioners are concerned with fundamental questions about social, cultural and artistic contexts in which productions are staged, and the interdisciplinary climate that predominated from the beginning of the 1980s.


The Cambridge History of Latin American Literature

The Cambridge History of Latin American Literature

Author: Roberto Gonzalez Echevarría

Publisher: Cambridge University Press

Published: 1996-09-19

Total Pages: 896

ISBN-13: 9780521410359

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The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.