The World of the Early Sienese Painter
Author:
Publisher: Penn State Press
Published:
Total Pages: 468
ISBN-13: 9780271043661
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Painting in Late Medieval and Renaissance Siena, 1260-1555
Author: Diana Norman
Publisher: Yale University Press
Published: 2003-01-01
Total Pages: 416
ISBN-13: 9780300099331
DOWNLOAD EBOOKThe city of Siena, one of Italy's major artistic centers, was home to many celebrated painters, among them Duccio, Simone Martini, Ambrogio and Pietro Lorenzetti, Sassetta and Beccafumi. This generously illustrated book provides a survey of Sienese painting from 1260 to 1555, an era of extraordinary artistic creativity in the Tuscan city. Art historian Diana Norman addresses the style and artistic technique of Sienese painters throughout the three centuries and explores why paintings were made, where they were originally seen, and how they were used and enjoyed by their audiences. The book focuses on works of art made for Siena itself, many of which are still to be seen within the city. Norman organizes the discussion around types of commissions and throughout the book situates the paintings within the context of the political, social, and religious circumstances of late medieval and renaissance Siena.
A Month in Siena
Author: Hisham Matar
Publisher: Random House
Published: 2019-10-22
Total Pages: 145
ISBN-13: 0593129148
DOWNLOAD EBOOKFrom the Pulitzer Prize–winning author of The Return comes a profoundly moving contemplation of the relationship between art and life. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND EVENING STANDARD After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments. Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us. Praise for A Month in Siena “As exquisitely structured as The Return, driven by desire, yearning, loss, illuminated by the kindness of strangers. A Month in Siena is a triumph.”—Peter Carey
Painting in Florence and Siena After the Black Death
Author: Millard Meiss
Publisher: Princeton University Press
Published: 1978
Total Pages: 300
ISBN-13: 9780691003122
DOWNLOAD EBOOKThe first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Sienese Painting
Author: Giulietta Chelazzi Dini
Publisher: Harry N Abrams Incorporated
Published: 1998
Total Pages: 471
ISBN-13: 9780810941847
DOWNLOAD EBOOKFor almost 500 years, from the late Middle Ages into the 17th century, the Italian city of Siena was a thriving center of trade, learning, and fine art. This magnificently illustrated book is the first to celebrate Siena's influential and impressive artistic heritage.Informative essays are illuminated by a wealth of exquisite color reproductions, including numerous specially photographed color details and two dazzling foldouts. The book begins with the emergence of the distinctive Sienese style in the mid-1200s -- emphasizing brilliant color, elaborate pattern, and elegant goldwork -- and spans the refined work of the late Baroque period.Illustrated and discussed are the paintings, frescoes, altarpieces, and other works of such early Sienese masters as Duccio di Buoninsegna, Simone Martini, and the gifted brothers Ambrogio and Pietro Lorenzetti. Featured too are Sienese artists working in the Renaissance, Mannerist, and Baroque styles, among them Sassetta, Domenico Beccafumi. Francesco Vanni, and Ventura Salimbeni, to name but a few.
Painting in Renaissance Sie
Author: Keith Christiansen
Publisher: Metropolitan Museum of Art
Published: 1988
Total Pages: 401
ISBN-13: 0810914735
DOWNLOAD EBOOKCatalog of an exhibition which opened at The Metropolitan Museum of Art on Dec. 20, 1988. This first comprehensive study in English devoted to Sienese painting to be published in four decades centers on the fifteenth century, a fascinating but frequently neglected period when Sienese artists confronted the innovations of Renaissance painting in Florence. Two introductory essays survey fifteenth-century Sienese painting, and individual entries examine 139 key works in exhaustive detail, presenting new insights into long-debated issues of interpretation and attribution, and often utilizing previously unpublished material. Most of the major paintings are reproduced in color and supplemented with illustrations of related comparative works.
The Sienese Trecento Painter Bartolo Di Fredi
Author: Patricia Harpring
Publisher:
Published: 1993
Total Pages: 204
ISBN-13:
DOWNLOAD EBOOKThis study follows the stylistic evolution of Bartolo di Fredi, who studied with Niccolo di Ser Sozzo, and was influenced by the giants of the early Trecento: Martini, da Siena, and Pietro and Ambrogio Lorenzetti. Bartolo mined his rich Sienese artistic heritage for its most valuable characteristics, which he transformed into his own unique and appealing style.
Sienese Painting After the Black Death
Author: Judith Steinhoff
Publisher: Cambridge University Press
Published: 2007-04-23
Total Pages: 0
ISBN-13: 0521846641
DOWNLOAD EBOOKThis book provides a new perspective on Sienese painting after the Black Death, asking how social, religious, and cultural change effect visual imagery and style. Judith Steinhoff demonstrates that Siena's artistic culture of the mid- and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She shows that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change.
Francesco Vanni
Author: John Marciari
Publisher: Yale University Press
Published: 2013
Total Pages: 0
ISBN-13: 9780300135480
DOWNLOAD EBOOKPublished in conjunction with the exhibition organized by the Yale University Art Gallery, Yale University Art Gallery, September 27, 2013-January 5, 2014.
Siena and the Virgin
Author: Diana Norman
Publisher: Yale University Press
Published: 1999-01-01
Total Pages: 276
ISBN-13: 0300080069
DOWNLOAD EBOOKCelebrating the Virgin Mary as both an object of religious affection and a focus of civic pride, artists of fourteenth-century Siena established for their city a vibrant tradition that continued into the early decades of the next century. Such celebratory portraits of the Virgin were also common in Siena's extensive subject territories, the contado. This richly illustrated book explores late medieval Sienese art--how it was created, commissioned, and understood by the citizens of Siena. Examining political, economic, and cultural relations between Siena and the contado, Diana Norman offers a new understanding of Marian art and its political function as an expression of civic ideology. Drawing on extensive unpublished archives, Norman reconstructs the circumstances surrounding the commission of Marian art in the three most prestigious locations of fourteenth-century Siena: the cathedral, the Palazzo Pubblico, and the hospital of Santa Maria della Scala. She analyzes similarly important commissions in the contado towns of Massa Marittima, Montalcino, and Montepulciano. Casting new light on such topics as the original site for the reliquary tomb of Saint Cerbone, patron saint of Massa Marittima, and the identity of the patrons of the Marian frescoes in the rural hermitage of San Leonardo al Lago, the author deepens our insight into the origins and meanings of Sienese art production of the late medieval period.
