"Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.
The Anarchist Cookbook will shock, it will disturb, it will provoke. It places in historical perspective an era when "Turn on, Burn down, Blow up" are revolutionary slogans of the day. Says the author" "This book... is not written for the members of fringe political groups, such as the Weatherman, or The Minutemen. Those radical groups don't need this book. They already know everything that's in here. If the real people of America, the silent majority, are going to survive, they must educate themselves. That is the purpose of this book." In what the author considers a survival guide, there is explicit information on the uses and effects of drugs, ranging from pot to heroin to peanuts. There i detailed advice concerning electronics, sabotage, and surveillance, with data on everything from bugs to scramblers. There is a comprehensive chapter on natural, non-lethal, and lethal weapons, running the gamut from cattle prods to sub-machine guns to bows and arrows.
'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways.Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also providedmany important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple andelegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.
Tell kids not to worry. sorting my life out. be in touch to get some things. Instead of being a simple sms message, this text turned out to be crucial and chilling evidence in convicting the deceptive killer of a mother of two. Sent from her phone, after her death, tell tale signs announce themselves to a forensic linguist. Rarely is a crime committed without there being some evidence in the form of language. Wordcrime features a series of chapters where gripping cases are described - involving murder, sexual assault, hate mail, suspicious death, code deciphering, arson and even genocide. Olsson describes the evidence he gave in each one. In approachable and clear prose, he details how forensic linguistics helps the law beat the criminals. This is fascinating reading for anyone interested in true crime, in modern, cutting-edge criminology and also where the study of language meets the law.
Be faithful and mind your word. Be original not a copy; let your word proof your personality and make difference by your truth. Many people have lost their dignity and their glory through their words. Others have disgraced themselves by their lies. The world is going into destruction through lies of those who dwell on it, and the truth has to tremble on the ground. Do not force your words to be factual whiles know you are deceiving. Be faithful but not a liar; be gentle but not a pretender, be smart but not as a thief. Maintain your faithfulness and do not lie for a favour but approve yourself for good use. Never put yourself into trouble through lies but consider your speech and make your words fruitful. Let your words be simple and meaningful to your audience. Do not rush in your speech but be careful when delivering a message. It is not good to shout but it is good to blend in some time. But in all, do not lie when giving out your message. It is better to make simple messages than to prolong your message. Why because it is possible to make a mistake and lie at the same time. Be aware and make things decent but do not disgrace yourself in the area you have not been there before. Means do not discuss the lessons you do not understand. Else, you will lie and disgrace yourself through inconsistent speech. But always watch out and control yourself in position without wrong comments later on. Faithfulness controls peace and makes things better and encouraging. Do not make news where there are no happenings. Do not pollute the air by your false message but make the air blow at ease. Be faithful when you buy; be faithful when you exchange, be faithful when you walk and talk. You can build a city by faithfulness and you can destroy the city through unfaithfulness.
A monumentally devastating plague leaves only a few survivors who, while experiencing dreams of a battle between good and evil, move toward an actual confrontation as they migrate to Boulder, Colorado.
"Pineapple's entire routine is turned upside-down when new kitten Kiwi copies everything Pineapple does. But eventually Pineapple learns that having a friend makes everything better"--
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.