The Pa-O, one of Burma's many ethnic minorities, engaged in a forty-year insurgency against the government of Burma which ended in a cease-fire in 1994. This is the first book on the Pa-O in English. Drawing upon historical accounts, contemporary writing, and personal interviews, the authors present the mythological and historical background of the Pa-O in Burma and Thailand. They recount the recent political history and focus on the experiences and difficulties of one village community that was forced to relocate ten times between 1978 and 1996. Interviews provide first-hadn evidence of the difficult conditions under which the Pa-O live in Burma and Thailand.
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.
O-Kee-Pa; A Religious Ceremony; And Other Customs Of The Mandans has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Jersey Shore, a small town with a seemingly misplaced name, was on the edge of the western frontier during Revolutionary War days, and those who settled in this area prior to 1784 found themselves outside the jurisdiction of both Great Britain and the commonwealth. Out of this was produced a Fair Play society, the Pine Creek Declaration of Independence, and something known as the Big Runaway. By 1800, a little village began to form along the banks of the west branch of the Susquehanna River. Over time, the West Branch Canal, lumbering, and a very large New York Central Railroad shop brought growth and prosperity to the area. Jersey Shore presents a visual story of the area through pictures taken by local photographers, including Joseph Mick, William H. Garman, and Jonathan Potter, dating from Civil War days to around 1930.
The Indigo Scarf chronicles the crossing lives of escaped slaves Jedediah James and George Sharpe as they flee with their white wives into the wilderness of Pennsylvania's Sinnemahone country, on the upper reaches of the West Branch of the Susquehanna River, during the frontier decades after Pennsylvania's last Indian purchase. The novel opens, however, in 1882 in Washington's Baltimore and Potomac Railroad station. Narrator Anna Maria Sharpe is departing for the backwoods of north-central Pennsylvania, which she fled in her teens doubtful of her identity. She encounters Benjamin James, now a drifting, alcoholic longshoreman, who'd been implicated in the murder of his brother during Anna Maria's childhood. Benjamin decides to join her on the journey. Along the way, we follow the tale of the founders of their sordid hideaway settlement: his father, the infamous ex-slave Jedediah James; George Sharpe, a former indentured grist-miller whom Anna Maria believes was her grandfather; and the white women they had escaped with to the wild Sinnemahone country, Sarah James and Rosanna Sharpe. Through the story, Anna Maria learns that the man Benjamin had been accused of murdering had been her father, and the murderer, her half-brother. Benjamin's account of the life of Jedediah James reveals a fatal obsession with ownership driving this freed slave toward his reckoning. Hostilities build to a head between James and his wife's father-the august revolutionary war veteran Samson Starret-as well as Sarah's ex-suitor, Williamsport's Thomas Tillman, a man fixated on this woman whom an ex-slave stole from him on the eve of their arranged marriage. The scenes of The Indigo Scarf take the reader from a plantation in Virginia's tidewater region to the tragic end of a whiskey and timber-pirating operation on the Susquehanna's un-peopled and feral West Branch during the frontier decades after Pennsylvania's last Indian purchase.
