This is a lively, freshly invited collection of papers by a number of well-known philosophers and other specialists who have focused very pointedly on certain central conceptual puzzles posed by the general practice of interpretation in the arts, literature, history, and the natural and human sciences. The collection gives very nearly the impression of a sustained debate.
Art and Interpretation is a comprehensive anthology of readings on aesthetics. Its aim is to present fundamental philosophical issues in such a way as to create a common vocabulary for those from diverse backgrounds to communicate meaningfully about aesthetic issues. To that end, the editor has provided selections from a wide variety of challenging works in aesthetic theory, both classical and modern. The approach is often cross-disciplinary. Within the discipline of philosophy it seeks to balance readings from the analytic tradition with continental European, hermeneutical postmodern (including deconstructionist), and feminist readings. The anthology is thus broadly conceived, but by grouping the readings into sections such as ‘Expression and Aesthetic object,’ ‘Psychology and Interpretation,’ ‘Marxist Theory,’ and ‘Culture, Gender, and Difference,’ it aims as well to provide depth of coverage for each topic or issue. The book opens with a historical section containing substantial selections from Plato, Aristotle, Hume, Kant, Shelley and Nietzsche; these readings introduce themes that recur and are developed in the remainder of the anthology.
This book by one of Europe's foremost contemporary philosophers is a concise and lucidly argued account of the meaning of hermeneutics for philosophy today. Vattimo argues that hermeneutics, understood in a general sense, has had a pervasive influence on contemporary philosophy and social thought. But its very generality is also a symptom of its malaise, for it threatens to leave hermeneutics empty of significance and wedded to a shallow relativism. In response to this danger, Vattimo proposes a radicalization of the relation of hermeneutics to its own historical roots in modernity and a rethinking of the relation between hermeneutics and nihilism - which involves, in Vattimo's account, a weakening of the strong structures of being, reality, subjectivity and above all, truth. Vattimo develops a new interpretation of hermeneutics that dispenses with the traditional bias toward aesthetic experience. His radical interpretation breaks the link between hermeneutics and metaphysical humanism, challenges the traditional opposition of the natural and human sciences, and opens new perspectives on ethics, art and religion. Beyond Interpretation will be welcomed by students and researchers in philosophy and social theory.
Containing thirteen articles, this book makes the case to philosophers that popular culture is worthy of their attention. It considers popular art forms such as movies, television shows, comic books, children's stories, photographs, and rock songs.
Modern man sees with one eye of faith and one eye of reason. Consequently, his view of history is confused. For centuries, the history of the Western world has been viewed from the Christian or classical standpoint—from a deep faith in the Kingdom of God or a belief in recurrent and eternal life-cycles. The modern mind, however, is neither Christian nor pagan—and its interpretations of history are Christian in derivation and anti-Christian in result. To develop this theory, Karl Löwith—beginning with the more accessible philosophies of history in the nineteenth and eighteenth centuries and working back to the Bible—analyzes the writings of outstanding historians both in antiquity and in Christian times. "A book of distinction and great importance. . . . The author is a master of philosophical interpretation, and each of his terse and substantial chapters has the balance of a work of art."—Helmut Kuhn, Journal of Philosophy
This study of Claude Lefort offers an account of Lefort's accomplishment - its unique merits, its relation to political philosophy within the Continental tradition, and its great relevance today.
“Providing up-to-date, in-depth coverage of the central question, and written and edited by some of the foremost practitioners in the field, this timely new edition will no doubt be a go-to reference for anyone with a serious interest in the philosophy of language.” Kathrin Glüer-Pagin, Stockholm University Now published in two volumes, the second edition of the best-selling Companion to the Philosophy of Language provides a complete survey of contemporary philosophy of language. The Companion has been greatly extended and now includes a monumental 17 new essays – with topics chosen by the editors, who curated suggestions from current contributors – and almost all of the 25 original chapters have been updated to take account of recent developments in the field. In addition to providing a synoptic view of the key issues, figures, concepts, and debates, each essay introduces new and original contributions to ongoing debates, as well as addressing a number of new areas of interest, including two-dimensional semantics, modality and epistemic modals, and semantic relationism. The extended “state-of-the-art” chapter format allows the authors, all of whom are internationally eminent scholars in the field, to incorporate original research to a far greater degree than competitor volumes. Unrivaled in scope, this volume represents the best contemporary critical thinking relating to the philosophy of language.
This book is a discussion or debate with Freud. Today we are in search of a comprehensive philosophy of language to account for the multiple functions of the human act of signifying and for their interrelationships.
