The Politics of American Actor Training
The Politics of American Actor Training

Author: Ellen Margolis

Publisher: Routledge

Published: 2011-01-13

Total Pages: 372

ISBN-13: 1135244243

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This book addresses the historical, social, colonial, and administrative contexts that determine today's U.S. actor training, as well as matters of identity politics, access, and marginalization as they emerge in classrooms and rehearsal halls. It considers persistent, questioning voices about our nation’s acting training as it stands, thereby contributing to the national dialogue the diverse perspectives and proposals needed to keep American actor training dynamic and germane, both within the U.S. and abroad. Prominent academics and artists view actor training through a political, cultural or ethical lens, tackling fraught topics about power as it plays out in acting curricula and classrooms. The essays in this volume offer a survey of trends in thinking on actor training and investigate the way American theatre expresses our national identity through the globalization of arts education policy and in the politics of our curriculum decisions.

The Politics of American Actor Training
The Politics of American Actor Training

Author: Ellen Margolis

Publisher: Routledge

Published: 2011-01-13

Total Pages: 227

ISBN-13: 1135244251

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This book strives to give a fair hearing to persistent, questioning voices about our nation’s acting training as it stands, thereby contributing to the national dialogue the diverse perspectives and proposals needed to keep American actor training dynamic and germane, both within the U.S. and abroad.

Training of the American Actor (Large Print 16pt)
Training of the American Actor (Large Print 16pt)

Author: Arthur Bartow

Publisher: ReadHowYouWant.com

Published: 2010-07

Total Pages: 530

ISBN-13: 1458781267

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The first comprehensive survey and study of the major techniques developed by and for the American actor over the past 60 years. Presented side-by-side, each of the 10 disciplines included is described in detail by one of today's foremost practitioners. An invaluable resource both for the young actor embarking on a career and for the theatre professional polishing his or her craft. ''successful acting must reflect a society's current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor's journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own creative gifts of expression.''

Twentieth Century Actor Training
Twentieth Century Actor Training

Author: Alison Hodge

Publisher: Psychology Press

Published: 2000

Total Pages: 271

ISBN-13: 0415194512

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THE SECOND EDITION OF THIS TITLE, ENTITLED ACTOR TRAINING, IS NOW AVAILABLE. Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert. The practitioners included are: * Stella Adler * Bertolt Brecht * Joseph Chaikin * Jacques Copeau * Joan Littlewood * Vsevelod Meyerhold * Konstantin Stanislavsky * Eugenio Barba * Peter Brook * Michael Chekhov * Jerzy Grotowski * Sanford Meisner * Wlodimierz Staniewski * Lee Strasbourg Each chapter provides a unique account of specific training exercises and an analysis of their relationship to the practitioners theoretical and aesthetic concerns. The collection examines the relationship between actor training and production and considers how directly the actor training relates to performance. With detailed accounts of the principles, exercises and their application to many of the landmark productions of the past hundred years, this book will be invaluable to students, teachers, practitioners, and academics alike.

Mask Improvisation for Actor Training & Performance
Mask Improvisation for Actor Training & Performance

Author: Sears A. Eldredge

Publisher: Northwestern University Press

Published: 1996

Total Pages: 238

ISBN-13: 9780810113657

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Because mask improvisation work is relatively new in American theater training, this book is designed not only to acquaint readers with the theory of mask improvisation but to instruct them in the techniques of method as well. Featuring dozens of improvisational exercises in the innovative spirit of Viola Spolin, and supplemented with practical appendices on mask design and construction, forms and checklists, and other classroom materials, this book is an invaluable tool for teacher and student alike, as well as compelling reading for anyone interested in acquiring a deeper understanding of masks as agents of transformation, creativity, and performance.

Actor Training in Anglophone Countries
Actor Training in Anglophone Countries

Author: Peter Zazzali

Publisher: Routledge

Published: 2021-07-29

Total Pages: 155

ISBN-13: 100042328X

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Actor Training in Anglophone Countries offers a firsthand account of the most significant acting programs in English-speaking countries throughout the world. The culmination of archival research and fieldwork spanning six years, it is the only work of its kind that studies the history of actor training from an international perspective. It presents the current moment as crucial for student actors and those who teach them. As the profession continues to change, new and progressive approaches to training have become as urgent as they are necessary. Using drama schools and universities as its subjects of inquiry, this book investigates acting programs in the UK, Ireland, the US, Canada, Australia, and New Zealand. Among the case studies are the Royal Academy of Dramatic Art, National Theatre School of Canada, Western Australian Academy of Performing Arts, and Carnegie Mellon University. All recognized for their distinguished reputations by industry professionals and acting teachers alike, the book examines each program’s pedagogical approach, administrative structure, funding apparatus, and alumni success. In doing so, it identifies the challenges facing acting schools today and offers a new direction for training in the twenty-first century. Actor Training in Anglophone Countries will be of interest to theatre and performance scholars, artists, students, and teachers.

Auditioning for Actor Training Programs
Auditioning for Actor Training Programs

Author: Elizabeth Terrel

Publisher:

Published: 2017-12-12

Total Pages: 232

ISBN-13: 9781516557431

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Written by an actor and educator who has experienced thousands of auditions, and who also teaches in a highly competitive drama program, Auditioning for Actor Training Programs combines practical advice about every aspect of auditioning, from choosing an audition piece to preparing the audition itself, and includes interviews with twenty eight auditors who recruit for the most competitive actor training programs in the country. Part 1 begins by addressing audition preparation, particularly for undergraduate programs. Part 2 features interviews and gives readers insight into "the other side of the table." Part 3 addresses expectations and requirements for graduate programs, while Part 4 presents interviews with graduate program auditors who discuss the specific types of students they seek. Part 5, written primarily for parents and supporters, offers practical guidance about how to have productive conversations regarding educational choices and future career options. With its comprehensive overview of the audition process and insight into the perspective of auditors, Auditioning for Actor Training Programs is an outstanding resource for students at the high school level planning to study dramatic arts in college, and for students and professionals preparing for graduate program auditions. Elizabeth Terrel earned her M.F.A at Northern Illinois University. She is an associate professor at Western Michigan University, where she teaches voice and dialects, movement, and the acting laboratory specialty series. In addition to her work with the university, Professor Terrel is a drama coach and a professional actor on camera and in theatre. She is a founding member of Backbone Ensemble Theatre and a member of both the Actor's Equity Association and the Screen Actor's Guild - American Federation of Television and Radio Artists.

Movement Training for the Modern Actor
Movement Training for the Modern Actor

Author: Mark Evans

Publisher: Routledge

Published: 2009-01-13

Total Pages: 394

ISBN-13: 1135892938

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This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor. The volume looks in detail at the influence of the leading figures in movement training — Laban, Alexander, Copeau and Lecoq — on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school, offering a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of ‘how to’ books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor’s body.

Movement Training for Actors
Movement Training for Actors

Author: Jackie Snow

Publisher: A&C Black

Published: 2013-01-17

Total Pages: 209

ISBN-13: 1408157136

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"This book vividly captures vital and imaginative lessons from one of the most influential and joyous traditions of contemporary actor training. Any actor or teacher, who is devoted to the transformational power of the theatre, will want to return to these pages again and again, finding in them not only the work to be done, but also the inspiration to do it." James Bundy - Dean, Yale School of Drama; Artistic Director, Yale Repertory Theatre Movement training techniques allow actors to acquire the physical body language and non-verbal skills to clearly express the ideas and emotions of their characters. The techniques contained in this book help actors to develop awareness of their own natural posture, walk and rhythm, release the physical imagination and transform into the characters they are portraying, on stage, in film or on television. Movement Training for Actors provides a practical workbook approach to the core fundamentals of movement, fusing together the work of the key practitioners: Sigurd Leeder, Kurt Jooss, Rudolf Laban, Trish Arnold, Litz Pisk, F. M. Alexander, Moshé Feldenkrais, Jerzy Growtowski, Jacques Lecoq and Belinda Quirey. Chapters include Games, Pure Movement, Historical Dance, Acrobatics and Animal Study. The book is illustrated with photographs throughout and contains a DVD featuring over an hour of movement exercises further demonstrating the techniques. Movement Training for Actors is a masterclass on movement written by experienced coach, Jackie Snow and a culmination of her many years of teaching and coaching professionals. The highly practical approach will suit actors of all abilities as well as serving as an inspirational teaching guide.

Latinx Actor Training
Latinx Actor Training

Author: Cynthia Santos DeCure

Publisher: Taylor & Francis

Published: 2023-03-03

Total Pages: 312

ISBN-13: 1000847969

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Latinx Actor Training presents essays and pioneering research from leading Latinx practitioners and scholars in the United States to examine the history and future of Latino/a/x/e actor training practices and approaches. Born out of the urgent need to address the inequities in academia and the industry as Latinx representation on stage and screen remains disproportionately low despite population growth; this book seeks to reimagine and restructure the practice of actor training by inviting deep investigation into heritage and identity practices. Latinx Actor Training features contributions covering current and historical acting methodologies, principles, and training, explorations of linguistic identity, casting considerations, and culturally inclusive practices that aim to empower a new generation of Latinx actors and to assist the educators who are entrusted with their training. This book is dedicated to creating career success and championing positive narratives to combat pervasive and damaging stereotypes. Latinx Actor Training offers culturally inclusive pedagogies that will be invaluable for students, practitioners, and scholars interested in the intersections of Latinx herencia (heritage), identity, and actor training.