Chopin: The Piano Concertos

Chopin: The Piano Concertos

Author: John Rink

Publisher: Cambridge University Press

Published: 1997-11-27

Total Pages: 154

ISBN-13: 9780521446600

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Chopin's E minor and F minor Piano Concertos played a vital role in his career as a composer-pianist. Praised for their originality and genius when he performed them, the concertos later attracted censure for ostensible weaknesses in form, development and orchestration. They also suffered at the hands of editors and performers, all the while remaining enormously popular. This handbook re-evaluates the concertos against the traditions that shaped them so that their many outstanding qualities can be fully appreciated. It describes their genesis, Chopin's own performances and his use of them as a teacher. A survey of their critical, editorial and performance histories follows, in preparation for an analytical 're-enactment' of the music - that is, a narrative account of the concertos as embodied in sound, rather than in the score. The final chapter investigates Chopin's enigmatic 'third concerto', the Allegro de concert. Chopin: The Piano Concertos has won the Wilk Book Prize for Research in Polish Music.


Piano concertos nos. 1, 2, and 3

Piano concertos nos. 1, 2, and 3

Author: Sergei Rachmaninoff

Publisher: Courier Corporation

Published: 1990-01-01

Total Pages: 403

ISBN-13: 0486263509

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Rachmaninoff's compositions for piano and orchestra won him an important position among modern composers. The works that made his reputation include these three piano concertos, reprinted from authoritative full-score Russian editions.


Mozart's Piano Concertos

Mozart's Piano Concertos

Author: Simon P. Keefe

Publisher: Boydell & Brewer

Published: 2001

Total Pages: 217

ISBN-13: 085115834X

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This study investigates the interactive relationship between the piano and the orchestra in Mozart's concertos by exploring the historical implications and hermeneutic potential of dramatic dialogue.


Mozart and His Piano Concertos

Mozart and His Piano Concertos

Author: Cuthbert Girdlestone

Publisher: Courier Corporation

Published: 2012-11-12

Total Pages: 514

ISBN-13: 0486310833

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Classic of music criticism provides detailed studies of 23 of Mozart's piano concertos, offering 417 musical examples and authoritative information on the works' form, tone, style, and balance.


The piano concertos

The piano concertos

Author: Frédéric Chopin

Publisher: Courier Corporation

Published: 1993-01-01

Total Pages: 194

ISBN-13: 0486274985

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A practical way for pianists to learn, practice, and rehearse, this volume features a pair of brilliant concertos arranged for two pianos. The first piano part is the original solo piano part; the second, a skillful reduction of the original orchestra parts. This edition has been reproduced from the acclaimed Joseffy edition.


Sylvia

Sylvia

Author: Léo Delibes

Publisher: Alfred Music

Published: 1996-02-01

Total Pages: 156

ISBN-13: 9781457488153

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A ballet in three acts and four scenes by Léo Delibes.


Mozart's Piano Concertos

Mozart's Piano Concertos

Author: Neal Zaslaw

Publisher: University of Michigan Press

Published: 1996

Total Pages: 502

ISBN-13: 9780472103140

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A celebration and exploration of a monumental achievement


The piano concerti in full score

The piano concerti in full score

Author: Franz Liszt

Publisher: Courier Corporation

Published: 1986-01-01

Total Pages: 160

ISBN-13: 9780486252216

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Authoritative Breitkopf & Hartel editions of Piano Concerto No. 1 in E-flat Major and Piano Concerto No. 2 in A major. Unabridged. "


The Cambridge Companion to Schumann

The Cambridge Companion to Schumann

Author: Beate Perrey

Publisher: Cambridge University Press

Published: 2007-06-28

Total Pages:

ISBN-13: 1139826379

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This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.