Chopin: The Piano Concertos
Chopin: The Piano Concertos

Author: John Rink

Publisher: Cambridge University Press

Published: 1997-11-27

Total Pages: 154

ISBN-13: 9780521446600

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Chopin's E minor and F minor Piano Concertos played a vital role in his career as a composer-pianist. Praised for their originality and genius when he performed them, the concertos later attracted censure for ostensible weaknesses in form, development and orchestration. They also suffered at the hands of editors and performers, all the while remaining enormously popular. This handbook re-evaluates the concertos against the traditions that shaped them so that their many outstanding qualities can be fully appreciated. It describes their genesis, Chopin's own performances and his use of them as a teacher. A survey of their critical, editorial and performance histories follows, in preparation for an analytical 're-enactment' of the music - that is, a narrative account of the concertos as embodied in sound, rather than in the score. The final chapter investigates Chopin's enigmatic 'third concerto', the Allegro de concert. Chopin: The Piano Concertos has won the Wilk Book Prize for Research in Polish Music.

Piano concertos nos. 1, 2, and 3
Piano concertos nos. 1, 2, and 3

Author: Sergei Rachmaninoff

Publisher: Courier Corporation

Published: 1990-01-01

Total Pages: 403

ISBN-13: 0486263509

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Rachmaninoff's compositions for piano and orchestra won him an important position among modern composers. The works that made his reputation include these three piano concertos, reprinted from authoritative full-score Russian editions.

Mozart's Piano Concertos
Mozart's Piano Concertos

Author: Neal Zaslaw

Publisher: University of Michigan Press

Published: 1996

Total Pages: 502

ISBN-13: 9780472103140

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A celebration and exploration of a monumental achievement

Mozart's Piano Concertos
Mozart's Piano Concertos

Author: Simon P. Keefe

Publisher: Boydell & Brewer

Published: 2001

Total Pages: 217

ISBN-13: 085115834X

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This study investigates the interactive relationship between the piano and the orchestra in Mozart's concertos by exploring the historical implications and hermeneutic potential of dramatic dialogue.

Mozart and His Piano Concertos
Mozart and His Piano Concertos

Author: Cuthbert Girdlestone

Publisher: Courier Corporation

Published: 2012-11-12

Total Pages: 514

ISBN-13: 0486310833

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Classic of music criticism provides detailed studies of 23 of Mozart's piano concertos, offering 417 musical examples and authoritative information on the works' form, tone, style, and balance.

Mozart's Piano Concertos
Mozart's Piano Concertos

Author: C. M. Girdlestone

Publisher: Read Books Ltd

Published: 2013-01-04

Total Pages: 445

ISBN-13: 1447486994

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This early work on Mozart's Piano Concertos is both expensive and hard to find in its first edition. It contains analyses of the themes and structure of some of Mozart's greatest piano compositions. This is a fascinating work and thoroughly recommended for anyone interested in music theory. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

The Cambridge Companion to Schumann
The Cambridge Companion to Schumann

Author: Beate Perrey

Publisher: Cambridge University Press

Published: 2007-06-28

Total Pages:

ISBN-13: 1139826379

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This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.

The Complete Original Cadenzas to the Piano Concertos
The Complete Original Cadenzas to the Piano Concertos

Author: Wolfgang Amadeus Mozart

Publisher: Alfred Music

Published: 1996-08-01

Total Pages: 156

ISBN-13: 9781457454356

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Many of Mozart's own cadenzas are preserved, but many more that he improvised in performance were never written down. In that spirit, famed pianist Lili Kraus sensed an obligation and a challenge to follow the tradition of using her own cadenzas where no original was available. This collection, then contains Mozart's original cadenzas as well as editorial versions by Ms. Kraus for Concertos 1-27.

The Concerto
The Concerto

Author: Michael Steinberg

Publisher: Oxford University Press

Published: 2000-10-26

Total Pages: 523

ISBN-13: 019802634X

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Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.