The Philosophy of Laughter and Smiling
Author: George Vasey
Publisher:
Published: 1875
Total Pages: 246
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: George Vasey
Publisher:
Published: 1875
Total Pages: 246
ISBN-13:
DOWNLOAD EBOOKAuthor: George Vasey
Publisher:
Published: 1875
Total Pages: 244
ISBN-13:
DOWNLOAD EBOOKAuthor: Pierre Destrée
Publisher:
Published: 2019
Total Pages: 305
ISBN-13: 0190460547
DOWNLOAD EBOOKAncient philosophers were very interested in questions about laughter, humor and comedy. They theorized about laughter and its causes, moralized about the appropriate uses of humor and what it is appropriate to laugh at, and wrote treaties on comedic composition. This volume explores themes that were important for ancient philosophers: the psychology of laughter, the ethical and social norms governing laughter and humor, and the philosophical uses of humor and comedic technique.
Author: George VASEY (Miscellaneous Writer.)
Publisher:
Published: 1875
Total Pages: 244
ISBN-13:
DOWNLOAD EBOOKAuthor: Anca Parvulescu
Publisher: MIT Press
Published: 2010-08-27
Total Pages: 227
ISBN-13: 0262514745
DOWNLOAD EBOOKUncovering an archive of laughter, from the forbidden giggle to the explosive guffaw. Most of our theories of laughter are not concerned with laughter. Rather, their focus is the laughable object, whether conceived of as the comic, the humorous, jokes, the grotesque, the ridiculous, or the ludicrous. In Laughter, Anca Parvulescu proposes a return to the materiality of the burst of laughter itself. She sets out to uncover an archive of laughter, inviting us to follow its rhythms and listen to its tones. Historically, laughter—especially the passionate burst of laughter—has often been a faux pas. Manuals for conduct, abetted by philosophical treatises and literary and visual texts, warned against it, offering special injunctions to ladies to avoid jollity that was too boisterous. Returning laughter to the history of the passions, Parvulescu anchors it at the point where the history of the grimacing face meets the history of noise. In the civilizing process that leads to laughter's “falling into disrepute,” as Nietzsche famously put it, we can see the formless, contorted face in laughter being slowly corrected into a calm, social smile. How did the twentieth century laugh? Parvulescu points to a gallery of twentieth-century laughers and friends of laughter, arguing that it is through Georges Bataille that the century laughed its most distinct laugh. In Bataille's wake, laughter becomes the passion at the heart of poststructuralism. Looking back at the century from this vantage point, Parvulescu revisits four of its most challenging projects: modernism, the philosophical avant-gardes, feminism, and cinema. The result is an overview of the twentieth century as seen through the laughs that burst at some of its most convoluted junctures.
Author: Vittorio Hösle
Publisher:
Published: 2007
Total Pages: 116
ISBN-13:
DOWNLOAD EBOOKIn this extended essay, Vittorio H sle develops a theory of the comical and applies it to interpret both the recurrent personae played by Woody Allen the actor and the philosophical issues addressed by Woody Allen the director in his films. Taking Henri Bergson's analysis of laughter as a starting point, H sle integrates aspects of other theories of laughter to construct his own more finely-articulated and expanded model. With this theory in hand, H sle discusses the incongruity in the characters played by Woody Allen and describes how these personae are realized in his work. H sle focuses on the philosophical issues in Allen's major films by exploring the identity problem in Play It Again, Sam and Zelig, the shortcomings of the positivist concept of reality in A Midsummer Night's Sex Comedy, the relation between reality and art in The Purple Rose of Cairo, the objective validity of morality in Crimes and Misdemeanors, the power of evil in Shadows and Fog, and the relation between art and morality in Bullets over Broadway. He cites Allen's virtuosic reinterpretation of older forms of expression and his integration of the fantastic into the comic universe--elements like the giant breasts, anxious sperm, extraterrestrials, ghosts, and magicians that populate his movies--as formal moves akin to those of Aristophanes. Both an overview of Allen's work and a philosophical analysis of laughter, H sle's study demonstrates why Allen's films have more to offer us--morally, philosophically, and artistically--than just a few laughs. "In Woody Allen, Vittorio H sle goes a long way toward explaining everything you wanted to know about Allen but were afraid to ask. Just why exactly is he funny, and why does his humor have a strong appeal for academics? In his comprehensive analysis of Allen's work, H sle outlines a workable theory of humor, illustrates his conclusions by referring to the films and prose, and points out several philosophic motifs underlying Allen's deceptively complex comedies. H sle's work elevates the enjoyment of Allen's films from guilty pleasure to satisfying intellectual engagement with an intriguing contemporary thinker and artist." --Richard A. Blake, S.J., Boston College "Vittorio H sle presents a compelling overview of Allen's work in which he discusses different theories of laughter and argues for the priority of the incongruity theory as the only one able to answer the normative question, what distinguises good from bad laughter? On this theoretical basis he goes on to delve into both the humor and the philosophical profundity of Allen's films." --Sander Lee, Keene State College
Author: Geo. Vasey
Publisher: BoD – Books on Demand
Published: 2024-05-08
Total Pages: 234
ISBN-13: 3385257026
DOWNLOAD EBOOKReprint of the original, first published in 1875.
Author: Matthew M. Hurley
Publisher: MIT Press
Published: 2011
Total Pages: 374
ISBN-13: 026201582X
DOWNLOAD EBOOKSome things are funny -- jokes, puns, sitcoms, Charlie Chaplin, The Far Side, Malvolio with his yellow garters crossed -- but why? Why does humor exist in the first place? Why do we spend so much of our time passing on amusing anecdotes, making wisecracks, watching The Simpsons? In Inside Jokes, Matthew Hurley, Daniel Dennett, and Reginald Adams offer an evolutionary and cognitive perspective. Humor, they propose, evolved out of a computational problem that arose when our long-ago ancestors were furnished with open-ended thinking. Mother Nature -- aka natural selection -- cannot just order the brain to find and fix all our time-pressured misleaps and near-misses. She has to bribe the brain with pleasure. So we find them funny. This wired-in source of pleasure has been tickled relentlessly by humorists over the centuries, and we have become addicted to the endogenous mind candy that is humor.
Author: John Morreall
Publisher: SUNY Press
Published: 1983-01-01
Total Pages: 162
ISBN-13: 9780873956420
DOWNLOAD EBOOK