Politics vs. Literature

Politics vs. Literature

Author: George Orwell

Publisher: Renard Press Ltd

Published: 2021-01-01

Total Pages: 30

ISBN-13: 1913724336

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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Politics vs. Literature, the fourth in the Orwell’s Essays series, is, at heart, a review of Jonathan Swift’s Gulliver’s Travels. Having been given a copy of the book on his eighth birthday, Orwell knows it inside out, and thinks highly of it; it is ‘pessimistic’, though, he says – ‘it descends into political partisanship of a narrow kind,’ designed to ‘humiliate man by reminding him that he is weak and ridiculous.’ Using the book as an example of enjoying a book whose author one cannot stand, Orwell goes on to say that he considers Gulliver’s Travels a work of art, leaving the reader to reconsider the books on their own shelves. 'A writer who can – and must – be rediscovered with every age.' — Irish Times


Gulliver's Travels

Gulliver's Travels

Author: Ronald Knowles

Publisher: Macmillan Reference USA

Published: 1996

Total Pages: 200

ISBN-13:

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An accessible introduction to some of the most important ideas developed in Plato's Symposium.


Philosophy Between the Lines

Philosophy Between the Lines

Author: Arthur M. Melzer

Publisher: University of Chicago Press

Published: 2014-09-09

Total Pages: 472

ISBN-13: 022617512X

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“Shines a floodlight on a topic that has been cloaked in obscurity . . . a landmark work in both intellectual history and political theory” (The Wall Street Journal). Philosophical esotericism—the practice of communicating one’s unorthodox thoughts “between the lines”—was a common practice until the end of the eighteenth century. Despite its long and well-documented history, however, esotericism is often dismissed today as a rare occurrence. But by ignoring esotericism, we risk cutting ourselves off from a full understanding of Western philosophical thought. Walking readers through both an ancient (Plato) and a modern (Machiavelli) esoteric work, Arthur M. Melzer explains what esotericism is—and is not. It relies not on secret codes, but simply on a more intensive use of familiar rhetorical techniques like metaphor, irony, and insinuation. Melzer explores the various motives that led thinkers in different times and places to engage in this strange practice, while also exploring the motives that lead more recent thinkers not only to dislike and avoid this practice but to deny its very existence. In the book’s final section, “A Beginner’s Guide to Esoteric Reading,” Melzer turns to how we might once again cultivate the long-forgotten art of reading esoteric works. The first comprehensive, book-length study of the history and theoretical basis of philosophical esotericism, Philosophy Between the Lines is “a treasure-house of insight and learning. It is that rare thing: an eye-opening book . . . By making the world before Enlightenment appear as strange as it truly was, [Melzer] makes our world stranger than we think it is” (George Kateb, Professor of Politics, Emeritus, at Princeton University). “Brilliant, pellucid, and meticulously researched.” —City Journal


Jonathan Swift: The Reluctant Rebel

Jonathan Swift: The Reluctant Rebel

Author: John Stubbs

Publisher: W. W. Norton & Company

Published: 2017-02-28

Total Pages: 840

ISBN-13: 0393634159

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A rich and riveting portrait of the man behind Gulliver’s Travels, by a “vivid, ardent, and engaging” (New York Times Book Review) author. One of Europe’s most important literary figures, Jonathan Swift was also an inspired humorist, a beloved companion, and a conscientious Anglican minister—as well as a hoaxer and a teller of tales. His anger against abuses of power would produce the most famous satires of the English language: Gulliver’s Travels as well as the Drapier Papers and the unparalleled Modest Proposal, in which he imagined the poor of Ireland farming their infants for the tables of wealthy colonists. John Stubbs’s biography captures the dirt and beauty of a world that Swift both scorned and sought to amend. It follows Swift through his many battles, for and against authority, and in his many contradictions, as a priest who sought to uphold the dogma of his church; as a man who was quite prepared to defy convention, not least in his unshakable attachment to an unmarried woman, his “Stella”; and as a writer whose vision showed that no single creed holds all the answers. Impeccably researched and beautifully told, in Jonathan Swift Stubbs has found the perfect subject for this masterfully told biography of a reluctant rebel—a voice of withering disenchantment unrivaled in English.


Gulliver's Travels as a Political Satire

Gulliver's Travels as a Political Satire

Author: Andreas Raab

Publisher: GRIN Verlag

Published: 2009-04-09

Total Pages: 16

ISBN-13: 3640309421

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Seminar paper from the year 2005 in the subject Didactics for the subject English - Literature, Works, grade: 1, University of Vienna, course: 18th Century Satire and Satirical Literature, language: English, abstract: In this term paper I focus on Jonathan Swift's Gulliver's Travels, first published in 1726, as a political satire, a book rich in its topics and possible interpretations. However, the novel's function as a political satire – which I exemplarily examine in this paper – is one of its most discussed and obvious ones. Thus, I have a close look at whether, why and how the politician Sir Robert Walpole, a contemporary of Jonathan Swift, is – satirically – represented in Gulliver's Travels. In order to fully grasp this issue, I start with a summary and comparison of both Jonathan Swift's and Robert Walpole's (political) backgrounds, beliefs, values and ideas, embedded in the historical context of the early 18th century. Then I continue with a discussion that mainly focuses on the following questions: Does the character Flimnap merely represent Robert Walpole or does it rather stand for politicians in general? What could have been Jonathan Swift's (political) intentions to do so? And, finally: How does satire as such then function in this case?