English Alliterative Verse

English Alliterative Verse

Author: Eric Weiskott

Publisher: Cambridge University Press

Published: 2016-10-27

Total Pages: 255

ISBN-13: 1107169658

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A revisionary account of the 900-year-long history of a major poetic tradition, explored through metrics and literary history.


Joinings

Joinings

Author: Jonathan Davis-Secord

Publisher: University of Toronto Press

Published: 2016-05-09

Total Pages: 261

ISBN-13: 1442625260

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The first comprehensive study of the use of compound words in Old English poetry, homilies, and philosophy, Joinings explores the effect of compounds on style, pace, clarity, and genre in Anglo-Saxon vernacular literature. Jonathan Davis-Secord demonstrates how compounds affect the pacing of passages in Beowulf, creating slow-motion narrative at moments of significant violence; how their structural complexity gives rhetorical emphasis to phrases in the homilies of Wulfstan; and how they help to mix quotidian and elevated diction in Cynewulf’s Juliana and the Old English translations of Boethius. His work demonstrates that compound words were the epitome of Anglo-Saxon vernacular verbal art, combining grammar, style, and culture in a manner unlike any other feature of Old English.


Early English Poetic Culture and Meter

Early English Poetic Culture and Meter

Author: Lindy Brady

Publisher: Medieval Institute Publications

Published: 2016-10-21

Total Pages: 200

ISBN-13: 1580442439

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This volume develops G. R. Russom's contributions to early English meter and style, including his fundamental reworkings and rethinkings of accepted and oft-repeated mantras, including his word-foot theory, concern for the late medieval context for alliterative meter, and the linguistics of punctuation and translation as applied to Old English texts. Ten eminent scholars from across the field take up Russom's ideas to lead readers in new and exciting directions.


Alfred's metres of Boethius

Alfred's metres of Boethius

Author: Alfred (King of England)

Publisher:

Published: 1991

Total Pages: 220

ISBN-13:

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In these poems, King Alfred re-built the Latin verses from Boethius' De Consolatione Philosophiae (`On the Consolation of Philosophy') into new alliterative poems, via an Old English prose intermediary. The stirring images and stories of Boethius' original are retained - streams, legends, animals, volcanoes - and developed for an Anglo-Saxon audience to include the Gothic invasion of Italy (Metre 1), the figure of Welland the Smith (Metre 10), and the hugely disconcerting image of Death's hunt for Mankind (Metre 27). In this new edition clarity of text, informative notes and a helpful glossary have been a priority, for this is one of the most approachable of Old English verse texts; its relative neglect by specialists will mean this text will come as a new experience to many practised students of the language.


The Medieval Consolation of Philosophy

The Medieval Consolation of Philosophy

Author: Noel Harold Kaylor, Jr.

Publisher: Routledge

Published: 2019-07-08

Total Pages: 161

ISBN-13: 0429614802

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Originally published in 1992 The Medieval Consolation of Philosophy is an annotated bibliography looking at the scholarship generated by the translations of the works of Boethius. The book looks at translations which were produced in medieval England, France, and Germany and addresses the influence exercised by Boethius, which extended into almost every area of medieval intellectual and artistic life. The book acts in two ways, as a whole the book acts as a bibliography and study of the European tradition of Consolatio translations, but viewed on a chapter-by-chapter basis, it is a collection of independent bibliographies on the individual vernacular traditions. The book contains separate chapters looking at the Consolatio traditions of medieval France and Germany.


The Poetics of Old English

The Poetics of Old English

Author: Tiffany Beechy

Publisher: Routledge

Published: 2016-02-24

Total Pages: 153

ISBN-13: 1317021010

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Combining literary analysis and theoretical linguistics, Tiffany Beechy's timely and engaging study provides a critical reassessment of Old English texts that challenges the distinction between Anglo-Saxon prose and verse, ultimately recognizing an inherent poetic nature present in all Old English texts. While the poetic nature of Beowulf, due to the regular meter and heroic story, is recognized, this study demonstrates that poetry is a more widespread phenomenon than previously thought; poetic patterning can be found across the Old English corpus, both in verse and in so-called prose. Informed by Jakobsonian linguistics and oral theory, Beechy's analysis focuses on the text itself to identify unique poetic strategies. This demonstration includes a comparison between King Alfred's Old English version of Boethius' Consolatio Philosophiae and the Latin original; the poetic quality of prose homilies; poetic epistemology in law codes, riddles, and charms; and unconventional poetics even in traditional verse texts, such as the short lyric 'Deor' and the long poem Christ I. The Poetics of Old English brings interrelated developments in linguistics and literary theory to the study of Anglo-Saxon language and culture, showing that Old English texts, when considered at the level of language, are surprisingly sophisticated.


The Complete Old English Poems

The Complete Old English Poems

Author:

Publisher: University of Pennsylvania Press

Published: 2017-01-31

Total Pages: 1248

ISBN-13: 0812293215

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From the riddling song of a bawdy onion that moves between kitchen and bedroom to the thrilling account of Beowulf's battle with a treasure-hoarding dragon, from the heart-rending lament of a lone castaway to the embodied speech of the cross upon which Christ was crucified, from the anxiety of Eve, who carries "a sumptuous secret in her hands / And a tempting truth hidden in her heart," to the trust of Noah who builds "a sea-floater, a wave-walking / Ocean-home with rooms for all creatures," the world of the Anglo-Saxon poets is a place of harshness, beauty, and wonder. Now for the first time, the entire Old English poetic corpus—including poems and fragments discovered only within the past fifty years—is rendered into modern strong-stress, alliterative verse in a masterful translation by Craig Williamson. Accompanied by an introduction by noted medievalist Tom Shippey on the literary scope and vision of these timeless poems and Williamson's own introductions to the individual works and his essay on translating Old English poetry, the texts transport us back to the medieval scriptorium or ancient mead-hall, to share a herdsman's recounting of the story of the world's creation or a people's sorrow at the death of a beloved king, to be present at the clash of battle or to puzzle over the sacred and profane answers to riddles posed over a thousand years ago. This is poetry as stunning in its vitality as it is true to its sources. Were Williamson's idiom not so modern, we might think that the Anglo-Saxon poets had taken up the lyre again and begun to sing once more.