The Politics of Alternative Theatre in Britain, 1968-1990

The Politics of Alternative Theatre in Britain, 1968-1990

Author: Maria DiCenzo

Publisher: Cambridge University Press

Published: 1996-11-13

Total Pages: 268

ISBN-13: 9780521554565

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This book examines one of the most influential modern theatre companies, 7:84 (Scotland), under the directorship of John McGrath. 7:84 (Scotland) has been a vital contributor to the place and importance of alternative theatre on the modern British stage. DiCenzo explores the development of this company, the growth of popular theatre in general within the last twenty years and offers a methodology for analysing records and materials found in theatre company archives and illustrates the many issues inherent in running a theatre company, including venues, practitioners and the politics of funding. The book includes valuable primary source material and informative production photographs and company posters.


The Royal Court Theatre and the Modern Stage

The Royal Court Theatre and the Modern Stage

Author: Philip Roberts

Publisher: Cambridge University Press

Published: 1999-11-25

Total Pages: 315

ISBN-13: 0521474388

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An account of the leading forum of the modern stage; includes Foreword by former Director of the Royal Court, Max Stafford-Clark.


Irony and the Modern Theatre

Irony and the Modern Theatre

Author: William Storm

Publisher: Cambridge University Press

Published: 2011-05-05

Total Pages: 267

ISBN-13: 1139499424

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Irony and theatre share intimate kinships, not only regarding dramatic conflict, dialectic or wittiness, but also scenic structure and the verbal or situational ironies that typically mark theatrical speech and action. Yet irony today, in aesthetic, literary and philosophical contexts especially, is often regarded with skepticism - as ungraspable, or elusive to the point of confounding. Countering this tendency, William Storm advocates a wide-angle view of this master trope, exploring the ironic in major works by playwrights including Chekhov, Pirandello and Brecht, and in notable relation to well-known representative characters in drama from Ibsen's Halvard Solness to Stoppard's Septimus Hodge and Wasserstein's Heidi Holland. To the degree that irony is existential, its presence in the theatre relates directly to the circumstances and the expressiveness of the characters on stage. This study investigates how these key figures enact, embody, represent and personify the ironic in myriad situations in the modern and contemporary theatre.


Joan Littlewood's Theatre

Joan Littlewood's Theatre

Author: Nadine Holdsworth

Publisher: Cambridge University Press

Published: 2011-04-14

Total Pages: 335

ISBN-13: 052111960X

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This book investigates Joan Littlewood's theatre productions and her community-based projects and activism, drawing upon extensive primary archival material.


The Russian Theatre After Stalin

The Russian Theatre After Stalin

Author: Anatoly Smeliansky

Publisher: Cambridge University Press

Published: 1999-07-08

Total Pages: 276

ISBN-13: 9780521587945

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This is the first book to explore the world of the theatre in Russia after Stalin. Through his work at the Moscow Art Theatre, Anatoly Smeliansky is in a key position to analyse contemporary events on the Russian stage and he combines this first-hand knowledge with valuable archival material, some published here for the first time, to tell a fascinating and important story. Smeliansky chronicles developments from 1953 and the rise of a new Soviet theatre, and moves through the next four decades, highlighting the social and political events which shaped Russian drama and performance. The book also focuses on major directors and practitioners, including Yury Lyubimov, Oleg Yefremov, and Lev Dodin, among others, and contains a chronology, glossary of names, and informative illustrations.


Theatre Matters

Theatre Matters

Author: Jane Plastow

Publisher: Cambridge University Press

Published: 1998-12-10

Total Pages: 230

ISBN-13: 9780521634434

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This book focuses on how theatre can make and has made positive political and social interventions.


Cultural Protest in Journalism, Documentary Films and the Arts

Cultural Protest in Journalism, Documentary Films and the Arts

Author: Daniel H. Mutibwa

Publisher: Routledge

Published: 2019-02-13

Total Pages: 216

ISBN-13: 1351374885

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Cultural Protest in Journalism, Documentary Films and the Arts: Between Protest and Professionalisation entails a comprehensive account of the history and trajectory of contemporary journalistic, (documentary) film, and arts and cultural actors rooted (partially or wholly) in radical, alternative, community, voluntary, participatory and independent movements primarily in Britain and Germany. It focuses particularly on the examination of production and organisational contexts of selected case studies, some of which date from the countercultural era. The book takes a transnational and interdisciplinary approach encompassing a range of theoretical perspectives – drawn from the political economy of communication tradition; alternative media scholarship; journalism studies; critical sociological and cultural studies of media industries; cultural industries research; and critical and social theory – in conjunction with extensive ethnographic fieldwork. It does so to reveal the obscure nature of media and cultural production and organisation at seventeen media and cultural actors based in Britain and Germany, including South Africa and Nigeria. A particular focus is placed on how such actors balance competing imperatives of a civic/socio-political, professional, artistic and commercial nature as well as various systemic pressures, and on how they navigate the resultant ambivalences, paradoxes and tensions in their day-to-day work. In essence, the book highlights key insights into a changing nature and quality of engagement with social and political realities in protest cultures.


Collective Creation in Contemporary Performance

Collective Creation in Contemporary Performance

Author: Kathryn Mederos Syssoyeva

Publisher: Springer

Published: 2013-08-28

Total Pages: 243

ISBN-13: 1137331275

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This edited volume situates its contemporary practice in the tradition which emerged at the beginning of the twentieth century. Collective Creation in Contemporary Performance examines collective and devised theatre practices internationally and demonstrates the prevalence, breadth, and significance of modern collective creation.