The Persian Revival
The Persian Revival

Author: Talinn Grigor

Publisher: Penn State Press

Published: 2021-07-15

Total Pages: 277

ISBN-13: 0271089709

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One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.

The Persian Revival
The Persian Revival

Author: Talinn Grigor

Publisher: Penn State Press

Published: 2021-07-15

Total Pages: 437

ISBN-13: 0271089687

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One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.

Iran's Great Awakening
Iran's Great Awakening

Author: Hormoz Shariat

Publisher: Whitaker House

Published: 2020-09-11

Total Pages: 224

ISBN-13: 1733749055

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ONE MILLION MUSLIMS TO CHRIST. In the mid 1980’s, Dr. Shariat together with his wife, prayed, “Lord, use us to save Iran!” His passion for Muslims stems, in part, because of the murder of his brother, Hamraz, who was arrested in Iran at the age of sixteen on a minor political charge. After two years in jail, he was executed by firing squad. God showed Hormoz the best way to respond to this tragedy was to dedicate his life to bring one million Muslims to salvation in Christ. Join Dr. Shariat on a journey out of bondage to Islam to freedom in Christ. Learn what the Bible says about Iran and why Iran is just the beginning of something big, eternal, and of historical proportion that is already happening! God said, “I am going to do a great work in Iran and change that nation forever, and I am giving you the honor to be a part of it.”

Routledge Revivals: Medieval Islamic Civilization (2006)
Routledge Revivals: Medieval Islamic Civilization (2006)

Author: Josef Meri

Publisher: Routledge

Published: 2018-01-12

Total Pages: 1238

ISBN-13: 1351668137

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Islamic civilization flourished in the Middle Ages across a vast geographical area that spans today's Middle and Near East. First published in 2006, Medieval Islamic Civilization examines the socio-cultural history of the regions where Islam took hold between the 7th and 16th centuries. This important two-volume work contains over 700 alphabetically arranged entries, contributed and signed by international scholars and experts in fields such as Arabic languages, Arabic literature, architecture, history of science, Islamic arts, Islamic studies, Middle Eastern studies, Near Eastern studies, politics, religion, Semitic studies, theology, and more. Entries also explore the importance of interfaith relations and the permeation of persons, ideas, and objects across geographical and intellectual boundaries between Europe and the Islamic world. This reference work provides an exhaustive and vivid portrait of Islamic civilization and brings together in one authoritative text all aspects of Islamic civilization during the Middle Ages. Accessible to scholars, students and non-specialists, this resource will be of great use in research and understanding of the roots of today's Islamic society as well as the rich and vivid culture of medieval Islamic civilization.

Freemasonry and the Visual Arts from the Eighteenth Century Forward
Freemasonry and the Visual Arts from the Eighteenth Century Forward

Author: Reva Wolf

Publisher: Bloomsbury Publishing USA

Published: 2019-11-28

Total Pages: 321

ISBN-13: 150133798X

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Choice Outstanding Academic Title for 2020 With the dramatic rise of Freemasonry in the eighteenth century, art played a fundamental role in its practice, rhetoric, and global dissemination, while Freemasonry, in turn, directly influenced developments in art. This mutually enhancing relationship has only recently begun to receive its due. The vilification of Masons, and their own secretive practices, have hampered critical study and interpretation. As perceptions change, and as masonic archives and institutions begin opening to the public, the time is ripe for a fresh consideration of the interconnections between Freemasonry and the visual arts. This volume offers diverse approaches, and explores the challenges inherent to the subject, through a series of eye-opening case studies that reveal new dimensions of well-known artists such as Francisco de Goya and John Singleton Copley, and important collectors and entrepreneurs, including Arturo Alfonso Schomburg and Baron Taylor. Individual essays take readers to various countries within Europe and to America, Iran, India, and Haiti. The kinds of art analyzed are remarkably wide-ranging-porcelain, architecture, posters, prints, photography, painting, sculpture, metalwork, and more-and offer a clear picture of the international scope of the relationships between Freemasonry and art and their significance for the history of modern social life, politics, and spiritual practices. In examining this topic broadly yet deeply, Freemasonry and the Visual Arts sets a standard for serious study of the subject and suggests new avenues of investigation in this fascinating emerging field.

Sectarian Politics in the Persian Gulf
Sectarian Politics in the Persian Gulf

Author: Lawrence G. Potter

Publisher: Oxford University Press, USA

Published: 2014

Total Pages: 374

ISBN-13: 019937726X

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Sunni-Shia relations in the GCC countries are analysed by the contributors in the wake of recent protests in Bahrain, Saudi Arabia and elsewhere.

Contemporary Iranian Art
Contemporary Iranian Art

Author: Talinn Grigor

Publisher: Reaktion Books

Published: 2014-06-15

Total Pages: 295

ISBN-13: 1780233094

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In the first comprehensive look at Iranian art and visual culture since the 1979 revolution, Talinn Grigor investigates the official art sponsored by the Islamic Republic, the culture of avant-garde art created in the studio and its display in galleries and museums, and the art of the Iranian diaspora within Western art scenes. Divided into three parts—street, studio, and exile—the book argues that these different areas of artistic production cannot be understood independently, revealing how this art offers a mirror of the sociopolitical turmoil that has marked Iran’s recent history. Exploring the world of galleries, museums, curators, and art critics, Grigor moves between subversive and daring art produced in private to propaganda art, martyrdom paraphernalia, and museum interiors. She examines the cross-pollination of kitsch and avant-garde, the art market, state censorship, the public-private domain, the political implications of art, and artistic identity in exile. Providing an astute analysis of the workings of artistic production in relation to the institutions of power in the Islamic Republic, this beautifully illustrated book is essential reading for anyone interested in Iranian history and contemporary art.

Zoroastrianism in India and Iran
Zoroastrianism in India and Iran

Author: Alexandra Buhler

Publisher: Bloomsbury Publishing

Published: 2024-09-19

Total Pages: 313

ISBN-13: 0755601637

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In the nineteenth century, a number of Zoroastrians emigrated from Iran to India. The subsequent importance of the cultural, religious and political ties between the Zoroastrian communities of Iran and the Zoroastrian communities of India has long been recognised. But despite this, there has been little scholarly attention paid to the changing dynamics of this transnational relationship. This book examines the Zoroastrian community in the late Qajar and early Pahlavi period beyond the borders of Iran to trace this Parsi-Persian relationship. A major theme is the increase in philanthropy directed to the Zoroastrians of Iran by the Parsis and the involvement of the British in encouraging Parsi feelings of patriotism towards Iran. The book shows that not only were Parsis affected by events taking place in Iran, they also contributed to the broader change in attitudes towards Zoroastrians in that country. Using a variety of original sources from Britain, India and Iran, Alexandra Buhler looks at the political, legal, and social position of Zoroastrians in Iran and how different events impacted their attitudes as well as the attitudes of Parsis towards their ancestral homeland. Of particular significance, this book shows, are the seminal years of the Iranian Constitutional Revolution (1906-11) and the rise in the glorification of the pre-Islamic past, which culminated in the state nationalism expounded by Reza Shah. These political moments had a profound impact on how Zoroastrians in India felt about their future in the country and reveal a complex web of relations between the Parsis, the Zoroastrians of Iran, and the British.