The personality cult of Stalin in Soviet posters, 1929–1953

The personality cult of Stalin in Soviet posters, 1929–1953

Author: Anita Pisch

Publisher: ANU Press

Published: 2016-12-16

Total Pages: 538

ISBN-13: 176046063X

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From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.


The Personality Cult of Stalin in Soviet Posters, 1929-1953: Archetypes, Inventions and Fabrications

The Personality Cult of Stalin in Soviet Posters, 1929-1953: Archetypes, Inventions and Fabrications

Author: Anita Pisch

Publisher:

Published: 2016-12-13

Total Pages: 516

ISBN-13: 9781760460624

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From 1929 until 1953, Iosif Stalin's image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin's image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The 'Stalin' who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929-1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.


The Personality Cult of Stalin in Soviet Posters, 1929 - 1953

The Personality Cult of Stalin in Soviet Posters, 1929 - 1953

Author: Anita Elizabeth Pisch

Publisher:

Published: 2014

Total Pages: 0

ISBN-13:

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Although the literature on Stalinist propaganda is enormous, there has been no dedicated study on the marketing of Stalin's personality cult in posters during the Stalinist period. This thesis is an attempt to fill this lacuna. From 1929 till 1953, the retouched image of Iosif Stalin became a central symbol in Soviet propaganda across all artistic and cultural genres. Images of an omniscient Stalin appeared in the media of Socialist Realist painting, statuary, monumental architecture, friezes, banners, and posters. Stalin was lauded in poetry, theatre, film and song; oaths were sworn to him; thanksgiving ceremonies were held to honour him; and millions of Soviet soldiers in the Great Patriotic War ran into battle with his name on their lips. The 'Stalin' who was celebrated in propaganda bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. The persona of 'Stalin' arose through a process which involved both the deliberate manufacture of a charismatic leader through propaganda, and the wish-fulfilling projections by an unnerved, de-stabilised and largely uneducated, illiterate and superstitious population of a sage guide through troubled times. This leader would come to embody the sacred and archetypal qualities of the Father of the nation, the great Warrior and military strategist, the wise Teacher and the Saviour of the land. Stalin's image in propaganda posters became a symbol of Bolshevik values and the personification of a revolutionary new type of society. Transforming a leader into a symbol which embodies an ideological vision is a key tactic in mobilising a population to identify as a cohesive whole, to strive for common goals and to behave in prescribed ways.


The Stalin Cult

The Stalin Cult

Author: Jan Plamper

Publisher: Yale University Press

Published: 2012-01-17

Total Pages: 337

ISBN-13: 0300169523

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Between the late 1920s and the early 1950s, one of the most persuasive personality cults of all times saturated Soviet public space with images of Stalin. A torrent of portraits, posters, statues, films, plays, songs, and poems galvanized the Soviet population and inspired leftist activists around the world. In the first book to examine the cultural products and production methods of the Stalin cult, Jan Plamper reconstructs a hidden history linking artists, party patrons, state functionaries, and ultimately Stalin himself in the alchemical project that transformed a pock-marked Georgian into the embodiment of global communism. Departing from interpretations of the Stalin cult as an outgrowth of Russian mysticism or Stalin's psychopathology, Plamper establishes the cult's context within a broader international history of modern personality cults constructed around Napoleon III, Mussolini, Hitler, and Mao. Drawing upon evidence from previously inaccessible Russian archives, Plamper's lavishly illustrated and accessibly written study will appeal to anyone interested in twentieth-century history, visual studies, the politics of representation, dictator biography, socialist realism, and real socialism.


The Stalinist Era

The Stalinist Era

Author: David L. Hoffmann

Publisher: Cambridge University Press

Published: 2018-11-15

Total Pages: 217

ISBN-13: 1107007089

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Placing Stalinism in its international context, The Stalinist Era explains the origins and consequences of Soviet state intervention and violence.


The Firebird and the Fox

The Firebird and the Fox

Author: Jeffrey Brooks

Publisher: Cambridge University Press

Published: 2019-10-24

Total Pages: 349

ISBN-13: 1108484468

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A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.


Soviet Internationalism after Stalin

Soviet Internationalism after Stalin

Author: Tobias Rupprecht

Publisher: Cambridge University Press

Published: 2015-08-06

Total Pages: 345

ISBN-13: 1316381293

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The Soviet Union is often presented as a largely isolated and idiosyncratic state. Soviet Internationalism after Stalin challenges this view by telling the story of Soviet and Latin American intellectuals, students, political figures and artists, and their encounters with the 'other' from the 1950s through the 1980s. In this first multi-archival study of Soviet relations with Latin America, Tobias Rupprecht reveals that, for people in the Second and Third Worlds, the Cold War meant not only confrontation with an ideological enemy but also increased interconnectedness with distant world regions. He shows that the Soviet Union looked quite different from a southern rather than a Western point of view and also charts the impact of the new internationalism on the Soviet Union itself in terms of popular perceptions of the USSR's place in the world and its political, scientific, intellectual and cultural reintegration into the global community.


The Cambridge History of Communism

The Cambridge History of Communism

Author: Norman Naimark

Publisher: Cambridge University Press

Published: 2017-09-21

Total Pages: 700

ISBN-13: 9781107133549

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The second volume of The Cambridge History of Communism explores the rise of Communist states and movements after World War II. Leading experts analyze archival sources from formerly Communist states to re-examine the limits to Moscow's control of its satellites; the de-Stalinization of 1956; Communist reform movements; the rise and fall of the Sino-Soviet alliance; the growth of Communism in Asia, Africa and Latin America; and the effects of the Sino-Soviet split on world Communism. Chapters explore the cultures of Communism in the United States, Western Europe and China, and the conflicts engendered by nationalism and the continued need for support from Moscow. With the danger of a new Cold War developing between former and current Communist states and the West, this account of the roots, development and dissolution of the socialist bloc is essential reading.


Sofia Petrovna

Sofia Petrovna

Author: Лидия Корнеевна Чуковская

Publisher: Northwestern University Press

Published: 1994

Total Pages: 132

ISBN-13: 9780810111509

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Sofia Petrovna is Lydia Chukovskaya's fictional account of the Great Purge. Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges.