Excerpt from The Picture Book of Earlier Buffalo About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This stunning hardcover book pays tribute to Buffalo's architectural heritage. Striking full-color photographs by Andy Olenick and an engaging text by Richard O. Reisem make this a keepsake for admirers of outstanding buildings and landscapes. Represented in this attractive coffee-table book are dozens of prominent commercial public buildings, churches, educational institutions, clubs and private residences. Included are dramatic interior and exterior photographs that capture the buildings' architectural splendor.
Excerpt from My Life With Buffalo Bill Mr. Sorenson drove steadily and as fast as the trail and the horses' stamina would let him. We pulled into Choteau just as the sun was sending its last lingering traces out Of the mountains to the west - a drooping, mournful red that seemed in tune with our low spirits. We had never before made the trip into Choteau in one day's drive, so we were all tuckered out. Pa's Old friend, John Miller, the liveryman, as always, let us sleep in the livery stable Office. Perhaps, if Ma had let me, I would have meandered out into the wonders Of the streets Of the town again for I had been to town only two or three times in my life. But Ma was too wise for that and I soon slept. 'once or twice during the night I woke to hear a horse stomp an iron shoe against the slivered boards Of his stall. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from An Autobiography of Buffalo Bill (Colonel W. F. Cody) I AM about to take the back-trail through the Old West - the West that I knew and loved. All my life it has been a pleasure to show its beauties, its marvels and its possibilities to those who, under my guidance, saw it for the first time. Now, going back over the ground, looking at it through the eyes of memory, it will be a still greater pleasure to take with me the many readers of this book. And if, in following me through some of the exciting scenes of the old days, meet ing some of the brave men who made its stirring history, and listening to my camp-fire tales of the buffalo, the Indian, the stage-coach and the pony express, their interest in this vast land of my youth should be awakened, I should feel richly repaid. The Indian, tamed, educated and inspired with a taste for white collars and moving-pictures, is as numerous as ever, but not so picturesque. On the little tracts of his great inheritance allotted him by civilization he is working out his own manifest destiny. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
At the end of the American Civil War, Charley - a young African-American slave - is ostensibly freed. But then her adopted mother is raped and lynched at the hands of a mob and Charley is left alone. In a terrifyingly lawless land, where the colour of a person's skin can bring violent death, Charley disguises herself as a man and joins the army. Soon, she's sent to the prairies to fight a whole new war against the 'savage Indians'. Trapped in a world of injustice and inequality, it's only when Charley is posted to Apache territory that she begins to learn what it is to be truly free.
A prowling wildcat finds a surprise in an old dried-up buffalo skull. A group of mice are dancing the night away and not paying attention to the dangers around them. Does the wildcat spell doom for the mice, or will they escape to safety? Dance in a Buffalo Skull is an American Indain tale of danger and survival on the Great Plains.
The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and one of our most important voices on the African American experience comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.
