A unique and intriguing collection of short stories from such contributors as Arthur C. Clarke, Ray Bradbury, and Ursula K. LeGuin covers such topics as the Golden Age, New Wave, Cyberpunk, and Virtual Sex. Reprint.
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
“Ellen Datlow is the queen of anthology editors in America.”—Peter Straub With original stories by Jeffrey Ford, Pat Cadigan, Elizabeth Bear, Margo Lanagan, and others From Del Rey Books and award-winning editor Ellen Datlow, two of the most respected names in science fiction and fantasy, comes a collection of fifteen all-new short stories, plus a science fiction novella, that could count as a virtual “best of the year” anthology. Here you will find slyly twisted alternate histories, fractured fairy tales, topical science fiction, and edgy urban fantasy. In “Daltharee,” World Fantasy Award–winning author Jeffrey Ford spins a chilling tale of a city in a bottle—and the demented genius who put it there. In “Sonny Liston Takes the Fall,” John W. Campbell Award–winning author Elizabeth Bear pens a poignant and eerie requiem for the heavyweight forever associated with his controversial loss to Cassius Clay. From hot new writer Margo Lanagan comes “The Goosle,” a dark, astonishing take on Hansel and Gretel. In the novella “Prisoners of the Action,” Paul McAuley and Kim Newman take a trip down a rabbit hole that leads to a Guantanamo-like prison whose inmates are not just illegal but extraterrestrial. Many of the writers you’ll recognize. Others you may not. But one thing is certain: These stars of today and tomorrow demonstrate that the field of speculative fiction is not only alive and well—it’s better than ever. PLUS TWELVE MORE STORIES “The Elephant Ironclads” by Jason Stoddard “Ardent Clouds” by Lucy Sussex “Gather” by Christopher Rowe “North American Lake Monsters” by Nathan Ballingrud “All Washed Up While Looking for a Better World” by Carol Emshwiller “Special Economics” by Maureen F. McHugh “Aka St. Mark’s Place” by Richard Bowes “Shira” by Lavie Tidhar “The Passion of Azazel” by Barry N. Malzberg “The Lagerstätte” by Laird Barron “Gladiolus Exposed” by Anna Tambour “Jimmy” by Pat Cadigan
This one volume anthology explores the last two hundred years of Science Fiction and Fantasy--featuring women and men authors of various ethnic backgrounds, and a range of both traditional canonical literature and popular culture. Designed to heighten interest in a fun and exciting topic, this book will lead readers to meaningful intellectual, social, and historic investigations. Contributing authors include Mary W. Shelly, Edgar Allen Poe, Nathaniel Hawthorne, Charles Dickens, Louisa May Alcott, Harriet Beecher Stowe, Bram Stoker, Stephen King, J.R.R. Tolkien, Jules Verne, Jack London, Ray Bradbury, and Kurt Vonnegut. For fans of science fiction, fantasy, and the stories presented here, who appreciate that they represent the best of humanity, and include potential warnings for where humanity is headed.
With Reading the Obscene, Jordan Carroll reveals new insights about the editors who fought the most famous anti-censorship battles of the twentieth century. While many critics have interpreted obscenity as a form of populist protest, Reading the Obscene shows that the editors who worked to dismantle censorship often catered to elite audiences composed primarily of white men in the professional-managerial class. As Carroll argues, transgressive editors, such as H. L. Mencken at the Smart Set and the American Mercury, William Gaines and Al Feldstein at EC Comics, Hugh Hefner at Playboy, Lawrence Ferlinghetti at City Lights Books, and Barney Rosset at Grove Press, taught their readers to approach even the most scandalizing texts with the same cold calculation and professional reserve they employed in their occupations. Along the way, these editors kicked off a middle-class sexual revolution in which white-collar professionals imagined they could control sexuality through management science. Obscenity is often presented as self-shattering and subversive, but with this provocative work Carroll calls into question some of the most sensational claims about obscenity, suggesting that when transgression becomes a sign of class distinction, we must abandon the idea that obscenity always overturns hierarchies and disrupts social order. Winner of the 2022 MLA Prize for Independent Scholars, sponsored by the Modern Language Association