The Bible is by far the leading source of inspiration for Western literature, and in particular, the life of Jesus has drawn the attention of artists and writers throughout the ages. Now, in a volume of astonishing range and originality, Robert Atwan, George Dardess, and Peggy Rosenthal present 280 remarkable poems from world literature focusing on Jesus's life and teaching. Readers accustomed to the predictable inclusions of many anthologies will be surprised and delighted by the diversity of poets represented here, from Aquinas, Dante, de Guevara, Donne, and Sor Juana, to D.H. Lawrence, Gabriela Mistral, Wole Soyinka, Margaret Atwood, Gwendolyn Brooks, Czeslaw Milosz, and Leopold Senghor. Perhaps no other thematically organized anthology could have brought together writers as different as Jorge Luis Borges, Thomas Merton, Alice Walker, Rainer Maria Rilke, and Jack Kerouac. Indeed, simply to turn the page in Divine Inspiration is an adventure in itself. And in terms of form, style, modulations of tone and perspective, the variety here is as unparalleled as it is unpredictable. The editors of Divine Inspiration have done a masterful job of unifying this vast assortment of poems. Organized chronologically around the life of Jesus, the book is divided into nine sections--from Birth and Infancy, through Healings and Miracles, to the Resurrection-- and presents passages from the Gospels followed by the poems they inspired. This structure gives readers the dual pleasures of a strong narrative pull punctuated by moments of lyric intensity. Our familiarity with the life of Jesus is thus enlivened, deepened, and in some cases wholly transformed by the imaginative power of the poems. In the largest section of the book, on the Passion of Jesus, we find an array of poems by Anna Akhmatova, Antonio Machado, Thomas Hardy, Miguel de Unamuno, Charles Baudelaire, R.S. Thomas, Andrew Marvell, Frederico Garcia Lorca, and Denise Levertov, among others. To see the Passion of Jesus refracted through the lenses of such poets is to see it anew, or more vividly than before. And to encounter Chinese, Korean, Nigerian, Arab, Latin American, Scandinavian, Hungarian, and Greek poets alongside English, French, and German is a testimony both to the editors' devoted scholarship and to the power of Jesus's life to inspire great poetry across a spectrum of cultures and eras. An invaluable sourcebook for students, scholars, and general readers alike, Divine Inspiration should prove equally satisfying to readers with a strong interest in religion and to all lovers of poetry.
Viewing prose as a limited way to convey the dream and spirit of the Gospels, this text instead relies upon the power of poetry to provide immediate access to a fresh, radical interpretation of the teachings of Jesus. The original work here separates itself from similar anthologies by showing an ability to rethink everyday faith through empowerment and liberation. O'Murchu uses language in its most direct form to accept the challenge of these prophetic teachings in the modern world. Through the unique freedom of poetry such as this, the full depth and vitality of these beliefs can be grasped and held by a new generation.
Our Father, help us grow in understanding of your great love for us. May our thoughts, our words, and our actions every day express this love, wherever it may be. God, be merciful to us and bless us, look on us with kindness, so that the whole world may know your will, so that all nations may know your salvation. May all the people praise you, O God. We pray in Jesuss name. Amen.
Thomas Gardner artistically describes Jesus--"the Word made flesh"--as a poem penned by God for the world, and John--author of the Fourth Gospel--as the poem's interpreter. John's structural patterns, repetitions, and narrative interventions invite readers to experience for themselves the beauty of the divine poem. John in the Company of Poets deepens this invitation by re-imagining the biblical text through the eyes of such artists as Emily Dickinson, Robert Frost, Wendell Berry, and T. S. Eliot, offering a literary reading of the Gospel based upon their powerful poetic replies. Poets are our best readers, contends Gardner, and his deft analysis forges a fresh path into the issues and tensions of John's Gospel.
A fresh, provocative look at the link between poetry and Christianity, both as it relates to the Bible itself as well as to Christian and religious life, by an accomplished scholar. The Bible is full of poems. In the Old Testament, there are the Psalms and the Song of Songs, the great exhortations and lamentations of the Prophets, and passages of poetry woven in throughout. In the New Testament, Jesus describes the kingdom of heaven with poetic epithets such as “a treasure hid in a field,” calling the Son of God “the true vine,” “the light of the world,” “the good shepherd,” and “the way, the truth, and the life.” The Gospels reverberate with allusions to the poetry of the Old Testament; the last book of all is Revelation, a visionary poem. The Bible, in other words, asks to be read poetically from start to end, and yet readers have rarely considered what that might mean, much less heeded that call. In The Bible and Poetry, the poet and scholar Michael Edwards reshapes our understanding of the Bible and religious belief, arguing that poetry is not an ornamental or accidental feature but is central to both. He speaks personally of his early, unanticipated, transformative encounters with scripture. He offers close, insightful, and resonant readings of biblical passages. Poetry, as he sees it, is the vital and necessary medium of the Creator’s word, and the truth of the Bible is not a question of precepts and propositions but of a direct experience of its poetry, its power.
This unique anthology brings together over 160 poems directly inspired by the Gospels of Matthew, Mark, Luke, and John. Readers will be surprised that such world rand authors as Yeats, Rilke, Borges, Eliot, Plath, Milosz, Lawrence, Pasternak, Celan, Akhmatova, Auden, and Wilbur are incisive biblical commentators as well. The poems, which range in tone from playful to confrontational and from ironic to sublime, are set alongside the biblical passages that inspired them. The Annunciation, the Nativity, the Temptations in the Wilderness, the Sermon on the Mount, the Parables, the Last Supper, the Crucifixion and Resurrection, are just a few of the narratives that have captured these writers' imaginations. In revisting 2000 year old texts with a twentieth-century sensibility, the poets here bring meanin to them, and offer us a renewed appreciation of their importance.
In this dynamic collection of poems, Drew Jackson explores the first eight chapters of Luke's Gospel. These are declarative poems, faithfully proclaiming the gospel story in all its liberative power. Here the gospel is the "fresh words / that speak of / things impossible." This powerful poetry helps us hear the hum of deliverance—against all hope—that's been in the gospel all along.
"In the beginning was the Word . . ."The Gospel of John opens with rich poetic imagery and unfolds into twenty-one chapters full of symbols and signs that point to Jesus Christ as truly human and truly divine. This collection of fifty-six reader's poems, combined with twenty-six original pieces of art printed in full color, offers an inviting first read to those new to the Gospel and fresh perspective to those long familiar with its themes. There is no substitute for reading the Scriptures themselves again and again. This resource, in fact, flows directly from that kind of sustained reading. Like artists throughout the centuries, siblings Samuel Rahberg and Natalie Rahberg have employed the disciplines of writing and visual art to share with others the fruits of their own prayer. May each reader be led back to the Christ revealed in the Gospel of John.Samuel Rahberg is a spiritual director and author in Saint Paul, MN. Natalie Rahberg is a working artist in McKinney, TX.
Contours of Christology in the New Testament features first-class biblical scholars who steep readers in the biblical texts about Jesus. These essays focus on the New Testament writers' various understandings of Jesus, their differing emphases seen as contours in the common landscape of New Testament christology. Sweeping in scope, the volume begins with a look at early christology and covers the whole of the New Testament from the Gospels to Revelation.