The Performing Arts in a New Era

The Performing Arts in a New Era

Author: Kevin F. McCarthy

Publisher: Rand Corporation

Published: 2001

Total Pages: 174

ISBN-13: 9780833032362

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This book examines recent trends in the performing arts and discusses howthe arts are likely to evolve in the future. It is the first book to providea comprehensive overview of the performing arts, including analysis ofopera, theater, dance, and music, in both their live and recorded forms. Theauthors focus on trends affecting four aspects of the performing arts--audiences, performers, arts organizations, and financing--and offer a visionfor the future. The book discusses the implications of current and likelyfuture developments and considers public policy issues such as publicfunding for the arts.


The Performing Arts in a New Era

The Performing Arts in a New Era

Author:

Publisher:

Published: 2001

Total Pages: 0

ISBN-13:

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The Pew Charitable Trust commissioned The Performing Arts in a New Era from RAND in 1999 as part of a broad initiative aimed at increasing policy and financial support for nonprofit culture in the United States. The goal of this study was to assist us in bringing new and useful information to the policy debate about the contributions and needs of the cultural sector at the national, state, and local levels. The study was inspired in part by a pair of landmark reports on the performing arts published during the mid-196Os: The Performing Arts: Problems and Prospects, the Rockefeller Panel Report on the Future of Theatre, Dance, Music in America (1965); and the Twentieth Century Fund's report, Performing Arts: The Economic Dilemma, by William J. Baumol and William G. Bowen (1966). These reports described the burgeoning landscape of the nonprofit professional performing arts in the United States, articulating their benefits to American society and calling for a level of governmental and philanthropic support sufficient to their needs. Both reports noted that it was appropriate, at a time when the industrial economy of the United States had grown and prospered and the material needs of its citizens were by and large being met, for the nation to turn its attention to nonmaterial values-what would now be characterized as quality-of-life concerns-including the emotional, intellectual, and aesthetic satisfaction that the arts can provide. Indeed, in the 196Os, few Americans living outside the coastal cities had access to live professional performing arts experiences, and arts advocates urged that the situation be remedied.


Performing Arts in a New Era

Performing Arts in a New Era

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Published:

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The Pew Charitable Trusts, located in Philadelphia, Pennsylvania, commissioned RAND to conduct a study on the future of the performing arts. This July 2001 report entitled "Performing Arts in a New Era," written by Kevin F. McCarthy, Arthur Brooks, Julia Lowell, and Laura Zakaras, summarizes the findings of the study. The full text is available in PDF format. The report highlights the status of the performing arts and includes suggestions on how to deal with financial and policy challenges.


A Portrait of the Visual Arts

A Portrait of the Visual Arts

Author: Kevin F. McCarthy

Publisher: Rand Corporation

Published: 2005-08-12

Total Pages: 151

ISBN-13: 0833040715

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The third in a series that examines the state of the arts in America, this analysis shows, in addition to lines around the block for special exhibits, well-paid superstar artists, flourishing university visual arts programs, and a global expansion of collectors, developments in the visual arts also tell a story of rapid, even seismic change, systemic imbalances, and dislocation.


Audience Engagement in the Performing Arts

Audience Engagement in the Performing Arts

Author: Ben Walmsley

Publisher: Springer Nature

Published: 2019-09-11

Total Pages: 248

ISBN-13: 3030266532

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This book explores the concept of audience engagement from a number of complementary perspectives, including cultural value, arts marketing, co-creation and digital engagement. It offers a critical review of the existing literature on audience research and engagement, and provides an overview of established and emerging methodologies deployed to undertake research with audiences. The book focusses on the performing arts, but draws from a rich diversity of academic fields to make the case for a radically interdisciplinary approach to audience research. The book’s underlying thesis is that at the heart of audience research there is a mutual exchange of value wherein audiences ideally play the role of strategic partners in the mission fulfilment of arts organisations. Illustrating how audiences have traditionally been side-lined, homogenised and vilified, it contends that the future paradigm of audience studies should be based on an engagement model, wherein audiences take their rightful place as subjects rather than objects of empirical research.


A Profile of the Performing Arts Industry

A Profile of the Performing Arts Industry

Author: David H. Gaylin

Publisher: Business Expert Press

Published: 2015-10-07

Total Pages: 192

ISBN-13: 1606495658

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Attending a live concert or theatrical performance can be a thrilling experience. At their best, the performing arts represent the height of human creativity and expression. But the presentation on stage, whether it is Shakespeare, Beethoven, or The Lion King, depends on a business backstage. This book provides an overview of both the product on stage and the industry that makes it possible. While the industry’s product is unique—with unique supply and demand characteristics—it is still an industry, with supply inputs, organization structures, competitors, business models, value chains, and customers. We will examine each of the major segments (Broadway, regional theater, orchestra, opera, and ballet) along these business dimensions. This book will give lovers of the performing arts an understanding of the business realities that make live performances possible. Managers, board members, and performers will be better equipped to take on the strategic challenges their companies face. People contemplating any of these roles will have a better idea of what to expect. Business analysts and students of strategy will discover how economic frameworks apply in this unique setting where culture and commerce converge.


Staging Sex

Staging Sex

Author: Chelsea Pace

Publisher: Routledge

Published: 2020-02-14

Total Pages: 133

ISBN-13: 0429946457

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Staging Sex lays out a comprehensive, practical solution for staging intimacy, nudity, and sexual violence. This book takes theatre practitioners step-by-step through the best practices, tools, and techniques for crafting effective theatrical intimacy. After an overview of the challenges directors face when staging theatrical intimacy, Staging Sex offers practical solutions and exercises, provides a system for establishing and discussing boundaries, and suggests efficient and effective language for staging intimacy and sexual violence. It also addresses production and classroom specific concerns and provides guidance for creating a culture of consent in any company or department. Written for directors, choreographers, movement coaches, stage managers, production managers, professional actors, and students of acting courses, Staging Sex is an essential tool for theatre practitioners who encounter theatrical intimacy or instructional touch, whether in rehearsal or in the classroom.


Performing Arts and the Royal Courts of Southeast Asia, Volume One

Performing Arts and the Royal Courts of Southeast Asia, Volume One

Author:

Publisher: BRILL

Published: 2023-12-04

Total Pages: 382

ISBN-13: 9004686533

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This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. Royal courts have long been sites for the creation, exchange, maintenance, and development of myriad forms of performing arts and other distinctive cultural expressions. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries.