The Pictorial Press

The Pictorial Press

Author: Mason Jackson

Publisher: BoD – Books on Demand

Published: 2018-05-23

Total Pages: 350

ISBN-13: 3732699323

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Reproduction of the original: The Pictorial Press by Mason Jackson


The Pictorial Press

The Pictorial Press

Author: Mason Jackson

Publisher: London : Hurst and Blackett

Published: 1885

Total Pages: 388

ISBN-13:

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This work examines the history and evolution of pictorial press.


The Pictorial Press: Its Origin and Progress

The Pictorial Press: Its Origin and Progress

Author: Mason Jackson

Publisher: Good Press

Published: 2019-12-12

Total Pages: 256

ISBN-13:

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"The Pictorial Press: Its Origin and Progress" is a treatise on the use of pictorial form in newspapers. It gives a history on the subject, discussing various events as captured in the newspapers, from Sir Francis Drake's explorations, to various storms and natural disasters of the seventeenth century and the English Civil War. The author emphasizes the fact of universal understanding of pictorial form by even the most illiterate of men.


Indians Illustrated

Indians Illustrated

Author: John M Coward

Publisher: University of Illinois Press

Published: 2016-06-30

Total Pages: 241

ISBN-13: 0252098528

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After 1850, Americans swarmed to take in a raft of new illustrated journals and papers. Engravings and drawings of "buckskinned braves" and "Indian princesses" proved an immensely popular attraction for consumers of publications like Frank Leslie's Illustrated Newspaper and Harper's Weekly . In Indians Illustrated , John M. Coward charts a social and cultural history of Native American illustrations--romantic, violent, racist, peaceful, and otherwise--in the heyday of the American pictorial press. These woodblock engravings and ink drawings placed Native Americans into categories that drew from venerable "good" Indian and "bad" Indian stereotypes already threaded through the culture. Coward's examples show how the genre cemented white ideas about how Indians should look and behave--ideas that diminished Native Americans' cultural values and political influence. His powerful analysis of themes and visual tropes unlocks the racial codes and visual cues that whites used to represent--and marginalize--native cultures already engaged in a twilight struggle against inexorable westward expansion.


Making Pictorial Print

Making Pictorial Print

Author: Alison Hedley

Publisher: University of Toronto Press

Published: 2021

Total Pages: 246

ISBN-13: 1487506732

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Applying media theory to late-Victorian print, Making Pictorial Print shows how popular illustrated magazines developed a new design interface that encouraged dynamic engagement and media literacy in the British public.


Winslow Homer and the Pictorial Press

Winslow Homer and the Pictorial Press

Author: David Tatham

Publisher: Syracuse University Press

Published: 2003-04-01

Total Pages: 296

ISBN-13: 9780815629740

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Winslow Homer (1836-1910), arguably the best-known American artist of the nineteenth century, created three distinctly different bodies of work in the course of his long career: paintings, book illustrations, and illustrations for the pictorial press, the magazine-like illustrated journals of his day. A number of books and exhibition catalogues have dealt with his career as a painter, and historian David Tatham treated all of Homer's work as an illustrator of literature in his Winslow Homer and the Illustrated Book. Now, ten years later, Tatham has completed a full, scholarly account of Homer's work for pictorial magazines such as Harper's Weekly, Appleton's Monthly, and Every Saturday. Homer's work for pictorial magazines is substantial, to say the least. It amounts to some 250 wood-engraved images published between 1857 and 1875. These wood engravings are collected assiduously and are exhibited frequently in museums. They differ from Homer's book illustrations in that they are independent from the texts; Homer chose and treated the great majority of his magazine subjects much as he did his paintings. They are, in essence, original works of graphic art. The illustrations reproduced here cover a remarkable range. They constitute the first substantial body of American art about the life of the city streets, the Thanksgiving and Christmas holidays, abolition, and the New Woman. They include compelling treatments of the Civil War, rural childhood, and wilderness. They also comprise an essential contribution to the study of one of the masters of American art.


The Pictorial Arts of the West, 800-1200

The Pictorial Arts of the West, 800-1200

Author: Charles Reginald Dodwell

Publisher: Yale University Press

Published: 1993-01-01

Total Pages: 484

ISBN-13: 9780300064933

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Between the ninth and thirteenth centuries the Western world witnessed a glorious flowering of the pictorial arts. In this lavishly illustrated book, C.R. Dodwell provides a comprehensive guide to all forms of this art--from wall and panel paintings to stained glass windows, mosaics, and embroidery--and sets them against the historical and theological influences of the age. Dodwell describes the rise and development of some of the great styles of the Middle Ages: Carolingian art, which ranged from the splendid illuminations appropriate to an emperor's court to drawings of great delicacy; Anglo-Saxon art, which had a rare vitality and finesse; Ottonian art with its political and spiritual messages; the colorful Mozarabic art of Spain, which had added vigor through its interaction with the barbaric Visigoths; and the art of Italy, influenced by the styles of Byzantium and the West. Dodwell concludes with an examination of the universal Romanesque style of the twelfth century that extended from the Scandinavian countries in the north to Jerusalem in the south. His book--which includes the first exhaustive discussion of the painters and craftsmen of the time, incorporates the latest research, and is filled with new ideas about the relations among the arts, history, and theology of the period--will be an invaluable resource for both art historians and students of the Middle Ages.


Looking Into Pictures

Looking Into Pictures

Author: Heiko Hecht

Publisher: MIT Press

Published: 2003

Total Pages: 446

ISBN-13: 9780262083102

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In this text, philosophers, psychologists and art historians explore the implications of theories of vision for our understanding of the nature of pictorial representation and picture perception.


Picture Theory

Picture Theory

Author: W. J. T. Mitchell

Publisher: University of Chicago Press

Published: 1995-09

Total Pages: 466

ISBN-13: 9780226532325

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What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.


Image and Myth

Image and Myth

Author: Luca Giuliani

Publisher: University of Chicago Press

Published: 2013-09-11

Total Pages: 356

ISBN-13: 022602590X

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On museum visits, we pass by beautiful, well-preserved vases from ancient Greece—but how often do we understand what the images on them depict? In Image and Myth, Luca Giuliani tells the stories behind the pictures, exploring how artists of antiquity had to determine which motifs or historical and mythic events to use to tell an underlying story while also keeping in mind the tastes and expectations of paying clients. Covering the range of Greek style and its growth between the early Archaic and Hellenistic periods, Giuliani describes the intellectual, social, and artistic contexts in which the images were created. He reveals that developments in Greek vase painting were driven as much by the times as they were by tradition—the better-known the story, the less leeway the artists had in interpreting it. As literary culture transformed from an oral tradition, in which stories were always in flux, to the stability of written texts, the images produced by artists eventually became nothing more than illustrations of canonical works. At once a work of cultural and art history, Image and Myth builds a new way of understanding the visual culture of ancient Greece.