A misunderstood wolf writes poems about his forest home and friends in this breathtaking picture book Black Bear-ies Cute black fruit snack. Tiny. Shiny. Pick some, lick thumbs. Cub grub. The Poet Wolf loves to write pithy verse in the pine forest, but his forest friends see not a poet, but a hungry wolf. That is, until they listen to his lovely poems about life in the woods and discover that behind this apex predator is a sensitive soul who prefers to eat not his furry fellow creatures, but crisp pears.
"Emma Wilson Emery (1885-1970) spent her childhood in the Big Thicket of southeast Texas. She later lived in Nacogdoches, Tex., and worked as typesetter for the Daily Plaindealer. She graduated from nursing school at Shreveport, La., in 1911 and later became the first poet laureate of Louisiana between 1942 and 1970."--Louisiana State University.
Late summer 1941. Louisianas piney woods are engulfed by a tidal wave of soldiers engaged in the largest army maneuvers ever undertaken on American soil. For many of these young men, as well as the isolated Southern communities, life will never be the same. Although no one knows it, our nation will be at war in three months. Elizabeth Reed is a young Louisiana schoolteacher who dislikes soldiers. Harry Miller is a Wisconsin soldier who hates Louisiana. It only makes sense that they should meet and fall in love. Their story begins with a bulletan empty cartridge tossed from a truckload of soldiers. The note inside it will change the destinies of these two young people. In the midst of large-scale battles between the red and blue armies, Harry and Elizabeth are each fighting their own war with dark secrets from their pasts. They have nothing in common except mutual desires to escape these pasts. In spite of clashing at every turn, they run right into each others arms as they jointly learn that the hardest person to forgive is yourself. Within this clash of cultures lies the core message of A Spent Bullet. Rural Louisiana is never the same, and neither are the soldiers who learn about Louisiana mud, mosquitoes, and misery mixed with memorable Southern hospitality. More than a love story, A Spent Bullet recreates a memorable but largely forgotten time in Louisiana and our nations history. Told in the warm and touching style loved by readers of his previous eight books, Curt Iles weaves a story of love, history, and redemption.
Piney Wood Atlas is a project by Carolina Porras & Alicia Toldi that catalogues small, emerging, and unconventional artist residencies around the United States. This book focuses on the Northwest region.
Who says words need to be concrete? This collection shapes poems in surprising and delightful ways. Concrete poetry is a perennially popular poetic form because they are fun to look at. But by using the arrangement of the words on the page to convey the meaning of the poem, concrete or shape poems are also easy to write! From the author of the incredibly inventive Lemonade: And Other Poems Squeezed from a Single Word comes another clever collection that shows kids how to look at words and poetry in a whole new way.
In 1925, Henry Stuart leaves his home and grown sons in Idaho to move to the woods on the eastern shore of Mobile Bay, Alabama, where he builds a round house and lives for more than two decades on the property he names after Leo Tolstoy.
"A supernatural wonder of a book. This Grimm-like fantasy is vividly detailed and will appeal to young and old readers alike." --School Library Journal (STARRED REVIEW) "Toalson intersperses Lenora's story with Richard's journal excerpts and an enigmatic, menacing character's first-person narrative, all of which lends context and dimension. The seamless blend of fantastical and realistic elements is particularly effective at exploring the multifaceted impact of tragedy and loss." --Booklist "Mysterious and beautifully rendered, R.L Toalson's THE WOODS is a heartbreaking story of family, magic and grief that will touch readers' hearts." --Samantha M Clark, author of THE BOY, THE BOAT, AND THE BEAST After a tragic explosion causes Lenora to lose her family, she goes to live with her estranged uncle at his estate. There, Lenora is drawn to the nearby woods and the magic she discovers within them. Can this magic reunite her with her family, or is it more sinister than she realizes? Twelve-year-old Lenora's world is turned upside down after an explosion makes her the lone surviving member of her immediate family. She has nowhere to go, until her estranged Uncle Richard shows up and takes her away to live with him in his lonely mansion. Quiet and stern, he spends most of his time in his study conducting research and experimenting. Lenora is able to explore parts of the mansion and its lovely gardens, but Uncle Richard has one rule for her: Stay out of the woods. Years ago, Lenora's cousin, Bobby went into Gilgevnah Woods and never came out. Now, Uncle Richard will do anything he can to destroy them. Lenora knows she is meant to stay away, but her grief and loneliness draw her in. Upon entering the woods, she finds a world full of enchantment and beauty. Lenora befriends Bela the Scorlaman, keeper of Gilgevnah Woods, who shows her the wonder and the mystery of the place, but also promises to reunite her with her family. Is it too good to be true? Will Lenora find peace in the magic of Gilgevnah Woods, or will she find something darker? The Woods is an entrancing magical realism novel from author R.L. Toalson that tackles profound loss, grief, and finally, acceptance.
At the center of this stellar collection are three sisters and their imaginative fear of grief. Their great-uncle was bitten by a shark, their mother has a brain tumor, their neighbor hangs himself from a tree—and to cope with these very real terrors, the oldest sister creates an intimate fantasy world. We hear stories of a mountain lion that slaughters a deer, a transparent body washed up on a beach, a selkie who ventures to shore and becomes their mother: “On land her pelt was heavy / like stewed velvet, so she taught herself / to take it off.” The sisters’ environment of ocean and sand, forests and farmhouses, forms a lush backdrop to many of these poems. But later, as the speaker ages, we find ourselves in the mountains, in an art museum, in a spacecraft where a recorded voice “has the soft accent of someone only a generation or two removed from Earth.” The voice in these poems is the perfect mix of grief and imagination, quiet and explosion. Stay Safe is delicate and extraordinary, a powerful debut.
James Whitehead's third volume of poetry, Hear at Hand, is a compelling collection of meditative and narrative poems. A master at weaving colloquial language into polished lines, Whitehead always evokes a sense of place in his poems. They are peopled by vivid, authentic characters--a district attorney, a judge, a country music star, a college traveler, the poet himself, among others. Herein are love poems, elegics, satires, and poems that reckon with the question of God. There is obsession and humor and dread, and there is also joy.
