Paramedic Jamie Llewelyn moves to Ellery to start a new life away from the City. Attached to the hospital and working for his friend Liam Wolfe he's happy--even if he has to keep up with excuses to miss the Friday meet ups. He had peace and he could finally make a difference in a community that needed him. When he and Max rescue John Doe from a crashed car balanced on the edge of a ravine Jamie didn't know but his life would never be the same again. John opens his startlingly violet eyes and suddenly Jamie is falling hard. If only John didn't have a gun and could remember why he'd shot the passenger in the car. Then maybe passion could change into something else.
An alluring mix of humor, bravery, cynicism, and compassion." --London Daily Telegraph It's the stuff of Grey's Anatomy, House, and ER--only these events aren't unfolding on a Hollywood soundstage. Have you ever wondered what's going on inside the ambulance screaming past you during your rush-hour commute? Since 2003, Tom Reynolds (writing under an alias so as not to get sacked from his job), has kept a blog where he chronicles the day-in, day-out realities of his life on the job as an EMT with the London Ambulance Service. By turns both poignant and profound, Reynolds's writing captures the very essence of life and death. From the mundane to the surreal, from the heartwarming to the cynical, from the calm to the frenetic, more than 300 entries from his popular blog at randomreality.blogware.com are included in the book. Dear Mr. Alcoholic: Would you mind awfully not swearing at me, taking a swing at me, or exposing yourself to me? I have quite enough abuse from the nondrunks out there. . . . Still, at least your fists are easy to dodge, and if I stop holding you up, you fall over. The author's hugely popular blog, Random Acts of Reality, has been named Medgadget Best Medical Blog and Best Literary Medical Blog.
A true account of going through UCLA’s famed Daniel Freeman Paramedic Program—and practicing emergency medicine on the streets of Los Angeles. Nine months of tying tourniquets and pushing new medications, of IVs, chest compressions, and defibrillator shocks—that was Kevin Grange’s initiation into emergency medicine when, at age thirty-six, he enrolled in the “Harvard of paramedic schools”: UCLA’s Daniel Freeman Paramedic Program, long considered one of the best and most intense paramedic training programs in the world. Few jobs can match the stress, trauma, and drama that a paramedic calls a typical day at the office, and few educational settings can match the pressure and competitiveness of paramedic school. Blending months of classroom instruction with ER rotations and a grueling field internship with the Los Angeles Fire Department, UCLA’s paramedic program is like a mix of boot camp and med school. It would turn out to be the hardest thing Grange had ever done—but also the most transformational and inspiring. An in-depth look at the trials and tragedies that paramedic students experience daily, Lights and Sirens is ultimately about the best part of humanity—people working together to help save a human life.
A Californian paramedic answers an advertisement for contract work at a military hospital in Saudi Arabia. So his adventure begins. This is a riveting, factual account of his ten years inside a country seldom seen by the outside world. Working on the private medical staff of King Abdullah, no western writer has ever been this close to the "House of Saud". The author takes you on a journey from the desert camps of the Bedouin to the highest echelons of the Saudi royal family. From meetings between King Abdullah and Yasser Arafat to the death of Edi Amin the author documents it all. Themes explored include the contrast of cultures and the rise of terrorism in a post 9/11 world. The author's unique and often humorous perspective provides a view of Saudi society that has never before been documented by any other book in this genre. The author gives an important insight to events that continue to affect the world today.
“An intense look at the high-stakes world of a NYC paramedic in the months before and after COVID-19 altered our landscape.”—Damon Tweedy, MD, author of Black Man in a White Coat: A Doctor's Reflections on Race and Medicine The education of a New York City paramedic, whose tales of tragedy and transcendence over a single year culminate in the greatest challenge the city’s emergency medical system has ever faced: COVID-19. As a seasoned paramedic and union leader, Anthony Almojera thought he could handle anything his job threw at him. Like many medical first responders, he came from a troubled background and carried the traumas of the city as well as its triumphs. He had grown up in the rough-and-tumble Park Slope of the 1980s, been homeless for a time, and had watched murder, addiction, and hopelessness consume those closest to him. But he had dedicated his life to helping people in need, and while every day was filled with tragedy—stabbings, shootings, accidents, suicides—it also brought moments of uplift: births, resuscitations, and rescues that reminded Anthony and his coworkers why EMS was the most thrilling job on earth, even if the pay was lousy and the hours were long. So when a strange new virus began spreading in New York, Anthony and his fellow medics were ready. They had done the biohazard drills; they knew the procedures, and how to handle the sick and the bereaved. They believed that their lives and training had prepared them for this new challenge. But the months ahead would prove them wrong, and would push New York’s EMS workers, and Anthony himself, to the breaking point—and beyond. Following one paramedic into hell and back, Riding the Lightning tells the story of New York City’s darkest days through the eyes of its frontline medical workers and the community they serve: ordinary people who will continue to make New York an extraordinary place long after it has been reborn from the ashes of the COVID-19 pandemic.
The basis for the movie starring Kathy Bates, Ambulance Girl is an inspiring story by a woman who found, somewhat late in life, that “in helping others I learned to help myself.” Jane Stern was a walking encyclopedia of panic attacks, depression, and hypochondria. Her marriage of more than thirty years was suffering, and she was virtually immobilized by fear and anxiety. As the daughter of parents who both died before she was thirty, Stern was terrified of illness and death, and despite the fact that her acclaimed career as a food and travel writer required her to spend a great deal of time on airplanes, she suffered from a persistent fear of flying and severe claustrophobia. Yet, this fifty-two-year-old writer decided to become an emergency medical technician. Stern tells her story with great humor and poignancy, creating a wonderful portrait of a middle-aged, Woody Allen–ish woman who was “deeply and neurotically terrified of sick and dead people,” but who went out into the world to save other people’s lives as a way of saving her own. Her story begins with the boot camp of EMT training: 140 hours at the hands of a dour ex-marine who took delight in presenting a veritable parade of amputations, hideous deformities, and gross disasters. Jane—overweight and badly out of shape—had to surmount physical challenges like carrying a 250-pound man seated in a chair down a dark flight of stairs. After class she did rounds in the emergency room of a local hospital. Each call Stern describes is a vignette of human nature, often with a life in the balance. From an AIDS hospice to town drunks, yuppie wife beaters to psychopaths, Jane comes to see the true nature and underlying mysteries of a town she had called home for twenty years. Throughout the book we follow her as she gets her sea legs, bonds with the firefighters who become her colleagues, and eventually, comes to be known as Ambulance Girl.
“Part portrait of a place, part rescue manual, part rumination of life and death, Population: 485 is a beautiful meditation on the things that matter.” — Seattle Times Welcome to New Auburn, Wisconsin (population: 485) where the local vigilante is a farmer’s wife armed with a pistol and a Bible, the most senior member of the volunteer fire department is a cross-eyed butcher with one kidney and two ex-wives (both of whom work at the only gas station in town), and the back roads are haunted by the ghosts of children and farmers. Michael Perry loves this place. He grew up here, and now—after a decade away—he has returned. Unable to polka or repair his own pickup, his farm-boy hands gone soft after years of writing, Perry figures the best way to regain his credibility is to join the volunteer fire department. Against a backdrop of fires and tangled wrecks, bar fights and smelt feeds, Population: 485 is a comic and sometimes heartbreaking true tale leavened with quieter meditations on an overlooked America.
In a focused and compelling discussion, Anis Bawarshi looks to genre theory for what it can contribute to a refined understanding of invention. In describing what he calls "the genre function," he explores what is at stake for the study and teaching of writing to imagine invention as a way that writers locate themselves, via genres, within various positions and activities. He argues, in fact, that invention is a process in which writers are acted upon by genres as much as they act themselves. Such an approach naturally requires the composition scholar to re-place invention from the writer to the sites of action, the genres, in which the writer participates. This move calls for a thoroughly rhetorical view of invention, roughly in the tradition of Richard Young, Janice Lauer, and those who have followed them. Instead of mastering notions of "good" writing, Bawarshi feels that students gain more from learning how to adapt socially and rhetorically as they move from one "genred" site of action to the next.
