This entertaining memoir provides a glimpse into the comedies, tragedies, and mundane miracles witnessed from the business perspective of a world-traveling lounge musician.
Virginia Lloyd spent much of her childhood and adolescence learning and playing the piano and thought she would make a career as a pianist. When that didn't happen, she spent a long time wondering about those years of study: had they been wasted? What was their purpose? This intriguing memoir explores those questions and investigates the mystery of the author's very musical and deeply unhappy grandmother Alice, and how their lives--both at and away from the piano--intersected and diverged. Girls at the Piano also explores the changing relationship between women and the piano over the course of the instrument's history, taking us from the salons of 18th-century Europe to an amateur jazz workshop in Manhattan in the early 21st century. Funny, tender and fascinating, Girls at the Piano is an elegant and multi-layered meditation on identity, ambition and doubt, and on how learning the piano had a profound effect on two women worlds and generations apart. It is essential reading for music lovers everywhere, and for anyone who has undertaken their own voyage around a piano.
She plays from memory. Her memories. The day after her sixteenth birthday, Princess Alia finds out that she's been given away in marriage to a man she's never met. The war has just ended, and for Alia's protection, she must travel to her future kingdom disguised as a chicken farmer's daughter. This princess to pauper story is filled with problems, prayers and plenty of piano. Part one and two are combined in paperback.
A renowned concert pianist traces the instrument's design, manufacture, and music in a delightful "piano's eye-view" of the social history of Western Europe and the United States from the 16th to the 20th centuries.
Three musical sisters honour their mother with a piano recital every year in her memory. They compete with one another, practising in secret to see who can be the best. In other stories, music, food, and restaurants are themes. There is a woman who fends off a seducer by cooking up a storm; Fire Lady prepares flambe dishes in a restaurant. There is a cat called Min; an agonising breakup in a luxury hotel; a young woman obsessed with her breasts. The stories cover a wide range from schooldays and ballet lessons ('The Soul of Kate') to advanced age ('Scottie') where an elderly woman is the pet of a group of rakish young men. The style is engaging, humorous, but invariably compassionate. Introducing Elizabeth Smither as a fellow of The Academy of New Zealand Literature Louise O'Brien writes: 'I read Elizabeth Smither for the optimistic and freeing possibilities in her resistance to closure or conclusion, in character, narrative and, also, in life more broadly. Her stories acknowledge the uncontrollable messiness of life, the ragged edges of a self, the chaos of experience, the many aspects of an individual, and finds melody in the discord. Using multiple narrative perspectives and voices, moving between multiple places and times, her novels and stories accumulate the facets of a life and native without ever suggesting that these can be exhausted.'
A pianist in lounges and lobbies around the world, Robin Meloy Goldsby tells her warm-hearted stories by linking people she has met with places she has played. Along the way, she connects the humanity of her audiences—princes and paupers, dreamers and doers, moguls, mobsters, wanna-bes, and has-beens—with the quiet soundtrack of her peripatetic, melodic life. Goldsby's autobiographical stories and essays deliver insights into the art and craft of piano playing, the merits of live music, and how the right song at the right moment can add color and depth to a drab, one dimensional world. Music, it turns out, connects us in unpredictable ways.
An illustrated account of the childhood of jazz pianist, composer, and arranger Mary Lou Williams in Pittsburg, Pennsylvania, in the early twentieth century.
This delightfully written book examines every aspect of the history of the piano over the past 300 years. This new edition includes 47 color photos and 14 illustrations.
Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos explores the many-layered relationships female fans build with feminist musicians in general and with Tori Amos, in particular. Using original interview research with more than forty fans of Tori Amos, multiple observer-participant experiences at Amos’s concerts, and critical content analysis of Amos’s lyrics and larger body of work, Adrienne Trier-Bieniek utilizes a combination of gender, emotions, music, and activism to unravel the typecasts plaguing female fans. Trier-Bieniek aggressively challenges the popular culture stereotypes that have painted all female fans as screaming, crying teenage girls who are unable to control themselves when a favorite (generally male) performer occupies the stage. In stunning contrast, admirers of Tori Amos comprise a more introspective category of fan. Sing Us a Son, Piano Woman examines the wide range of stories from these listeners, exploring how Amos’s female fans are unique because Amos places the experiences of women at the center of her music. Tori Amos’s fan base is considered devoted because of the deeply emotional, often healing, connection they have to her music, an aspect that has been overlooked, particularly in sociological and cultural research on gender, emotions and music. Tori Amos’s female fans as a social phenomenon are vital for understanding the multi-layered relationships women can have with female singer/songwriters. At a time when superficial women dominate public media presentations, from the Kardashians to the “Real Housewives,” the relationship between Tori Amos and her fans illustrates the continuous search by women for female performers who challenge patriarchal standards in popular culture. Trier-Bieniek’s research serves as a springboard for further study of women in pop culture whose purpose is empower and provoke their fans, as well as change society.