During the apartheid era, the British government faced an uneasy dilemma: while repudiating apartheid laws it maintained an ambiguous stance towards the South African government. This is the first book to examine the British support for the antiapartheid movement among its own black communities. Elizabeth Williams highlights the connection between domestic anti-racism struggles and the struggle in South Africa, showing how black Britons who were themselves fighting racism in British society identified and expressed solidarity with black South Africans during the apartheid years. Featuring the work of acclaimed documentary photographer Vanley Burke, this is an essential book for students and scholars of race, British history, international relations, post-colonial studies and South African history.
Intimacies of friendship create vital spaces for practices of power and resistance within the histories of apartheid and colonialism. What does friendship have to do with racial difference, settler colonialism and post-apartheid South Africa? While histories of apartheid and colonialism in South Africa have often focused on the ideologies of segregation and white supremacy, Ties that Bind explores how the intimacies of friendship create vital spaces for practices of power and resistance. Combining interviews, history, poetry, visual arts, memoir and academic essay, the collection keeps alive the promise of friendship and its possibilities while investigating how affective relations are essential to the social reproduction of power. From the intimacy of personal relationships to the organising ideology of liberal colonial governance, the contributors explore the intersection of race and friendship from a kaleidoscope of viewpoints and scales. Insisting on a timeline that originates in settler colonialism, Ties that Bind uncovers the implication of anti-blackness within nonracialism, and powerfully challenges a simple reading of the Mandela moment and the rainbow nation. In the wake of countrywide student protests calling for decolonisation of the university, and reignited debates around racial inequality, this timely volume insists that the history of South African politics has always already been about friendship. Written in an accessible and engaging style, Ties that Bind will interest a wide audience of scholars, students and activists, as well as general readers curious about contemporary South African debates around race and intimacy.
This book offers readers an alternative history of the origins of the discipline of International Relations. Conventional, western histories of the discipline point to 1919 as the year of the ‘birth of the discipline’ with two seminal initiatives – setting up of the first Chair of IR at Aberystwyth and the founding of the Institute of International Relations on the side-lines of the Paris Peace Conference. From these events, International Relations is argued to have been established as a path to create peace in the post-War era and facilitated through a scientific study of international affairs. International Relations was therefore, both a field of study and knowledge production and a plan of action. This pathbreaking book challenges these claims by presenting an alternative narrative of International Relations. In this book, we make three interconnected arguments. First, we argue that the natal moment in the founding of IR is not World War I – as is generally believed – but the Anglo Boer War. Second, we argue that the ideas, methods and institutions that led to the making of IR were first thrashed out in South Africa – in Johannesburg, in fact. Finally, this South African genealogy of IR, we show in the book, allows us to properly investigate the emergence of academic IR at the interstices of race, Empire and science.
1999 North American Society for Sports History Book of the Year Douglas Booth looks at the role of sport in the fostering of a new national identity in South Africa. He analyzes the effect of the 30-year sport boycott but concludes that sport will never unite South Africans except in the most fleeting and superficial manner.
`Darryl Glaser supplies an illuminating overview of the scholarship since 1970 on South Africa′s political history. His emphasis is on the debates between liberals, Marxists, and to a lesser extent "post-structuralists" about the origins and the course of South Africa′s racial order′ - Tom Lodge, University of Witwatersrand `A well-researched, well-argued, readable, interesting, informative and competent study′ - Capital and Class Providing a wide-ranging and critical introduction to contemporary South Africa, this book uses an interdisciplinary lens to introduce the student to the main debates, historical context, and issues that have characterized the study of South Africa over the last three decades. Key topics include: the role of colonialism, capitalism and modernity in the formation of the racial order; changes in the South African state; questions of class, race and ehtnicity; black resistance; and the transition to democracy. A number of underlying debates are critically evaluated. For exmple, the contribution of materialist and class-analytic approaches, the application of post-structuralism and theories of modernity, and the prospects for democratic liberalism and socialism in post-apartheid South Africa.
The postwar government of South Africa, led by H.F. Verwoerd, implemented wide-ranging racial segregation laws, beginning the open policy of apartheid in one of Africa's most prosperous and internationally influential states. During the apartheid era, the British government faced an uneasy dilemma: while repudiating apartheid laws it maintained an ambiguous stance towards the South African government. As black South Africans were reduced to the status of non-citizens after the 1970 Citizenship Act, increasing numbers of exiles and fugitives were finding refuge in Britain, which was now home to a growing anti-apartheid protest movement. This is the first book to examine the British support for the anti-apartheid movement among its own black communities. Elizabeth Williams highlights the connection between domestic anti-racism struggles and the struggle in South Africa, showing how black Britons who were themselves fighting racism in British society identified and expressed solidarity with black South Africans during the Apartheid years. Williams further assesses the way in which Black communities in Britain viewed Margaret Thatcher's support of South Africa despite the international call for sanctions. Featuring the work of acclaimed documentary photographer and civil rights activist Vanley Burke, this will be an essential book for students and scholars of race, British history, international relations, post-colonial studies and South African history.
Why and how has race become a central aspect of politics during this century? This book addresses this pressing question by comparing South African apartheid and resistance to it, the United States Jim Crow law and protests against it, and the myth of racial democracy in Brazil. Anthony Marx argues that these divergent experiences had roots in the history of slavery, colonialism, miscegenation and culture, but were fundamentally shaped by impediments and efforts to build national unity. In South Africa and the United States, ethnic or regional conflicts among whites were resolved by unifying whites and excluding blacks, while Brazil's longer established national unity required no such legal racial crutch. Race was thus central to projects of nation-building, and nationalism shaped uses of race. Professor Marx extends this argument to explain popular protest and the current salience of issues of race.
In London Is The Place for Me, Kennetta Hammond Perry explores how Afro-Caribbean migrants navigated the politics of race and citizenship in Britain and reconfigured the boundaries of what it meant to be both Black and British at a critical juncture in the history of Empire and twentieth century transnational race politics.
How did South Africans become black? How did the idea of blackness influence conceptions of disadvantaged groups in England such as women and the poor, and vice versa? Bringing the Empire Home tracks colonial images of blackness from South Africa to England and back again to answer questions such as these. Before the mid-1800s, black Africans were considered savage to the extent that their plight mirrored England's internal Others—women, the poor, and the Irish. By the 1900s, England's minority groups were being defined in relation to stereotypes of black South Africans. These stereotypes, in turn, were used to justify both new capitalist class and gender hierarchies in England and the subhuman treatment of blacks in South Africa. Bearing this in mind, Zine Magubane considers how marginalized groups in both countries responded to these racialized representations. Revealing the often overlooked links among ideologies of race, class, and gender, Bringing the Empire Home demonstrates how much black Africans taught the English about what it meant to be white, poor, or female.