When Lucy Montgomery’s long-time nemesis Will Arden, Viscount Wade, challenges her to uncover the identity of the mysterious Phantom of Drury Lane, Lucy can’t say no—but her snooping might just push them both past the point of no return . . .
When a phantom begins scaring people at the Theatre Royal, the Baker Street Irregulars must decide if events have anything to do with three terracotta lions that have arrived from China at the British Museum. Is the mysterious "M" involved?
"Kate Bateman's writing sparkles." - USA Today bestselling author Laura Lee Guhrke Meet the Davies and Montgomery families - two households locked in an ancient feud, destined to be on opposing sides forever. Until now... CAN LIFELONG HATE Madeline Montgomery grew up despising––and secretly loving––the roguish Gryffud “Gryff” Davies. Their families have been bitter rivals for hundreds of years, but even if her feelings once crossed the line between love and hate, she’s certain Gryff never felt the same. Now, she’s too busy saving her family from ruin to think about Gryff and the other “devilish” Davies siblings. Since he’s off being scandalous in London, it’s not like she’ll ever see him again... TURN TO TRUE LOVE As the new Earl of Powys, Gryff Davies planned on spending his post-war life enjoying the pleasures of London. But when an illegal duel forces him to retreat to his family’s Welsh castle, he realizes the only exciting thing in the dull countryside will be seeing the fiery Maddie Montgomery. Thoughts of his nemesis sustained Gryff throughout the war; but the girl he loved to tease has grown into a gorgeous, headstrong woman – who loathes him just as much as she ever did. Will secret tunnels, dangerous smugglers, and meddling from their feuding families be enough to make Maddie and Gryff realize that their animosity is really attraction...and maybe even love? A Reckless Match is the first in a new regency romance series by Kate Bateman about two feuding families, and reunited childhood enemies whose hatred turns to love.
This revised new edition of The Handbook of the Gothic contains over one hundred entries on Gothic writers, themes, terms, concepts, contexts and locations, featuring new entries on writers including Stephen King and Wilkie Collins, new genres and a new Preface which situates the handbook within current studies of the Gothic.
This fully revised and updated edition of the hugely successful London Theatres features ten additional theatres, including the Victoria Palace Theatre, the Sondheim Theatre, the Bridge Theatre and the Noël Coward Theatre. London is the undisputed theatre capital of the world. From world-famous musicals to West End shows, from cutting-edge plays to Shakespeare in its original staging, from outdoor performance to intimate fringe theatre, the range and quality are unsurpassed. Leading drama critic Michael Coveney invites you on a tour of more than 50 theatres that make the London stage what it is. With stories of the architecture, the people and the productions which have defined each one, alongside sumptuous photographs by Peter Dazeley of the auditoriums, public and backstage areas, this illustrated overview of London's theatres is a book like no other. A must for fans of the stage! Praise for the first edition: ‘This coffee table whopper ... dazzles’ Spectator ‘London Theatres ... will surely feature on any theatre buff's present list’ Sightlines
The shift in temporal modalities of Romantic Theatre was the consequence of internal as well as external developments: internally, the playwright was liberated from the old imperative of “Unity of Time” and the expectation that the events of the play must not exceed the hours of a single day; externally, the new social and cultural conformance to the time-keeping schedules of labour and business that had become more urgent with the industrial revolution. In reviewing the theatre of the Romantic era, this monograph draws attention to the ways in which theatre reflected the pervasive impact of increased temporal urgency in social and cultural behaviour. The contribution this book makes to the study of drama in the early nineteenth century is a renewed emphasis on time as a prominent element in Romantic dramaturgy, and a reappraisal of the extensive experimentation on how time functioned.