The Portrait, a Burletta, etc. [An adaptation from the French, by G. Colman.]
Author: Samuel Arnold
Publisher:
Published: 1770
Total Pages: 54
ISBN-13:
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Author: Samuel Arnold
Publisher:
Published: 1770
Total Pages: 54
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Department of Printed Books
Publisher:
Published: 1912
Total Pages: 788
ISBN-13:
DOWNLOAD EBOOKAuthor: Harold Reeves (Firm)
Publisher:
Published: 1926
Total Pages: 554
ISBN-13:
DOWNLOAD EBOOKAuthor: Edith Betty Schnapper
Publisher:
Published: 1957
Total Pages: 614
ISBN-13:
DOWNLOAD EBOOKAuthor: Gillian B. Anderson
Publisher: Boston : Music Library Association
Published: 1987
Total Pages: 174
ISBN-13:
DOWNLOAD EBOOKIndexes all musical references in James Rivington's Gazette, a weekly newspaper published in New York City, 1773-1783. Includes all references to music and instruments for sale, concerts, assemblies and balls, and musical instruction. Profiles the musical culture of the principal trade center during the Revolutionary War period.
Author: British Library
Publisher:
Published: 1979
Total Pages: 536
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Department of Printed Books
Publisher:
Published: 1967
Total Pages: 1292
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Dept. of Printed Books
Publisher:
Published: 1967
Total Pages: 1292
ISBN-13:
DOWNLOAD EBOOKAuthor: John Thomas Smith
Publisher:
Published: 1861
Total Pages: 334
ISBN-13:
DOWNLOAD EBOOKAuthor: Donald Roy
Publisher: Cambridge University Press
Published: 2003-06-05
Total Pages: 592
ISBN-13: 9780521250801
DOWNLOAD EBOOKTaking as notional parameters the upheaval of the French Revolution and the events leading up to the Unification of Italy, this volume charts a period of political and social turbulence in Europe and its reflection in theatrical life. Apart from considering external factors like censorship and legal sanctions on theatrical activity, the volume examines the effects of prevailing operational conditions on the internal organization of companies, their repertoire, acting, stage presentation, playhouse architecture and the relationship with audiences. Also covered are technical advances in stage machinery, scenography and lighting, the changing position of the playwright and the continuing importance of various street entertainments, particularly in Italy, where dramatic theatre remained the poor relation of the operatic, and itinerant acting troupes still constituted the norm. The 460 documents, many of them illustrated, have been drawn from sources in Britain, France and Italy and have been annotated, and translated where appropriate.