'Origin Myths and Holy Places in the Old Testament' examines the biblical narratives which describe the origins of holy places. It argues for the Hellenistic origin or redaction of most of these narratives. Three central questions are addressed: are there common features in biblical accounts about the foundation of places of worship; are there elements in the aetiological stories that reveal the 'real' mythology/rituals of the sanctuary; what were the circumstances of the creation of such narratives?
'Origin Myths and Holy Places in the Old Testament' examines the biblical narratives which describe the origins of holy places. It argues for the Hellenistic origin or redaction of most of these narratives. Three central questions are addressed: are there common features in biblical accounts about the foundation of places of worship; are there elements in the aetiological stories that reveal the 'real' mythology/rituals of the sanctuary; what were the circumstances of the creation of such narratives?
Although many Catholics are familiar with the four Gospels and other writings of the New Testament, for most, reading the Old Testament is like walking into a foreign land. Who wrote these forty-six books? When were they written? Why were they written? What are we to make of their laws, stories, histories, and prophecies? Should the Old Testament be read by itself or in light of the New Testament? John Bergsma and Brant Pitre offer readable in-depth answers to these questions as they introduce each book of the Old Testament. They not only examine the literature from a historical and cultural perspective but also interpret it theologically, drawing on the New Testament and the faith of the Catholic Church. Unique among introductions, this volume places the Old Testament in its liturgical context, showing how its passages are employed in the current Lectionary used at Mass. Accessible to nonexperts, this thorough and up-to-date introduction to the Old Testament can serve as an idea textbook for biblical studies. Its unique approach, along with its maps, illustrations, and other reference materials, makes it a valuable resource for seminarians, priests, Scripture scholars, theologians, and catechists, as well as anyone seeking a deeper understanding of the Bible.
Southwestern Journal of Theology 2022 Book of the Year Award (Biblical Studies) Craig Bartholomew's The Old Testament and God is the first volume in his ambitious four-volume project, which seeks to explore the question of God and what happens to Old Testament studies if we take God and his action in the world seriously. Toward this end, he proposes a post-critical paradigm shift that recenters study around God. The intent is to do for Old Testament studies what N. T. Wright's Christian Origins and the Question of God series has done for New Testament studies. Bartholomew proposes a much-needed holistic, narrative approach, showing how the Old Testament functions as Christian Scripture. In so doing, he integrates historical, literary, and theological methods as well as a critical realist framework. Following a rigorous analysis of how we should read the Old Testament, he goes on to examine and explain the various tools available to the interpreter. He then applies worldview analysis to both Israel and the surrounding nations of the ancient Near East. The volume concludes with a fresh exegetical exploration of YHWH, the living and active God of the Old Testament. Subsequent volumes will include Moses and the Victory of Yahweh, The Old Testament and the People of God, and The Death and Return of the Son.
The Old Testament, and biblical scholarship itself, distinguishes between mythical and historical. This book argues that only historical thing in the Bible is the Bible itself, a superb product of Jewish thought. What is narrated in the Bible is only myth. But this myth about Israel's past was still built with fragments of history, or rather with written traditions that were different from those expressed in the actual text, and obviously more ancient. These essays follow in the spirit of his controversial History and Ideology in Ancient Israel, which combine detailed philological reseaerch, a wide knowledge of ancient Near Eastern literature and Biblical Archaeology--and a radical way of understanding what the biblical text is really telling us. This is an erudite and thought-provoking book, which should not be ignored by anyone who finds the origin of the Bible a fascinating and still largely unknown phenomenon.
Since the nineteenth-century rediscovery of the Gilgamesh epic, we have known that the Bible imports narratives from outside of Israelite culture, refiguring them for its own audience. Only more recently, however, has come the realization that Greek culture is also a prominent source of biblical narratives. Greek Myth and the Bible argues that classical mythological literature and the biblical texts were composed in a dialogic relationship. Louden examines a variety of Greek myths from a range of sources, analyzing parallels between biblical episodes and Hesiod, Euripides, Argonautic myth, selections from Ovid’s Metamorphoses, and Homeric epic. This fascinating volume offers a starting point for debate and discussion of these cultural and literary exchanges and adaptations in the wider Mediterranean world and will be an invaluable resource to students of the Hebrew Bible and the influence of Greek myth.
This collection of essays seeks to demonstrate that many biblical authors deliberately used Classical and Hellenistic Greek texts for inspiration when crafting many of the narratives in the Primary History. Through detailed analysis of the text, Gnuse contends that there are numerous examples of clear influence from late classical and Hellenistic literature. Deconstructing the biblical and Greek works in parallel, he argues that there are too many similarities in basic theme, meaning, and detail, for them to be accounted for by coincidence or shared ancient tropes. Using this evidence, he suggests that although much of the text may originate from the Persian period, large parts of its final form likely date from the Hellenistic era. With the help of an original introduction and final chapter, Gnuse pulls his essays together into a coherent collection for the first time. The resultant volume offers a valuable resource for anyone working on the dating of the Hebrew Bible, as well as those working on Hellenism in the ancient Levant more broadly.
