This book brings together philosophical discussions of symmetry in physics, highlighting the main issues and controversies. It covers all the fundamental symmetries of modern physics, as well as discussing symmetry-breaking and general interpretational issues. For each topic, classic texts are followed by review articles and short commentaries.
This Element is a concise, high-level introduction to the philosophy of physical symmetry. It begins with the notion of 'physical representation' (the kind of empirical representation of nature that we effect in doing physics), and then lays out the historically and conceptually central case of physical symmetry that frequently falls under the rubric of 'the Relativity Principle,' or 'Galileo's Ship.' This material is then used as a point of departure to explore the key hermeneutic challenge concerning physical symmetry in the past century, namely understanding the physical significance of the notion of 'local' gauge symmetry. The approach taken stresses both the continuity with historically important themes such as the Relativity Principle, as well as novel insights earned by working with contemporary representational media such as the covariant phase space formalism.
Many literary critics seem to think that an hypothesis about obscure and remote questions of history can be refuted by a simple demand for the production of more evidence than in fact exists. The demand is as easy to make as it is impossible to satisfy. But the true test of an hypothesis, if it cannot be shown to con?ict with known truths, is the number of facts that it correlates and explains. Francis M. Cornford [1914] 1934, 220. It was in the autumn of 1997 that the research project leading to this publication began. One of us [GH], while a visiting fellow at the Center for Philosophy of Science (University of Pittsburgh), gave a talk entitled, “Proportions and Identity: The Aesthetic Aspect of Symmetry”. The presentation focused on a confusion s- rounding the concept of symmetry: it exhibits unity, yet it is often claimed to reveal a form of beauty, namely, harmony, which requires a variety of elements. In the audience was the co-author of this book [BRG] who responded with enthusiasm, seeking to extend the discussion of this issue to historical sources in earlier periods. A preliminary search of the literature persuaded us that the history of symmetry was rich in possibilities for new insights into the making of concepts. John Roche’s brief essay (1987), in which he sketched the broad outlines of the history of this concept, was particularly helpful, and led us to conclude that the subject was worthy of monographic treatment.
Metaphysicians speak of laws of nature in terms of necessity and universality; scientists do so in terms of symmetry and invariance. This book argues that no metaphysical account of laws can succeed. The author analyses and rejects the arguments that there are laws of nature, or that we must believe that there are. He argues that we should discard the idea of law as an inadequate clue to science. After exploring what this means for general epistemology, the book develops the empiricist view of science as a construction of models to represent the phenomena. Concepts of symmetry, transformation, and invariance illuminate the structure of such models. A central role is played in science by symmetry arguments, and it is shown how these function also in the philosophical analysis of probability. The advocated approach presupposes no realism about laws or necessities in nature.
In this book Rickles considers several interpretative difficulties raised by gauge-type symmetries (those that correspond to no change in physical state). The ubiquity of such symmetries in modern physics renders them an urgent topic in philosophy of physics. Rickles focuses on spacetime physics, and in particular classical and quantum general relativity. Here the problems posed are at their most pathological, involving the apparent disappearance of spacetime! Rickles argues that both traditional ontological positions should be replaced by a structuralist account according to which relational structure is what the physics is about. · Unified treatment of gauge symmetries and their relationship to ontology in physics · Brings philosophy of space and time into step with developments in modern physics · Argues against the received view on the implications of symmetries in physics · Provides elementary treatments of technical issues · Illustrates a novel defense of structuralism
Discusses Themes For Understanding The Philosophical Foundations Of Symmetry This Analysis Is In 2 Parts; Metaphysical And Phenomenological. Also Addresses The Aesthetics Of Symmetry Including The Relation Between Beauty And Symmetry In Part Three.
Symmetry is a classic study of symmetry in mathematics, the sciences, nature, and art from one of the twentieth century's greatest mathematicians. Hermann Weyl explores the concept of symmetry beginning with the idea that it represents a harmony of proportions, and gradually departs to examine its more abstract varieties and manifestations—as bilateral, translatory, rotational, ornamental, and crystallographic. Weyl investigates the general abstract mathematical idea underlying all these special forms, using a wealth of illustrations as support. Symmetry is a work of seminal relevance that explores the great variety of applications and importance of symmetry.
In the 1800s mathematicians introduced a formal theory of symmetry: group theory. Now a branch of abstract algebra, this subject first arose in the theory of equations. Symmetry is an immensely important concept in mathematics and throughout the sciences, and its applications range across the entire subject. Symmetry governs the structure of crystals, innumerable types of pattern formation, how systems change their state as parameters vary; and fundamental physics is governed by symmetries in the laws of nature. It is highly visual, with applications that include animal markings, locomotion, evolutionary biology, elastic buckling, waves, the shape of the Earth, and the form of galaxies. In this Very Short Introduction, Ian Stewart demonstrates its deep implications, and shows how it plays a major role in the current search to unify relativity and quantum theory. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
