This book, first published in 1988, compiles 77 songs and ballads (yüeh-fu) of early imperial China (200 BC – AD 300). Each song-text is newly translated and fully annotated and explicated. Dr Birrell deals systematically with problems of the earliest sources, dating, attribution, textual variants, multiforms, metre, generic title, song title and structure. This careful and thorough treatment is especially necessary for a corpus of anonymous popular texts which are often corrupt, structurally confusing, laconic and full of nonsense words and colloquialisms. Her introductory essay provides a socio-historical context for this material and charts its literary transmission, while singling out special characteristics of the genre, such as musical, oral and dramatic elements. The main text, arranged into eleven chapters plus an introduction, is supplemented by notes, appendices, maps, chronology, bibliography and index.
This two-volume book contains the refereed proceedings of The Second International Conference on Globalization: Challenges for Translators and Interpreters organized by the School of Translation Studies, Jinan University (China) on its Zhuhai campus, October 27-29, 2016. The interrelation between translation and globalization is essential reading for not only scholars and educators, but also anyone with an interest in translation and interpreting studies, or a concern for the future of our world’s languages and cultures. The past decade or so, in particular, has witnessed remarkable progress concerning research on issues related to this topic. Given this dynamic, The Second International Conference on Globalization: Challenges for Translators and Interpreters organized by the School of Translation Studies, Jinan University (China) organized by the School of Translation Studies, Jinan University (China), was held at the Zhuhai campus of Jinan University on October 27-29, 2016. This conference attracts a large number of translators, interpreters and researchers, providing a rare opportunity for academic exchange in this field. The 135 full papers accepted for the proceedings of The Second International Conference on Globalization: Challenges for Translators and Interpreters organized by the School of Translation Studies, Jinan University (China) were selected from 350 submissions. For each paper, the authors were shepherded by an experienced researcher. Generally, all of the submitted papers went through a rigorous peer-review process.
This book, first published in 1967, gives us a rich sampling of ch'ü, the characteristic poem of the time of Yüan, when China was under Mongol rule. The ch'ü was a popular form of poetry in the sense that although it was written by literati, they wrote in the vernacular rather than in Classical Chinese. Each poem was written to be sung to an already popular tune. In addition to the 'final translations', the steps by which the translators proceeded from a literal, character-by-character translation through several intermediate stages to the final version are revealed in detail.
"A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.
The most inovative study of Chinese poetry ever written, François Cheng's Chinese Poetic Writing--now in its first expanded, English-language edition--is an essential read for fans and scholars of Chinese literature and the art of poetry in general. Since its first publication in French in 1977, Chinese Poetic Writing has been considered by many to be the most innovative study of Chinese poetry ever written, as well as a profound and remarkable meditation on the nature of poetry itself. As the American poet Gustaf Sobin wrote, two years after the book’s appearance, “In France it is already considered a model of interdisciplinary research, a source book, and a ‘star’ in the very space it initially explored, traced, and elaborated.” Cheng illustrates his text with an annotated anthology of 135 poems he has selected from the Tang dynasty, presented bilingually, and with lively translations by Jerome P. Seaton. It serves as a book within the book, and an excellent introduction to the golden age of Tu Fu, Li Po, Wang Wei, and company. The 1982 translation, long out of print, was based on the first French edition. Since then, Cheng has greatly expanded the book. This is the first English-language edition of the expanded version, with the original translators returning to accommodate the many new additions and revise their earlier work.
Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.