Milo Andreas Wagner's second volume of poetry.Milo Andreas Wagner was born Milos Yiannoppoulos in Athens in 1983. His family settled in Britain while he was still a child, and it is here that he attended schools in Canterbury and Knightsbridge. He is an accomplished musician, listing among his greatest passions Richard Wagner, Friedrich Nietzsche and Arthur Schopenhauer. He has also travelled extensively, and is currently reading philosophy. His literary and philosophical areas of interest include eschatology, repetition, semiotics and confession.
FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.
The Navajo rugs and textiles that people admire and buy today are the result of many historical influences, particularly the interaction between Navajo weavers and the traders who guided their production and controlled their sale. John Lorenzo Hubbell and other late-nineteenth-century traders were convinced they knew which patterns and colors would appeal to Anglo-American buyers, and so they heavily encouraged those designs. In Patterns of Exchange, Teresa J. Wilkins traces how the relationships between generations of Navajo weavers and traders affected Navajo weaving. The Navajos valued their relationships with Hubbell and others who operated trading posts on their reservation. As a result, they did not always see themselves as exploited victims of a capitalist system. Rather, because of Navajo cultural traditions of gift-giving and helping others, the artists slowly adapted some of the patterns and colors the traders requested into their own designs. By the 1890s, Hubbell and others commissioned paintings depicting particular weaving styles and encouraged Navajo weavers to copy them, reinforcing public perceptions of traditional Navajo weaving. Even the Navajos came to revere certain designs as “the weaving of the ancestors.” Enhanced by numerous illustrations, including eight color plates, this volume traces the intricate play of cultural and economic pressures and personal relationships between artists and traders that guided Navajo weavers to produce textiles that are today emblems of the Native American Southwest. Winner - Multi-cultural Subject, New Mexico Book Awards
Seth Morgan’s frenzied, addictive walk on the wild side of 1980s San Francisco When strip-joint barker Joe Speaker unwittingly steals a sixty-nine-carat blue diamond, he becomes enmeshed in a blackmail-and-murder conspiracy that begins with the savage slaying of high-priced call girl Gloria Monday. Suddenly Joe’s a wanted man. Hunted by a murderous pimp known as Baby Jewels Moses and a relentless homicide cop named Tarzon, Joe ends up taking the rap and getting sentenced to three years. But it’s in prison that the real trouble begins. An adrenaline-pumped, hallucinogenic descent into the lower depths, Homeboy is a tough, eye-opening look at San Francisco during the AIDS epidemic. Part memoir and part richly conceived work of imagination, this gritty, rambunctious novel reads like pure poetry and celebrates an uncommon talent at the height of his storytelling powers.
Though this book was written with women in mind (there is a section on hiking while pregnant, for example), men will enjoy the ins and outs of proper equipment and how to use it, difficulty level of various mountains, the kinds of terrain a child may or may not be able to handle, and the health and spiritual benefits of walking in the mountains. Addressing both the unrepentant couch potato as well as the absurdly fit, the author prescribes various exercise regimes according to the fitness level of the individual. Subsequent chapters explain map reading, what to wear, what to carry in a backpack, and recommended treks in the U.S., Himalayas, and Europe; a comprehensive appendix lists climbing clubs and rental opportunities.
