The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880-81 and then as a book in 1881. It is one of James's most popular long novels and is regarded by critics as one of his finest.
Finalist for the Pulitzer Prize Finalist for National Book Critics Circle Award (Biography) One of the Best Books of 2012: The New Yorker, Wall Street Journal, Guardian, The Millions, Kirkus Reviews, Boston Phoenix A revelatory biography of the American master as told through the lens of his greatest novel. Henry James (1843–1916) has had many biographers, but Michael Gorra has taken an original approach to this great American progenitor of the modern novel, combining elements of biography, criticism, and travelogue in re-creating the dramatic backstory of James’s masterpiece, Portrait of a Lady (1881). Gorra, an eminent literary critic, shows how this novel—the scandalous story of the expatriate American heiress Isabel Archer—came to be written in the first place. Traveling to Florence, Rome, Paris, and England, Gorra sheds new light on James’s family, the European literary circles—George Eliot, Flaubert, Turgenev—in which James made his name, and the psychological forces that enabled him to create this most memorable of female protagonists. Appealing to readers of Menand’s The Metaphysical Club and McCullough’s The Greater Journey, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written. It becomes a piercing detective story on its own.
The Booker Prize-winning author of The Sea continues the story of Isabel Archer, the young protagonist of Henry James’s beloved The Portrait of a Lady—in this masterful novel of betrayal, corruption, and moral ambiguity. Eager but naïve, in James’s novel Isabel comes into a large, unforeseen inheritance and marries the charming, penniless, and—as Isabel finds out too late—cruel and deceitful Gilbert Osmond. Here Banville imagines Isabel’s second chapter telling the story of a woman reawakened by grief and the knowledge that she has been grievously wronged, and determined to resume her quest for freedom and independence.
Isabel Archer rejects one man after another. With the inheritance from a wealthy relative, she can fulfill her dream of an independent life. She travels to Italy. In Florence, she meets the American expatriate and art collector Gilbert Osmond. He has charm and taste, but that's pretty much all she knows about him. Despite her friends' warnings, she says yes when he proposes. Unlike others, bound by conventions, Osmond gives the impression of being free. But what does Isabel really need his freedom for when she has her own? Isabel Archer is one of literature's most talked-about female characters. The way Henry James portrays her, without analysis; solely through her expressions and experiences, makes The Portrait of a Lady [1881] one of the most innovative novels in literary history. HENRY JAMES [1843 -1916] was born in New York but emigrated to Europe early in life. He is one of the most important figures in Anglo-Saxon turn-of-the-century literature, with novels such as The American [1877] and the horror novel The Turn of the Screw [1898].
The author of over twenty novels, twelve plays, and one hundred and twelve short stories, Henry James (1843-1916) is the acknowledged "Father of the Psychological Novel." With his seminal masterpiece, The Portrait of A Lady (1881), he ushered in the birth of what was to be the emergence of psychological fiction. Although a steady progression of other great novels and works would follow this one, it is this work, therefore, that will be the focus of the present study.
That is to me, artistically speaking, the circumstance of interest; for I have lost myself once more, I confess, in the curiosity of analysing the structure. By what process of logical accretion was this slight "personality," the mere slim shade of an intelligent but presumptuous girl, to find itself endowed with the high attributes of a Subject?--and indeed by what thinness, at the best, would such a subject not be vitiated? Millions of presumptuous girls, intelligent or not intelligent, daily affront their destiny, and what is it open to their destiny to be, at the most, that we should make an ado about it? The novel is of its very nature an "ado," an ado about something, and the larger the form it takes the greater of course the ado. Therefore, consciously, that was what one was in for--for positively organising an ado about Isabel Archer.