The first book to validate the meaningful dreams and visions that bring comfort as death nears. Christopher Kerr is a hospice doctor. All of his patients die. Yet he has cared for thousands of patients who, in the face of death, speak of love and grace. Beyond the physical realities of dying are unseen processes that are remarkably life-affirming. These include dreams that are unlike any regular dream. Described as "more real than real," these end-of-life experiences resurrect past relationships, meaningful events and themes of love and forgiveness; they restore life's meaning and mark the transition from distress to comfort and acceptance. Drawing on interviews with over 1,400 patients and more than a decade of quantified data, Dr. Kerr reveals that pre-death dreams and visions are extraordinary occurrences that humanize the dying process. He shares how his patients' stories point to death as not solely about the end of life, but as the final chapter of humanity's transcendence. Kerr's book also illuminates the benefits of these phenomena for the bereaved, who find solace in seeing their loved ones pass with a sense of calm closure. Beautifully written, with astonishing real-life characters and stories, this book is at its heart a celebration of our power to reclaim the dying process as a deeply meaningful one. Death Is But a Dream is an important contribution to our understanding of medicine's and humanity's greatest mystery.
From the host of the Travel Channel’s “The Wild Within.” A hunt for the American buffalo—an adventurous, fascinating examination of an animal that has haunted the American imagination. In 2005, Steven Rinella won a lottery permit to hunt for a wild buffalo, or American bison, in the Alaskan wilderness. Despite the odds—there’s only a 2 percent chance of drawing the permit, and fewer than 20 percent of those hunters are successful—Rinella managed to kill a buffalo on a snow-covered mountainside and then raft the meat back to civilization while being trailed by grizzly bears and suffering from hypothermia. Throughout these adventures, Rinella found himself contemplating his own place among the 14,000 years’ worth of buffalo hunters in North America, as well as the buffalo’s place in the American experience. At the time of the Revolutionary War, North America was home to approximately 40 million buffalo, the largest herd of big mammals on the planet, but by the mid-1890s only a few hundred remained. Now that the buffalo is on the verge of a dramatic ecological recovery across the West, Americans are faced with the challenge of how, and if, we can dare to share our land with a beast that is the embodiment of the American wilderness. American Buffalo is a narrative tale of Rinella’s hunt. But beyond that, it is the story of the many ways in which the buffalo has shaped our national identity. Rinella takes us across the continent in search of the buffalo’s past, present, and future: to the Bering Land Bridge, where scientists search for buffalo bones amid artifacts of the New World’s earliest human inhabitants; to buffalo jumps where Native Americans once ran buffalo over cliffs by the thousands; to the Detroit Carbon works, a “bone charcoal” plant that made fortunes in the late 1800s by turning millions of tons of buffalo bones into bone meal, black dye, and fine china; and even to an abattoir turned fashion mecca in Manhattan’s Meatpacking District, where a depressed buffalo named Black Diamond met his fate after serving as the model for the American nickel. Rinella’s erudition and exuberance, combined with his gift for storytelling, make him the perfect guide for a book that combines outdoor adventure with a quirky blend of facts and observations about history, biology, and the natural world. Both a captivating narrative and a book of environmental and historical significance, American Buffalo tells us as much about ourselves as Americans as it does about the creature who perhaps best of all embodies the American ethos.
“Offbeat, disturbing, and sometimes darkly comical” crime stories set in upstate New York by Joyce Carol Oates, Lawrence Block, S.J. Rozan, and more (Kirkus Reviews). Buffalo is still the second-largest metropolis in New York State, but in recent years its designation as the Queen City has been elbowed aside by a name that’s pure noir: The City of No Illusions. Presidents came from here—and in 1901 while visiting the Pan-American Exposition, a president was killed here by a man who checked into a hotel under a name that translates as Nobody. As Buffalo saw its prosperity wane, those on the outside could only see harsh winters and Rust Belt grit, chicken wings, and sports teams that came agonizingly close. This collection of crime stories is both a treasure for mystery fans and an atmospheric tour of this moody, gritty city. Featuring brand-new stories by Joyce Carol Oates, Lawrence Block, Ed Park, Gary Earl Ross, Kim Chinquee, Christina Milletti, Tom Fontana, Dimitri Anastasopoulos, Lissa Marie Redmond, S.J. Rozan, John Wray, Brooke Costello, and Connie Porter. “From the Irish enclave of South Buffalo and a Niagara Street bar to a costly house in Nottingham Terrace and a once-grand Gothic structure in Elmwood Village, Buffalo’s past and present come to life . . . by authors who really know their city.” —Kirkus Reviews “Contributors include several mystery heavyweights. . . . Those curious about the criminal side of the second-biggest city in New York will be rewarded.” —Publishers Weekly “Each story represents a different neighborhood and cross-section of the city, and the resulting collection feels like a vivid, comprehensive tour of a distinctive place, administered by locals. There’s nothing quite like noir to shine a light, after all.” —Los Angeles Review of Books “Original short stories by established local authors with flawless credentials . . . .Together, the stories cover cityscapes well-known to Buffalonians—to name a few, Elmwood Avenue, Niagara Street, Black Rock, North Park, Delaware Park, and Allentown. Local landmarks Peace Bridge and the Anchor Bar made it in there, too.” —Examiner “Superb.” —The Buffalo News
In 1867 the total number of buffaloes in the trans-Missouri region was conservatively estimated at fifteen million. By the end of the 1880s that figure had dwindled to a few hundred. The destruction of the great herds is the theme of this book. Mari Sandoz's canvas is vast, but it is charged with color and excitement—accounts of Indian ambushes, hairbreadth escapes, gambling and gunfights, military expeditions, famous frontier characters (Wild Bill Hickok, Lonesome Charlie Reynolds, Buffalo Bill, Sheridan, Custer, and Indian Chiefs Whistler, Yellow Wolf, Spotted Tail, and Sitting Bull).
I was born in Mount Gilead, Ohio, on the 19th of December, 1844. Father moved his family to Lawrence, Kansas, in the spring of 1857. That summer we occupied the historical log cabin that J. H. Lane and Gaius Jenkins had trouble over,—resulting in the tragic death of the latter. Shortly prior to the killing of Jenkins, we moved to Peru, Indiana, where we remained until the latter part of March, 1861, when the family returned to Kansas. Myself and oldest brother traveled overland by team and wagon. We had three head of horses. We left the State line of Indiana at Danville, and crossed the Mississippi to Hannibal, Missouri, the day that General Beauregard fired on Fort Sumter. And the War of the Rebellion was on. As we were driving up a street, in the evening of that great day, an old gentleman standing at the gate in front of a cottage hailed us and asked where we were going. "To Kansas," was brother's reply. The old gentleman walked out to where we had stopped, and said: "Boys, you are goin' into a peck of trouble. Gineral Buregard cannonaded Fort Sumter to-day, and is at it yit. Boys, I'd turn round and go back to whar ye come frum." Brother said: "No, Uncle, we could never think of such a thing. Our father and mother are now at Lawrence, Kansas, and we must go to them." He replied: "That place you are going to will be a dangerous place. There has already been a power of trouble out thar whar you are goin', and thar's bound to be a heap more; and all over the nigger, too. I own nineteen of 'em, but if it would stop the spillin' of blood I would free every one of 'em to-night." This old gentleman had a kind, pleasant-looking face, wore the typical planter's hat, and seemed to take a fatherly interest in us; directed us to a certain farm house on our road where we could get accommodations for the night. And we passed on, having for the first time in our lives seen and talked with the owner of human chattels. Some neighbors came to the house where we stayed that night, and in earnest fireside talk conveyed the idea that there would be no war; for, said they, when the North finds out that we are in earnest they will not fight us. My brother, being four years older than I, took part in the evening's talk, and told them that it was but fair to leave the negro out of the question, and to consider the Union as our forefathers left it to us, and that he did not think that twenty-odd millions of people would consent to have the Union of our forefathers dismembered. The next day, as we were passing through a densely timbered region, an old negro came out from behind a large tree near the wagon-track. His wool was white as snow; his head was bared, and, holding in one hand an apology for a hat, he gave us a courteous bow, and said: "Please, Mars, is we gwine to be free?" (Their underground telegraph was already bringing word from South Carolina to Missouri.) My brother, being more diplomatic than I could or would have been at the time, said to him, "Why, you surprise me, Grandpop. You look fat and sleek and I know you have more freedom this minute than I have."
The Border and the Buffalo' is one of the most influential first-hand accounts about buffalo hunting. The writer John R. Cook described the arrangement of hunts, camp routines and marketing of the buffalo coats in detail. In addition, Cook talks about his Civil War experiences through this work. It is worth reading for anyone interested in the Buffalo hunting period of American History.
Make goodbyes fun with animal rhymes and colorful lift-the-flap illustrations! “So long!” “See you later!” There are so many ways to say goodbye! Lift the flaps in this colorful book to discover favorite animals (and maybe a few new ones, too) and fun goodbyes. Children and grown-ups alike will be giggling before you can say, “Toodle-Loo, Kangaroo!”
