Josey Wales is out for the blood of the pro-Union Jayhawkers who raped & murdered his wife. When Wales refuses to surrender, he begins a life on the run from the law, reluctantly befriending a diverse group of whites & Indians on his quest for revenge and a new life.
Josey Wales was the most wanted man in Texas. His wife and child had been lost to pre-civil War destruction and, like Jesse James and other young farmers, he joined the guerrilla soldiers of Missouri--men with no cause but survival and no purpose but revenge. Josey Wales and his Cherokee friend, Lone Watie, set out for the West through the dangerous Camanchero territory. Hiding by day, traveling by night, they are joined by an Indian woman named Little Moonlight, and rescue an old woman and her granddaughter from their besieged wagon. The five of them travel toward Texas and win through brash and honest violence, a chance for a new way of life.
Sondra Locke tells the story of her childhood in Tennessee, her career as an actress and director, her relationship and breakup with actor Clint Eastwood, and her experience with breast cancer.
Pressbook promoting the 1976 release of The outlaw Josey Wales. Contains advertising mats, publicity and exploitation content and a small catalog of assorted posters and promotional accessories.
Clint Eastwood is Hollywood’s elder statesman and its conscience. He is the standard by which other films and filmmakers are judged. He represents both classical Hollywood and an entirely modern, uncompromising and unfussy directorial presence. There are those who adore him as a cowboy, a superstar, the rugged, unyielding yet introspective face of American machismo. There are those who read him as a great American auteur fashioning uncompromising, fascinating, intellectual films about his country, about life, about whatever the hell takes his fancy. No single figure in all of Hollywood, operates so freely outside of the strictures of commercial pressure. And yet, or perhaps that is because, he makes hit after hit. Separation of actor and director is almost impossible. They are intimately related, cross pollinating, but he has become in the latter half of his career to be view as one of the great American artists. While drawing connections from his wider work as an actor, and those who have influenced him, it is his identity as a director that this book will celebrate. This is not a career — it is a landscape.
Westerns may have had their heyday, but they remain popular. The greatest films from 1914, when The Squaw Man and The Virginian were among the genre's best, through 2001, when American Outlaws and Texas Rangers were tops, are the subject of this work. For each year, the author names the outstanding western films in the following categories: picture, screenplay (original and adaptation), direction, cinematography, music, male and female leading roles, and male and female supporting roles. Also for each year, the author lists the westerns that received Academy Award nominations (and those that won), makes note of the births and deaths of notable actors, directors, producers, composers, cinematographers, authors and other such personalities, and describes the genre's significant achievements.