The Penguin Guide to New York City, 1989
Author: Alan Tucker
Publisher: Penguin (Non-Classics)
Published: 1989-03
Total Pages: 452
ISBN-13: 9780140199079
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Author: Alan Tucker
Publisher: Penguin (Non-Classics)
Published: 1989-03
Total Pages: 452
ISBN-13: 9780140199079
DOWNLOAD EBOOKAuthor: Stephen Brewer
Publisher: Penguin Group
Published: 1991
Total Pages: 516
ISBN-13: 9780140199314
DOWNLOAD EBOOKAuthor: David Sindell
Publisher: Penguin Group
Published: 1988-10
Total Pages: 322
ISBN-13: 9780140199055
DOWNLOAD EBOOKVisitors can know before they go with this guide to the Land Down Under. Maps, advice, shopping, and attractions are all included in one handy volume. Fifteen sections provide in-depth information on every topic.
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Published: 1991
Total Pages: 692
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Published: 1992
Total Pages: 1192
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DOWNLOAD EBOOKAuthor: John H. Stubbs
Publisher: Taylor & Francis
Published: 2016-11-10
Total Pages: 617
ISBN-13: 1317406192
DOWNLOAD EBOOKThe first comprehensive overview of architectural conservation in Asia Internationally renowned author John Stubbs follows up on the success of his previous volumes Time Honored: A Global View of Architectural Conservation and Architectural Conservation in Europe and the Americas Architectural conservation is a rapidly expanding and under-researched field in Asia and is international experts are often brought in, making the subject of considerable interest to international academics Boxes and case studies by local experts add depth and interest to the authors' meticulous research A website with extra information and resources accompanies the series: http://conservebuiltworld.com
Author: Gene Santoro
Publisher: Oxford University Press
Published: 2001-11-29
Total Pages: 479
ISBN-13: 0198025785
DOWNLOAD EBOOKCharles Mingus was one of the most innovative jazz musicians of the 20th Century, and ranks with Ives and Ellington as one of America's greatest composers. By temperament, he was a high-strung and sensitive romantic, a towering figure whose tempestuous personal life found powerfully coherent expression in the ever-shifting textures of his music. Now, acclaimed music critic Gene Santoro strips away the myths shrouding "Jazz's Angry Man," revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain. He penned over 300 works spanning gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks. Though critics and musicians debated his musical merits and his personality, by the late 1950s he was widely recognized as a major jazz star, a bellwether whose combined grasp of tradition and feel for change poured his inventive creativity into new musical outlets. But Mingus got headlines less for his art than for his volatile and often provocative behavior, which drew fans who wanted to watch his temper suddenly flare onstage. Impromptu outbursts and speeches formed an integral part of his long-running jazz workshop, modeled partly on dramatic models like Orson Welles' Mercury Theatre. Keeping up with the organized chaos of Mingus's art demanded gymnastic improvisational skills and openness from his musicians-which is why some of them called it "the Sweatshop." He hired and fired musicians on the bandstand, attacked a few musicians physically and many more verbally, twice threw Lionel Hampton's drummer off the stage, and routinely harangued chattering audiences, once chasing a table of inattentive patrons out of the FIVE SPOT with a meat cleaver. But the musical and mental challenges this volcanic man set his bands also nurtured deep loyalties. Key sidemen stayed with him for years and even decades. In this biography, Santoro probes the sore spots in Mingus's easily wounded nature that helped make him so explosive: his bullying father, his interracial background, his vulnerability to women and distrust of men, his views of political and social issues, his overwhelming need for love and acceptance. Of black, white, and Asian descent, Mingus made race a central issue in his life as well as a crucial aspect of his music, becoming an outspoken (and often misunderstood) critic of racial injustice. Santoro gives us a vivid portrait of Mingus's development, from the racially mixed Watts where he mingled with artists and writers as well as mobsters, union toughs, and pimps to the artistic ferment of postwar Greenwich Village, where he absorbed and extended the radical improvisation flowing through the work of Allen Ginsberg, Jackson Pollock, and Charlie Parker. Indeed, unlike Most jazz biographers, Santoro examines Mingus's extra-musical influences--from Orson Welles to Langston Hughes, Farwell Taylor, and Timothy Leary--and illuminates his achievement in the broader cultural context it demands. Written in a lively, novelistic style, Myself When I Am Real draws on dozens of new interviews and previously untapped letters and archival materials to explore the intricate connections between this extraordinary man and the extraordinary music he made.
Author: James P. Stobaugh
Publisher: New Leaf Publishing Group
Published: 2012
Total Pages: 290
ISBN-13: 0890516480
DOWNLOAD EBOOK"A new series from respected educator Dr. James Stobaugh that takes you on a journey through history without the filters of revisionist or anti-Christian perspectives. This book is designed for a year's worth of study; 34 powerful weeks of historical viewpoints. A summary sets the stage for learning so the student can enjoy a daily lesson with thought-provoking questions, and an exam that takes place every fifth day ... Historical content covered in this volume includes the following: Mesopotamia, the Jewish Exile, Egyptian Life, Greece, Life in Athens, Roman Life, Early Church History, Japanese History, Indian (South Asian) History, Persian History, Chinese History, the Middle Ages, the Crusades, the Renaissance, the Reformation, German History, the World Wars, and South Africa"--Page 4 of cover.
Author: Catherine King
Publisher: Yale University Press
Published: 1999-01-01
Total Pages: 278
ISBN-13: 9780300077643
DOWNLOAD EBOOKViews of Difference: Different Views of Art is the fifth of six books in the series Art and its Histories, which form the main texts of an Open University course. The course has been designed for students who are new to the discipline but will also appeal to those who have undertaken some study in this area. This fifth volume focuses both on the creation and critique of 'western' viewpoints on art and its histories, and on the idea of cultural difference entailed in the concept of 'non-western' art.