The Poetics of Quotation in the European Novel

The Poetics of Quotation in the European Novel

Author: Herman Meyer

Publisher: Princeton University Press

Published: 2015-12-08

Total Pages: 289

ISBN-13: 1400875889

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This work, which has had a pronounced impact on European literary scholarship since its publication in 1961, represents a new and imaginative approach to the history and poetics of the novel. Emil Staiger, dean of Swiss critics, describes Professor Meyer as " ... a literary historian, who has a sense for the mixture of seriousness and playfulness in literature, who can talk seriously about the play and ironically about the seriousness ... who has at his disposal the most thorough knowledge and never becomes ponderous ... writes easily and gracefully." The art of quoting is traced in Rabelais, Cervantes, and Sterne, followed by the development of these techniques in six major novelists from Wieland to Thomas Mann. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Quotology

Quotology

Author: Willis Goth Regier

Publisher: U of Nebraska Press

Published: 2010-10-01

Total Pages: 273

ISBN-13: 0803217528

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Erasmus advised readers to learn quotations by heart and copy them everywhere: write them in the front and back of books; inscribe them on rings and cups; paint them on doors and walls, ?even on the glass of a window.? Emerson noted that ?in Europe, every church is a kind of book or bible, so covered is it with inscriptions and pictures.? In Arabic script as tall as a man, the Koran is quoted on the walls and domes of mosques. ø We quote to admire, provoke, commemorate, dispute, play, and inspire. Quotations signal class, club, clique, and alma mater. They animate wit, relay prophecies, guide meditation, and accessorize fashion. ø In Quotology Willis Goth Regier draws on world literature and contemporary events to show how vital quotations are, how they are collected and organized, and how deceptive they can be. He probes all these aspects, identifying fifty-nine types of quotations, including misquotations and anonymous sayings. Following the logic of quotology, Quotology concludes with famous last words.


Mimesis in Contemporary Theory: The literary and the philosophical debate

Mimesis in Contemporary Theory: The literary and the philosophical debate

Author: Mihai Spariosu

Publisher: John Benjamins Publishing

Published: 1984-01-01

Total Pages: 336

ISBN-13: 9780915027132

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After almost two hundred years of relative obscurity mimesis finds itself again in the limelight of Western theoretical discourse. In the Anglo-American tradition, mimesis or 'imitation' regained some prominence, at the turn of the century, through S.H. Butcher's translation of and introduction to Aristotle's Poetics, and , in the thirties, through the work of the Chicago school, also centered around Aristotle. More recently, mimesis looms large in the work of Auerbach, Burke and Frye. But it is only in the past decade or so, with the publication in France of the work of Barthes, Derrida, Girard, Genette, and some of their collaborators, that mimesis has again become an object of heated controversy on both sides of the Atlantic. The present collection is designed not only to bring fresh points of view to the current debate, by drawing in other theoretical developments beside the Anglo-American and the French, but also to explain why mimesis has so stubbornly haunted our civilization.


The Sanctification of Don Quixote

The Sanctification of Don Quixote

Author: Eric Ziolkowski

Publisher: Penn State Press

Published: 2008-01-18

Total Pages: 294

ISBN-13: 0271033657

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Ziolkowski explores the religious implications of the figure of Don Quixote in Western literature from Cervantes to the present.While scholars and critics in the past have often called attention to the secularizing tendency of modern literature, to the numerous fictional adaptations of the Christ figure on the one hand, and the innumerable literary descendants of Don Quixote on the other, this study is the first to examine a lineage of characters in whom the images of the alleged savior and the mad knight are combined.After considering Don Quixote as the first modern novel, and taking into account its relationship to religion, society, and censorship in seventeenth-century Spain, Ziolkowski traces the history and fate of Don Quixote, the character, through a series of religious transformations over the centuries, focusing on three novels that adapt the Quixote figure: Henry Fielding's Joseph Andrews, Fyodor Dostoevsky's The Idiot, and Graham Greene's Monsignor Quixote. Ziolkowski argues that, given the increased secularization and decline of religious consciousness over the last several centuries, any pursuit of religious values or ideas becomes questionable and this appears &"quixotic&" insofar as it stands in contradiction to the sociohistorical context. He concludes that religious existence, for the few who pursue it in suffering, which means that the religious person feels temporally displaced for adhering to a seemingly obsolete faith and lifestyle.


The Picaresque

The Picaresque

Author: Carmen Benito-Vessels

Publisher: University of Delaware Press

Published: 1994

Total Pages: 204

ISBN-13: 9780874134582

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"Like cartographers after the Treaty of Versailles, contemporary critics of picaresque literature are hard at work redrawing lines and polemicizing boundaries in an attempt to resolve prevailing problems of definition and method. To reevaluate this canon of texts and to address critical issues, a group of internationally renowned scholars gathered in April 1989 for a two-day conference, "The Picaresque: A Symposium on the Rogue's Tale," which was held at the University of Maryland at College Park and sponsored by the Center for Renaissance and Baroque Studies in conjunction with the Department of Spanish and Portuguese. The essays in this volume grew out of this scholarly exchange and map out an unusually broad landscape of contemporary critical concern." "The volume opens with an essay by Marina S. Brownlee, which addresses whether there is an "essential feature, configuration, or environment that determines the presence of a picaresque text." In his study of classicity in the Spanish Golden Age, Joseph V. Ricapito examines the Perez translation of the Odyssey and its link with the Spanish picaresque genre. Bruno M. Damiani's essay focuses on Lozana Andaluza as an important link between Celestina and the Lazarillo and investigates traits common in the later novel of roguery. "The Picaresque and Autobiography" by Randolph D. Pope examines the split vision of autobiography in Golden Age picaresque. Calhoun Winton looks into the rise of the picaresque novel in seventeenth-century London printing and publishing practice. Studying pamphlets, chapbooks, and periodicals, he poses the question: By whom were these examples of the picaresque mode written, for what reward, and with what audience in mind? Jerry C. Beasley's "Translation and Cultural Translatio" addresses questions of the translation of picaresque texts and the impact of this genre on novelistic discourse throughout Europe. In his essay Gerald Gillespie contextualizes Grimmelshausen's The Adventurous German Simplicissimus in French comic and satiric and Spanish disillusionistic modes. Nancy Vogeley examines Lizardi's Don Catrin de la Fechenda in the context of the Enlightenment and redefinition and politicization of the concepts of vice and virtue and discusses how these changing thought patterns facilitated the task of American writers who were then rethinking their political and moral landscape. Jerome Christensen's essay on Lord Byron investigates with primary and secondary textual sources the meaning of picaresque in Don Juan, establishes the vitality of the genre in this work, and looks into the distinction made between tuum and meum. The closing essay, Mario M. Gonzalez's "The Brazilian Picaresque," presents an overview of the genre in Brazilian literature." "This volume represents the diversity of scholarly approaches to the study of picaresque and opens up new questions concerning the picaresque canon, especially regarding its criteria for the definition of parameters that include elements from classical antiquity to contemporary theory."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Beethoven Forum 4

Beethoven Forum 4

Author: Beethoven Forum

Publisher: U of Nebraska Press

Published: 1996-02-01

Total Pages: 226

ISBN-13: 9780803239166

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In "Deconstructing Periodization," Tia DeNora examines how historical depictions of Beethoven's work in late eighteenth-century Vienna. K. M. Knittel have tended to impose patterns rather than reveal them. When perceived through modern sociological and ethnographic methods, Beethoven's early career is neither as neat nor as evolutionary as often supposed. K. M. Knittel also looks critically at traditional assumptions in "Imitation, Individuality, and Illness: Behind Beethoven's Three Styles." Two of Beethoven's most beloved piano sonatas are placed in wider cultural contexts by Janet Schmalfeldt and Thomas Sipe. Schmalfeldt examines "Form as the Process of Becoming: The Beethoven-Hegelian Tradition and the 'Tempest' Sonata: and Sipe considers the critical reception of op. 57 in "Beethoven, Shakespeare, and the 'Appassionata'." Beethoven's Fifth Symphony is his most famous, sometimes, it seems, too famous to be heard afresh. But Richard Taruskin identifies a potential borrowing in "Something New about the Fifth." And, drawing on Beethoven's sketches, Alain Frogley demonstrates subtle connections between rhythmic patterns and tonal plan in" Beethoven's Struggle for Simplicity in the Sketches for the Third Movement of the Sixth Symphony." In "Florestan Reading Fidelio," Christopher Reynolds clarifies how Romantic composers trod the narrow path between emulating great composers and expressing themselves originally. Reynolds looks at Brahms and Wagner, among others, with special attention to Schumann's studies of Fidelio. In "Beethoven with or without Kunstgepräng': Metrical Ambiguity Reconsidered," . William Rothstein contributes a precise analysis of one of Beethoven's complex compositional techniques.


Seferis and Elytis as Translators

Seferis and Elytis as Translators

Author: Irene Loulakaki-Moore

Publisher: Peter Lang

Published: 2010

Total Pages: 398

ISBN-13: 9783039119189

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George Seferis and Odysseus Elytis gave the Modern Greek language a substantial corpus of translations from poets working in French, Italian, Spanish, Russian, English and Ancient Greek. However, the translation practices of these two Nobel Prize-winning poets have long been inadequately observed. The present volume provides a close examination of Seferis' and Elytis' inter- and intra-lingual verse translations with the aim of discovering their translating techniques and their personal and public goals in pursuing the act of translation. Similarities and differences between the two poets are highlighted comparatively. The methodological approach, informed by recent findings in the field of descriptive translation studies and polysystem theories, investigates the function of translation in the target culture and the relation of translation to original poetic production. Throughout the book the study of translation is shown to be a powerful tool for the study of Modern Greek literature and its relation to other literatures and movements of the time, while the task of the translator and the task of the writer unfold as two components of the same endeavour.


Proust, Mann, Joyce in the Modernist Context, Second Edition

Proust, Mann, Joyce in the Modernist Context, Second Edition

Author: Gerald Gillespie

Publisher: CUA Press

Published: 2010-09

Total Pages: 393

ISBN-13: 0813217881

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The original version of Proust, Mann, Joyce in the Modernist Context strove to show how a kindred encyclopedic drive and sacramental sense informed their responses to the epochal trauma, yielding three distinct and monumental visions of the human estate by the 1920s.