The Playgoer and Society Illustrated
Author:
Publisher:
Published: 1909
Total Pages: 582
ISBN-13:
DOWNLOAD EBOOKPosts
Willing's Press Guide and Advertisers' Directory and Handbook
Author:
Publisher:
Published: 1911
Total Pages: 472
ISBN-13:
DOWNLOAD EBOOKA Social History of British Performance Cultures 1900-1939
Author: Maggie B. Gale
Publisher: Routledge
Published: 2019-11-26
Total Pages: 388
ISBN-13: 1351397192
DOWNLOAD EBOOKThis book provides a new social history of British performance cultures in the early decades of the twentieth century, where performance across stage and screen was generated by dynamic and transformational industries. Exploring an era book-ended by wars and troubled by social unrest and political uncertainty, A Social History of British Performance Cultures 1900–1939 makes use of the popular material cultures produced by and for the industries – autobiographies, fan magazines and trade journals, as well as archival holdings, popular sketches, plays and performances. Maggie B. Gale looks at how the performance industries operated, circulated their products and self-regulated their professional activities, in a period where enfranchisement, democratization, technological development and legislation shaped the experience of citizenship. Through close examination of material evidence and a theoretical underpinning, this book shows how performance industries reflected and challenged this experience, and explored the ways in which we construct our ‘performance’ as participants in the public realm. Suited not only to scholars and students of British theatre and theatre history, but to general readers as well, A Social History of British Performance Cultures 1900–1939 offers an original intervention into the construction of British theatre and performance histories, offering new readings of the relationship between the material cultures of performance, the social, professional and civic contexts from which they arise, and on which they reflect.
Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts
Author: Claire Mabilat
Publisher: Routledge
Published: 2017-07-05
Total Pages: 280
ISBN-13: 1351555545
DOWNLOAD EBOOKRepresentations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.
Film and Fairy Tales
Author: Kristian Moen
Publisher: Bloomsbury Publishing
Published: 2013-05-07
Total Pages: 304
ISBN-13: 0857722212
DOWNLOAD EBOOKFar from a realm of pure fantasy helping people to escape harsh realities, fairy tales and the films that rooted themselves in their tropes and traditions played an integral role in formulating and expressing the anxieties of modernity as well as its potential for radical, magical transformation. In Film and Fairy Tales, Kristian Moen examines the role played by fairy tales in shaping cinema, its culture, and its discourse during its most formative years. Well-established by the feerie of the nineteenth century as popular entertainment and visual spectacle, the wonders of mutability offered by fairy tale fantasies in the early films of Melies situated cinema itself as a realm of enchantment rife with enthralling and disturbing possibilities. Through an analysis of early film theorists and a detailed case study of Tourneur's 1918 film The Blue Bird, Moen shows how the spectacles and tropes of the fairy tale continued to shape ideas of cinema's place in modern life. Stars like Mary Pickford and Marguerite Clark, who not only played fantasy roles but presented their off-screen personae in deliberately fantastic terms, and the transformative claims of modernity expressed through visions such as Orientalist fairylands are analysed to show the extent to which fairy tales were used to negotiate different experiences of modernity - the giddy adventures of social mobility, consumer culture and identity transformation, the threats and anxieties of cultural change, impermanence and mutability. Moen traces the evolution of the fairy tale in film to its self-aestheticising peak in Snow White and the Seven Dwarfs, alongside ironic allusions in films like Hitchcock's Rebecca and Howard Hawks' Ball of Fire, concluding with an examination of how fairy tale visions of fantastic transformation have seen a resurgence in contemporary cinema, from Tim Burton to Harry Potter. In the process, he shows how cinema made fairy tales modern - and fairy tales helped make cinema what it is today.
Victorian Spectacular Theatre 1850-1910
Author: Michael R. Booth
Publisher: Routledge
Published: 2015-07-24
Total Pages: 245
ISBN-13: 131738945X
DOWNLOAD EBOOKOriginally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.
Exploring Sexuality and Disability
Author: Shanna Katz Kattari
Publisher: Taylor & Francis
Published: 2023-09-01
Total Pages: 358
ISBN-13: 1000937429
DOWNLOAD EBOOKOffering a current, comprehensive, and intersectional guide for students, practitioners, and researchers, this book synthesizes existing scholarship on culturally responsive practices that assist in exploring, understanding, and affirming the sexuality(ies) of disabled, chronically ill, neurodivergent, and Mad individuals. Drawing on an intersectional framework, it integrates insights drawn from an interdisciplinary body of scholarship including psychology, social work, sociology, history, political science, women and gender studies, cultural studies, and education along with perspectives from the practitioners who are actively defining the next generation of best practices. By highlighting the incredible resilience and resistance of disabled individuals’ and communities’ sexuality and sexual well-being, this book challenges narratives that rely primarily on a one-dimensional view derived from the medical model and the view of disability as something to be “fixed” – or at least tolerated – rather than celebrated. In a world that pathologizes and devalues the sexual existence of disabled individuals, it illustrates how to create thriving communities and relationships, and how they can organize to find their voice, providing a counter-narrative of empowerment that fosters hopefulness, power, and health. It will be of interest to all scholars, students, and professionals across a variety of professions, including social work, psychology, counseling, policy, healthcare, education, community organizing, and multiple social service settings.
