Women of Will

Women of Will

Author: Tina Packer

Publisher: Vintage

Published: 2016-03-08

Total Pages: 354

ISBN-13: 0307745341

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Women of Will is a fierce and funny exploration of Shakespeare’s understanding of the feminine. Tina Packer, one of our foremost Shakespeare experts, shows that Shakespeare began, in his early comedies, by writing women as shrews to be tamed or as sweet little things with no independence of thought. The women of the history plays are much more interesting, beginning with Joan of Arc. Then, with the extraordinary Juliet, there is a dramatic shift: suddenly Shakespeare’s women have depth, motivation, and understanding of life more than equal to that of the men. As Shakespeare ceases to write women as predictable caricatures and starts writing them from the inside, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Wondering if Shakespeare had fallen in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare’s characters demonstrate that when women and men are equal in status and passion, they can—and do—change the world.


Shakespeare's Double Plays

Shakespeare's Double Plays

Author: Brett Gamboa

Publisher: Cambridge University Press

Published: 2018-05-03

Total Pages: 303

ISBN-13: 1108417434

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Machine generated contents note: Introduction; 1. 'Improbable fictions: Shakespeare's plays without the plays; 2. Versatility and verisimilitude on sixteenth-century stages; 3. Doubling in The Winter's Tale; 4. Dramaturgical directives and Shakespeare's cast size; 5. Doubling in A Midsummer Night's Dream and Romeo and Juliet; 6. Where the boys aren't; 7. Doubling in Twelfth Night and Othello; Epilogue: Ragozine and Shakespearean substitution; Appendix; Bibliography; Index.


The First English Actresses

The First English Actresses

Author: Elizabeth Howe

Publisher: Cambridge University Press

Published: 1992-06-04

Total Pages: 248

ISBN-13: 9780521422109

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This book describes how and why women were permitted to act on the public stage after 1660 in England.


The Whip

The Whip

Author: Juliet Gilkes Romero

Publisher: Bloomsbury Publishing

Published: 2020-02-01

Total Pages: 158

ISBN-13: 1786828669

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Winner of the 2020 Alfred Fagon Award. As the 19th Century dawns in London, politicians of all parties gather to abolish the slave trade once and for all. But the price of freedom turns out to be a multi-billion pound bailout for slave owners rather than those enslaved. As morality and cunning compete amongst men thirsty for power, two women navigate their way to the true seat of political influence, challenging members of parliament who dare deny them their say. In this provocative new play by Juliet Gilkes Romero, the personal collides with the political to ask, what is the right thing to do and how much must it cost?


Shakespeare and Women

Shakespeare and Women

Author: Phyllis Rackin

Publisher:

Published: 2005

Total Pages: 179

ISBN-13: 0198186940

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Shakespeare and Women situates Shakespeare's female characters in multiple historical contexts, ranging from the early modern England in which they originated to the contemporary Western world in which our own encounters with them are staged. In so doing, this book seeks to challenge currently prevalent views of Shakespeare's women-both the women he depicted in his plays and the women he encountered in the world he inhabited. Chapter 1, "A Usable History," analyses the implications and consequences of the emphasis on patriarchal power, male misogyny, and women's oppression that has dominated recent feminist Shakespeare scholarship, while subsequent chapters propose alternative models for feminist analysis. Chapter 2, "The Place(s) of Women in Shakespeare's World," emphasizes the frequently overlooked kinds of social, political, and economic agency exercised by the women Shakespeare would have known in both Stratford and London. Chapter 3, "Our Canon, Ourselves," addresses the implications of the modern popularity of plays such as The Taming of the Shrew which seem to endorse women's subjugation, arguing that the plays--and the aspects of those plays--that we have chosen to emphasize tell us more about our own assumptions than about the beliefs that informed the responses of Shakespeare's first audiences. Chapter 4, "Boys will be Girls," explores the consequences for women of the use of male actors to play women's roles. Chapter 5, "The Lady's Reeking Breath," turns to the sonnets, the texts that seem most resistant to feminist appropriation, to argue that Shakespeare's rewriting of the idealized Petrarchan lady anticipates modern feminist critiques of the essential misogyny of the Petrarchan tradition. The final chapter, "Shakespeare's Timeless Women," surveys the implication of Shakespeare's female characters in the process of historical change, as they have been repeatedly updated to conform to changing conceptions of women's nature and women's social roles, serving in ever-changing guises as models of an unchanging, universal female nature.


The Woman's Part

The Woman's Part

Author: Carolyn Ruth Swift Lenz

Publisher: University of Illinois Press

Published: 1980

Total Pages: 364

ISBN-13: 9780252010163

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Spectrums of Shakespearean Crossdressing

Spectrums of Shakespearean Crossdressing

Author: Courtney Bailey Parker

Publisher: Routledge

Published: 2019-10-21

Total Pages: 169

ISBN-13: 1000735583

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Since young male players were the norm during the English Renaissance, were all cross-dressed performances of female characters played with the same degree of seriousness? Probably not. Spectrums of Representation in Shakespearean Crossdressing examines these varied types of female characters in English Renaissance drama, drawing from a range of play texts themselves in order to investigate if evidence exists for varying performance practices for male-to-female crossdressing. This book argues for a reading of the representation of female characters on the English Renaissance stage that not only suggests categorizing crossdressing along a spectrum of theatrical artifice, but also explores how this range of artifice enriches our understanding of the plays. The scholarship surrounding cross-dressing rarely makes this distinction, since in our study of early modern plays we tend to accept as a matter of course that all crossdressing was essentially the same. The basis of Spectrums of Representation in Shakespearean Crossdressing is that it was not.


Secret Will

Secret Will

Author: Paul Chapman

Publisher:

Published: 2021-03-17

Total Pages: 426

ISBN-13:

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More than four centuries have passed since Shakespeare wrote his glorious plays, and it is little wonder that the meaning of many of the references in them escapes modern audiences. That's a shame, because they are packed with cryptic allusions to the fascinating people, dramatic events, juicy gossip, lurid scandals, gripping court battles, treacherous conspiracies and outrageous acts of insolence he encountered during his lifetime. To know these background stories is to understand and enjoy his works so much more. In Secret Will, Paul Chapman peels back the curtain to reveal the real Shakespeare and the world that lies hidden behind those quill-scratched pages. He does so by examining key passages from the plays and then asking searching questions about how they relate to the tempestuous times in which he lived. Why, for instance, does A Midsummer Night's Dream contain clear references to the illicit love affair between Elizabeth I and Robert Dudley? How might one of the biggest earthquakes in the history of the British Isles have inspired intriguing lines in Romeo and Juliet? Has Shakespeare immortalised as Ophelia a young woman named Katherine Hamlett, who drowned when he was young? How is a speech in Hamlet connected to the brazen abduction of an Elizabethan schoolboy?Does Shakespeare pour out the raw grief he feels over the death of his young son in heartbreaking lines in King John? Should his most famous stage direction - 'Exit, pursued by a bear' - actually read 'Exit, pursued by a polar bear'? Is he teasing us with a veiled clue to the identity of the mysterious 'Dark Lady' of his desires in Twelfth Night? What do his plays tell us about London's sleazy sex industry, with its legions of prostitutes known as Winchester Geese? Why was the famous Globe theatre threatened by a courtroom drama alleging it was built using stolen timbers, and what led to it burning down? Did a rancorous legal battle between three feuding sisters over their senile father's estate inspire the towering tragedy that is King Lear? And what in the world was the dancing horse?These, and many more such questions, are answered in Secret Will. As well as being a fascinating work of biography, Secret Will has the flavour of a detective saga with all its hints and clues. Links to quotes from Shakespeare's works make the book a gripping page turner for both the aficionado and casual reader alike. 'All the world's a stage, ' Shakespeare once wrote. Secret Will reveals the astonishing story of how he really did put his world on the stage. Readers of this book may never watch a play by the Bard in same way again.


A Midsummer-night's Dream

A Midsummer-night's Dream

Author: William Shakespeare

Publisher:

Published: 1734

Total Pages: 72

ISBN-13:

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National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.