Handy resource for jazz listeners and hardcore fans. Spanning players from eighty years of history, this bold book steps forward and claims who are the greatest. Compiled from an extensive survey conducted with the best jazz minds in the education, publishing and entertainment worlds, noted jazz journalist Gene Rizzo summarized the chosen and presents a concise bio on the essence of these jazz giants. Choices were made on the basis of chops, originality, creativity, and degree of influence. This book will either confirm some readers' opinions or open debate with others, but ultimately the book provides an impressive summary of the greatest jazz piano players of all time. A photo accompanies each listing * Landmark recordings are listed * Extra lists include the next twenty to be selected, the top women players and an alphabetical list of all the other players considered
"The recordings made by Marc-Andre Hamelin in recent years have cast new light on an extraordinary group of composers - Alkan, Busoni, Feinberg, Godowsky, Medtner, Rachmaninov, Scriabin, and Sorabji - whose works heralded a Golden Age of virtuosic writing for the piano." "The Eight, as author Robert Rimm has termed these composer-pianists, have much in common, traits shared in our own age with Marc-Andre Hamelin, their foremost interpreter. For all their evident differences of age, nationality, and philosophy, they each created music of unprecedented ingenuity - often complex and of immense scale - that stretched the limits of the piano's capabilities. And all were genuine virtuosos with the technical resources to play these demanding works in public." "The volume includes rare photographs and concludes with an extensive bibliography, listings of the complete solo piano works of The Eight, and discographies of their solo piano recordings. In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, "both as a fascinating, exhaustive study of the riches of the past and as a stimulating inspiration for the future.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The dramatic findings of a ground-breaking study of 120 immensely talented individuals reveal astonishing new information on developing talent in young people. • The Nature of the Study and Why It Was Done • Learning to Be a Concert Pianist • One Concert Pianist • The Development of Accomplished Sculptors • The Development of Olympic Swimmers • One Olympic Swimmer • Learning to Be a World-Class Tennis Player • The Development of Exceptional Research Mathematicians • One Mathematician: “Hal Foster” • Becoming an Outstanding Research Neurologist • Phases of Learning • Home Influences on Talent Development • A Long-Term Commitment to Learning • Generalizations About Talent Development
"This useful volume should be on every pianist's bookshelf." --Piano & Keyboard "... a unique and valuable tool for teachers, students, performers... " --Library Journal The Pianist's Bookshelf comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use presentation, Maurice Hinson surveys hundreds of resource materials, providing clear, practical annotations for each item, thus saving the user hours of precious library time. In addition to the main listing of entries, the book has several topical indexes.
Presents profiles of eighty-eight jazz pianists, from Jelly Roll Morton, born in New Orleans in 1890, to Wisconsin's Geoff Keezer, born in 1970, with interviews and critiques, photographs, and a sampler CD.
(Piano/Vocal/Guitar Songbook). There are songs for everyone in this collection of over 50 popular hits from Disney movies past and present arranged for piano, voice and guitar. It features classics from Cinderella and Peter Pan as well as modern favorites from Coco and Tangled and much more. Also includes songs from the movies: 101 Dalmatians, Aladdin, Alice in Wonderland, The AristoCats, Frozen, Hercules, Lady and the Tramp, The Lion King, The Little Mermaid, Moana, Mary Poppins, Pocahontas, Sleeping Beauty, Toy Story and more.
One of the great mysteries of music is how it affects us in multitude of ways. Whether talking about our individual tastes as listeners, or individual differences as performers, what are the psychological qualities that can turn some people into great musicians, but not others? Is it down to genes, sheer hard work, or some other quality in the individual? The Natural Musician is the story of how we become composers, performers, or just discriminating listeners. It searches for those psychological traits essential for turning one into a musician. Unlike many others, Kirnarskaya does believe in the existence of talent, but argues that it is due to multiplicative factors, which she describes, analyses, and shows how to test. She also sheds light on the essence and origins of perfect pitch, examines the triumphs and tortures of musical prodigies, and considers the implications of her theories for the teaching of music. After a foreword from the legendary conductor, Gennady Rodhestvensky, the book looks at our basic musical faculties - how we perceive sounds, distinguish their pitch and structure, and recognise rhythm. It then examines the nature of musical empathy - what it is that allows us to perceive and emotionally connect with music. The second part of the book focuses on the creative processes behind writing music. The third section deals with music education, looking at the role of innate and inherited characteristics in the formation of talent, and considering why many who excel at an early age, burn out later on. The book ends exploring how musical development can shape the human brain, strengthening other cognitive faculties, including those unrelated to music. This is a book that will fascinate anyone with an interest in music and musicians, from the fields of music psychology and education, to musicians themselves, whether amateur and professional.