The Plays and Poems of William Heminge

The Plays and Poems of William Heminge

Author: William Hemings

Publisher: Fairleigh Dickinson Univ Press

Published: 2006

Total Pages: 480

ISBN-13: 9780838640395

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Containing his complete works, this text offers a biography of William Heminge, the son of Shakespeare's colleague John Heminge. It also includes texts of his two surviving tragedies, and the small group of poems assigned to him in contemporary manuscripts.


The Book of Will

The Book of Will

Author: Lauren Gunderson

Publisher: Dramatists Play Service, Inc.

Published: 2018-06-18

Total Pages: 95

ISBN-13: 0822237725

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Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.


The Plays and Poems of William Shakspeare, in Sixteen Volumes. Collated Verbatim with the Most Authentick Copies, and Revised: with the Corrections and Illustrations of Various Commentators; to which are Added, an Essay on the Chronological Order of His Plays; an Essay Relative to Shakspeare and Jonson; a Dissertation on the Three Parts of King Henry 6. An Historical Account of the English Stage, and Notes; by Edmond Malone

The Plays and Poems of William Shakspeare, in Sixteen Volumes. Collated Verbatim with the Most Authentick Copies, and Revised: with the Corrections and Illustrations of Various Commentators; to which are Added, an Essay on the Chronological Order of His Plays; an Essay Relative to Shakspeare and Jonson; a Dissertation on the Three Parts of King Henry 6. An Historical Account of the English Stage, and Notes; by Edmond Malone

Author: William Shakespeare

Publisher:

Published: 1794

Total Pages: 286

ISBN-13:

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The Destruction of Jerusalem in Early Modern English Literature

The Destruction of Jerusalem in Early Modern English Literature

Author: Beatrice Groves

Publisher: Cambridge University Press

Published: 2015-09-16

Total Pages: 283

ISBN-13: 1316419185

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This book explores the fall of Jerusalem and restores to its rightful place one of the key explanatory tropes of early modern English culture. Showing the importance of Jerusalem's destruction in sermons, ballads, puppet shows and provincial drama of the period, Beatrice Groves brings a new perspective to works by canonical authors such as Marlowe, Nashe, Shakespeare, Dekker and Milton. The volume also offers a historically compelling and wide-ranging account of major shifts in cultural attitudes towards Judaism by situating texts in their wider cultural and theological context. Groves examines the continuities and differences between medieval and early modern theatre, London as an imagined community and the way that narratives about Jerusalem and Judaism informed notions of English identity in the wake of the Reformation. Adopting an interdisciplinary approach, this volume will interest researchers and upper-level students of early modern literature, religious studies and theatre.


Who Hears in Shakespeare?

Who Hears in Shakespeare?

Author: Laury Magnus

Publisher: Lexington Books

Published: 2012

Total Pages: 285

ISBN-13: 1611474744

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This volume, examining the ways in which Shakespeare's plays are designed for hearers as well as spectators, has been prompted by recent explorations of the auditory dimension of early modern drama by such scholars as Andrew Gurr, Bruce Smith, and James Hirsh. To look at the dynamics of hearing in Shakespeare's plays involves a paradigm shift that changes how we understand virtually everything about them, from the architecture of the buildings, to playing spaces, to blocking, and to larger interpretative issues, including our understanding of character based on players' responses to what they hear, mishear, or refuse to hear. Who Hears in Shakespeare? Auditory Worlds on Stage and Screen is comprised of three sections on Shakespeare's texts and performance history: "The Poetics of Hearing and the Early Modern Stage"; "Metahearing: Hearing, Knowing, and Audiences, Onstage and Off"; and "Transhearing: Hearing, Whispering, Overhearing, and Eavesdropping in Film and Other Media." Chapters by noted scholars explore the complex reactions and interactions of onstage and offstage audiences and show how Shakespearean stagecraft, actualized on stage and adapted on screen, revolves around various situations and conventions of hearing--soliloquies, asides, avesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing. The volume ends with Stephen Booth's afterword, his inspiring meditation on hearing that considers Shakespearean "audiences" and their responses to what they hear--or don't hear--in Shakespeare's plays.


Shakespeare on Theatre

Shakespeare on Theatre

Author: William Shakespeare

Publisher: Hal Leonard Corporation

Published: 2013-04-01

Total Pages: 216

ISBN-13: 1623160332

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(Book). Shakespeare was a man of the theatre to his core, so it is no surprise that he repeatedly contemplated the nuts and bolts of his craft in his plays and poems. Shakespeare scholar Nick de Somogyi here draws together all the cherishable set pieces including "All the world's a stage," Hamlet's encounters with the Players, and Bottom's amateur theatricals along with many other oblique but no less revealing glances, and further insights into theatre practice by Shakespeare's contemporaries and rivals. De Somogyi's commentary takes us through the entire process of Shakespeare's theatrical production, from its casting and auditions, via rehearsals, costumes, and props, to its premiere and audience reception. Shakespeare on Theatre eavesdrops on the urgently whispered noises-off in the "tiring-house" and inhales the heady aroma of the Globe's first audiences.