In Cold Rush Martin Breum travels through and describes the new quest for the Arctic and the tortuous ongoing diplomatic endeavours to maintain peace, while the governments involved all develop still stronger security presences.
An “endlessly rewarding” contribution to the study of Jewish life in the Soviet Union: “Fascinating . . . nuanced and respectful of human limitations” (Slavic Review). Minsk, the present capital of Belarus, was a heavily Jewish city in the decades between the world wars. Recasting our understanding of Soviet Jewish history, Becoming Soviet Jews demonstrates that pre-revolutionary forms of Jewish life in Minsk maintained continuity through the often violent social changes enforced by the communist project. Using Minsk as a case study of the Sovietization of Jews in the former Pale of Settlement, Elissa Bemporad reveals the ways in which many Jews acculturated to Soviet society in the 1920s and 1930s while remaining committed to older patterns of Jewish identity, such as Yiddish culture and education, attachment to the traditions of the Jewish workers’ Bund, circumcision, and kosher slaughter. This pioneering study also illuminates the reshaping of gender relations on the Jewish street and explores Jewish everyday life and identity during the years of the Great Terror. “Highly readable and brimming with novel facts and insights . . . [A] rich and engaging portrayal of a previously overlooked period and place.” —H-Judaic
A Dorothy Rosenberg Prize–winner: "A remarkable social history that investigates the process of Sovietization among Jews in Belorussia” (Jeffrey Veidlinger, author of In the Shadow of the Shtetl). This insightful history demonstrates how Jewish life in Belorussia fundamentally changed when Jews started joining the Bolshevik movement and populating the front lines of the revolutionary struggle. While Andrew Sloin’s story follows the arc of Bolshevik history, it also shows how the broader movement was enacted in factories and workshops, workers’ clubs and union meetings, and on the Jewish streets of White Russia. In the eyes of the Bolshevik leadership, the project of transforming Jews into integrated Soviet citizens was bound inextricably to labor. The protagonists here are shoemakers, speculators, glassmakers, peddlers, leatherworkers, needleworkers, soldiers, students, and local party operatives who were swept up, willingly or otherwise, under the banner of Marxist socialism. With extensive research and keen insight, Sloin stresses the fundamental relationship between economy and identity formation as party officials grappled with the Jewish Question in the wake of the revolution.
Winner of the 2021 National Jewish Book Award for Contemporary Jewish Life and Practice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity. Now including a reading group guide.
On October 10, 1941, the Jewish population of the Belarusian village of Krucha was rounded up and shot. This atrocity was not the routine work of the SS but was committed by a regular German army unit acting on its own initiative. Marching into Darkness is a bone-chilling exposé of the ordinary footsoldiers who participated in the Final Solution on a daily basis. Although scholars have exploded the myth that the Wehrmacht played no significant part in the Holocaust, a concrete picture of its involvement has been lacking. Marching into Darkness reveals in detail how the army willingly fulfilled its role as an agent of murder on a massive scale. Waitman Wade Beorn unearths forced labor, sexual violence, and grave robbing, though a few soldiers refused to participate and even helped Jews. Improvised extermination progressively became methodical, with some army units going so far as to organize "Jew hunts." The Wehrmacht also used the pretense of Jewish anti-partisan warfare as a subterfuge by reporting murdered Jews as partisans. Through military and legal records, survivor testimonies, and eyewitness interviews, Beorn paints a searing portrait of an army's descent into ever more intimate participation in genocide.
In post-1917 Russian and Yiddish literature, films, and reportage, Sasha Senderovich finds a new cultural figure: the Soviet Jew. Suddenly mobile after more than a century of restrictions under the tsars, Jewish authors created characters who traversed space and history, carrying with them the dislodged practices and archetypes of a lost world.
In Yiddish Writers in Weimar Berlin, Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers—Dovid Bergelson, Der Nister, and Moyshe Kulbak—working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new understanding of the political resonances that result from it. Yiddish Writers in Weimar Berlin reveals how Yiddish literature participated in the culture of Weimar-era modernism, how active Yiddish writers were in the literary scene, and how German-speaking Jews read descriptions of Yiddish-speaking Jews to uncover the emotional complexity of what they managed to create even in the midst of their confusion and ambivalence in Germany. Caplan's masterful narrative affords new insights into literary form, Jewish culture, and the philosophical and psychological motivations for aesthetic modernism.
It is an odd thing: a desire comes to me to write, and to write in my faltering mother tongue, which, as it happens, I have not spoken since I left the home of my parents. Far as my childhood years have receded from me, I now suddenly find them coming back to me, closer and closer to me, so near, they could be breathing into my mouth. I see myself so clearly a plump little thing, a tiny girl running all over the place, pushing my way from one door through another, hiding like a curled-up little worm with my feet up on our broad window sills. My father, my mother, the two grandmothers, my handsome grandfather, my own and outside families, the comfortable and the needy, weddings and funerals, our streets and gardens all this streams before my eyes like the deep waters of our Dvina. My old home is not there any more. Everything is gone, even dead. My father, may his prayers help us, has died. My mother is living and God alone knows whether she still lives in an un-Jewish city that Is quite alien to her. The children are scattered In this world and the other, some here, some there. But each of them, in place of his vanished inheritance, has taken with him, like a piece of his father's shroud, the breath of the parental home. I am unfolding my piece of heritage, and at once there rise to my nose the odours of my old home. My ears begin to sound with the clamour of the shop and the melodies that the rabbi sang on holidays. From every corner a shadow thrusts out, and no sooner do I touch it than it pulls me Into a dancing circle with other shadows. They jostle one another, prod me in the back, grasp me by the hands, the feet, until all of them together fall upon me like a host of humming flies on a hot day. I do not know where to take refuge from them. And so, just once, I want very much to wrest from the darkness a day, an hour, a moment belonging to my vanished home. But how does one bring back to life such a moment? Dear God, it is so hard to draw out a fragment of bygone life from fleshless memories! And what if they should flicker out, my lean memories, and die away together with me? I want to rescue them. I recall that you, my faithful friend, have often in affection begged me to tell you about my life in the time before you knew me. So I am writing for you.
In Socialism of Fools, Michele Battini focuses on the critical moment during the Enlightenment in which anti-Jewish stereotypes morphed into a sophisticated, modern social anti-Semitism. He recovers the potent anti-Jewish, anticapitalist propaganda that cemented the idea of a Jewish conspiracy in the European mind and connects it to the atrocities that characterized the Jewish experience in the nineteenth and twentieth centuries. Beginning in the eighteenth century, counter-Enlightenment intellectuals and intransigent Catholic writers singled out Jews for conspiring to exploit self-sustaining markets and the liberal state. These ideas spread among socialist and labor movements in the nineteenth century and intensified during the Long Depression of the 1870s. Anti-Jewish anticapitalism then migrated to the Habsburg Empire with the Christian Social Party; to Germany with the Anti-Semitic Leagues; to France with the nationalist movements; and to Italy, where Revolutionary Syndicalists made anti-Jewish anticapitalism the basis of an alliance with the nationalists. Exemplified best in the Protocols of the Elders of Zion, the infamous document that "leaked" Jewish plans to conquer the world, the Jewish-conspiracy myth inverts reality and creates a perverse relationship to historical and judicial truth. Isolating the intellectual roots of this phenomenon and its contemporary resonances, Battini shows us why, so many decades after the Holocaust, Jewish people continue to be a powerful political target.
The Jews of Pinsk is the most detailed and comprehensive history of a single Jewish community in any language. This second portion of this study focuses on Pinsk's turbulent final sixty years, showing the reality of life in this important, and in many ways representative, Eastern European Jewish community. From the 1905 Russian revolution through World War One and the long prologue to the Holocaust, the sweep of world history and the fate of this dynamic center of Jewish life were intertwined. Pinsk's role in the bloody aftermath of World War One is still the subject of scholarly debates: the murder of 35 Jewish men from Pinsk, many from its educated elite, provoked the American and British leaders to send emissaries to Pinsk. Shohet argues that the executions were a deliberate ploy by the Polish military and government to intimidate the Jewish population of the new Poland. Despite an increasingly hostile Polish state, Pinsk's Jews managed to maintain their community through the 1920s and 30s—until World War Two brought a grim Soviet interregnum succeeded by the entry of the Nazis on July 4th, 1941. For the first volume of this two-volume collection, see The Jews of Pinsk, 1506-1880 at www.sup.org/book.cgi?id=1442.