The author, Ms. Arpita Roy, has written her first English poetry book “The Poetic Melody”. This book is about the universe, self-help, humanity, peace, science, nature, love, break-up, friendship and many more shades of life. Please listen to the poetic melody of this book. This book makes you feel good and helps you to gain a bit confidence too. Hopefully you find a friend in this book. You can share your feedback at: [email protected]
The author, Ms. Arpita Roy, has written her first English poetry book "The Poetic Melody". This book is about the universe, self-help, humanity, peace, science, nature, love, break-up, friendship and many more shades of life. Please listen to the poetic melody of this book. This book makes you feel good and helps you to gain a bit confidence too. Hopefully you find a friend in this book.
Within these pages, writers have put their love for music into words. A book filled with poetic melodies about how music makes them feel, how it relates to them; how they use it, and tell us about the type of music and legends they love. Each poet will take the time to breathe life into compositions filled with emotional harmony. Each poem, meant to take the reader on a musical journey; where one can sprout rhythmic wings and fly into symphonic dreams for just a moment. Donna J. Sanders, Author
Melody Lee's long anticipated debut book is a kaleidoscope of relatable emotions written through the use of poetry and lyrical prose. Her use of imagery flows effortlessly from one poem to another creating a portrait the reader can easily visualize. Each poem in this book represents a slice of her timeless soul. Melody's poetry is a multi-faceted journey through the inner workings of her mind and keeps the reader engaged as it inspires and enlightens. From her darkest poem to her brightest poetic verse, Melody Lee's poetry is a collection of heartfelt sentiments; some cutting, some healing, introspective, spiritual, and cathartic. She writes about freedom, love, demons, loss, fear, hope, faith and many other factors that embody the human condition. 302 pages.
Readers have called her work “life changing,” “pandemic medicine,” and “part of my daily ritual.” Oprah Magazine and the Today Show have featured her work for its timely, uplifting wisdom. Now, Self Love Philosopher Melody Godfred shares her first poetry book, Self Love Poetry: For Thinkers & Feelers, a collection of 200 thought-provoking and heart-opening self love poems. In Self Love Poetry, Godfred explores concepts like authenticity, surrender, resilience, gratitude, believing in yourself, and of course, love, through 100 pairs of poems, each dedicated to a central theme. On the left side of the book are "thinker" poems that light up the analytical, more literal, left side of the brain, and on the right side are companion "feeler" poems that speak to the creative, more emotional right side of the brain. Combined, the poems electrify the mind, body and soul through a completely unique poetry experience that inspires each of us to embrace all parts of ourselves. This empowering poetry book will not only engage you to think and feel, but will make you feel seen, show you how to love yourself, and encourage you to seek out the hope and beauty in the world … and in yourself. It’s the perfect gift for yourself or someone you love, especially after a most difficult year.
A collection of poetry from the 2019 winner of the National Poetry Series, selected by Rosanna Warren In her remarkable and assured debut, Alexandria Hall explores the boundaries and limits of language, place, and the self, as well as the complicated space between safety and danger, intimacy and isolation, playfulness and seriousness, home and away. With a keen eye for the importance of place, Hall shows us daily life in rural Vermont, illuminating the beauty and difficulty inherent in the dichotomies of human language and experience. Incisive and tender, Field Music is a thoughtful and alert collection from a major emerging voice.
In these essays, acclaimed poet and critic Anthony Hecht explores the ways in which poetry can be read and the many pleasures it affords. Ranging from Shakespeare's sonnets to Eliot, Frost, and Simic, Melodies Unheard offers profound insight into poetic form, meter, rhyme, and meaning--into the mysteries of poetry itself. Anthony Hecht's vast knowledge of literature and his gift for mesmerizing argument are both amply present in Melodies Unheard. Whether defending the sestina against accusations of boredom and dolefulness or examining the structure of Shakespeare's sonnets or unraveling some of the complexity of Moby-Dick, these essays are models of civility, candor, and grace. I know of no other poet, certainly none of Anthony Hecht's stature, who sheds as much light on the intricacies and hidden designs of poems and who does it with such style.--Mark Strand Anthony Hecht declares himself 'a poet first and only secondarily a critic, ' but Melodies Unheard proves again that he is a master in both trades. His discourse on such subjects as rhyme, the sestina, and 'the music of forms' is both scholarly and delightful; his articles on individual poets are finely done; and best of al
Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.
Wallace Stevens’s musicality is so profound that scholars have only begun to grasp his ties to the art of music or the music of his own poetry. In this study, two long-time specialists present a polyphonic composition in which they pursue various interlocking perspectives. Their case studies demonstrate how music as a temporal art form may affect a poetic of ephemerality, sensuous experience, and affective intensification. Such a poetic, they argue, invites flexible interpretations that respond to poetry as an art of textual performance. How did Stevens enact the relation between music and memory? How can we hear his verse as a form of melody-making? What was specific to his ways of recording birdsong? Have we been missing the latent music of Richard Strauss, Gustav Mahler, and Claude Debussy in particular poems? What were the musical poetics he shared with Igor Stravinsky? And how is our experience of the late poetry transformed when we listen to a musical setting by Ned Rorem? The Poetic Music of Wallace Stevens will appeal to experts in the poet’s work, students of Modernism in the arts, and a wider audience fascinated by the dynamics of exchange between music and poetry.
Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder . Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, "The Language of the Performer," deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directed toward students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, and analyzing, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the book features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end of chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song.
