A History of Modern Chinese Fiction

A History of Modern Chinese Fiction

Author: Chih-tsing Hsia

Publisher: Chinese University of Hong Kong Press

Published: 2016

Total Pages: 0

ISBN-13: 9789629966614

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A History of Modern Chinese Fiction was first published in 1961 and has ever since become a classic in the study of twentieth-century Chinese fiction. This volume accounts the development of Chinese fiction from the Literary Revolution in 1917 to the early 60s. C. T. Hsia delved into the works of important writers such as Lu Hsün, Pa Chin, Lao She, Eileen Chang, and Ch'ien Chung-shu. In Hsia's own words, "the literary historian's first task is always the discovery and appraisal of excellence," and in this belief he re-evaluated the important figures in modern Chinese literature, and "discovered" those who had not been given proper attention. To this day, A History of Modern Chinese Fiction is still a must-read for students interested in modern Chinese literature.


A History of Modern Chinese Fiction, 1917-1957

A History of Modern Chinese Fiction, 1917-1957

Author: Chih-tsing Hsia

Publisher:

Published: 1961

Total Pages: 686

ISBN-13:

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"The great virtue of this book is that it provides a practical acquaintance with the writing itself by means of copious passages of translation from representative novels." -- New York Times Book Review "C. T. Hsia's book is by now an acknowledged classic. It truly opened up a new field and prepared the way for generations of American scholars to do research. We are all in his debt." -- Leo Lee This pioneering, classic study of 20th-century Chinese fiction covers some sixty years, from the Literary Revolution of 1917 through the Cultural Revolution of 1966-76.


The Columbia History of Chinese Literature

The Columbia History of Chinese Literature

Author: Victor H. Mair

Publisher: Columbia University Press

Published: 2010-03-10

Total Pages: 1369

ISBN-13: 0231528515

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The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.


Chinese History and Literature

Chinese History and Literature

Author: J. Prusek

Publisher: Springer Science & Business Media

Published: 1970-12-31

Total Pages: 600

ISBN-13: 9789027701756

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The studies contained in this volume arose over the last thirty years. Originally the range of the materials I intended to include in my selection was very much wider. Publishing difficulties, however, have obliged me to curtail them to something less than half the planned content. At first I intended to include all the studies I supposed might be of interest to readers and represent contributi ons still of some significance for research in this domain of Oriental scholarship. When the necessity arose to limit the contents I gave preference to the standpoint of thematic completeness rather than to what would be of interest to the general reader. Thus in this volume I have confined myself to two them atic fields only-Old Chinese literature and studies dealing with mediaeval storytellers' productions-hua-pen. I have excluded the whole complex of historical studies and all studies relating to the new literature. I am now preparing, on the principal historical theme on which I was engaged already in the period of my studies in Prague under Prof. J. Bidlo, and then in 1928 till 1930, with Prof. B. Karlgren in Sweden and Prof. G. Haloun in Halle, in Germany, a more compendious study in which I hope to sum up the results of my research, and I also intend to publish a volume of selected studies dealing with the New Chinese literature at some later date.


A History of Chinese Martial Arts Fiction

A History of Chinese Martial Arts Fiction

Author: Chen Pingyuan

Publisher: Cambridge University Press

Published: 2016-10-13

Total Pages: 277

ISBN-13: 1107069882

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The seminal work on the evolution, aesthetics and politics of modern martial arts fiction from one of China's leading scholars.


A History of Contemporary Chinese Literature

A History of Contemporary Chinese Literature

Author: Zicheng Hong

Publisher: BRILL

Published: 2007

Total Pages: 657

ISBN-13: 9004157549

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"A thorough overview and analysis of the literary scene in China during the 1949-1999 period, focusing primarily on fiction, poetry, drama, and prose writing"--Provided by publisher.


A History of Modern Chinese Popular Literature

A History of Modern Chinese Popular Literature

Author: Boqun Fan

Publisher: Cambridge University Press

Published: 2020-07-30

Total Pages: 831

ISBN-13: 1107068568

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The first English translation of one of the most authoritative and significant studies in the field of modern Chinese literature.


Literary Information in China

Literary Information in China

Author: Bruce Rusk

Publisher: Columbia University Press

Published: 2021-05-11

Total Pages: 793

ISBN-13: 0231551371

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“Information” has become a core concept across the disciplines, yet it is still often seen as a unique feature of the Western world that became central only in the digital age. In this book, leading experts turn to China’s textual tradition to show the significance of information for reconceptualizing the work of literary history, from its beginnings to the present moment. Contributors trace the organization of literary information across China’s three millennia of history, examining the forms and practices of information management that have evolved alongside the increasing scale and complexity of textual production. They reimagine literary history as information processing, detailing the many kinds of storage, encoding, sorting, and transmission that constitute and feed back into China’s long and ever-growing cultural tradition. The volume features state-of-the-field essays on all major forms of literary information management, from graphs to internet literature, and from commentaries to literary museums and archives. By shifting focus from individual works and their authors to the informatic schemata of literature, it identifies three scales of information management—the word, the document, and the collection—and surveys the forms that operate at each level, such as the dictionary, the anthology, and the library. Literary Information in China is a groundbreaking work that provides a systematic and innovative reassessment of literary history with implications that extend beyond the particular Chinese context, revealing how informatic practices shape literary tradition.


The Japanese Discovery of Chinese Fiction

The Japanese Discovery of Chinese Fiction

Author: William C. Hedberg

Publisher: Columbia University Press

Published: 2019-10-15

Total Pages: 277

ISBN-13: 023155026X

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The classic Chinese novel The Water Margin (Shuihu zhuan) tells the story of a band of outlaws in twelfth-century China and their insurrection against the corrupt imperial court. Imported into Japan in the early seventeenth century, it became a ubiquitous source of inspiration for translations, adaptations, parodies, and illustrated woodblock prints. There is no work of Chinese fiction more important to both the development of early modern Japanese literature and the Japanese imagination of China than The Water Margin. In The Japanese Discovery of Chinese Fiction, William C. Hedberg investigates the reception of The Water Margin in a variety of early modern and modern Japanese contexts, from eighteenth-century Confucian scholarship and literary exegesis to early twentieth-century colonial ethnography. He examines the ways Japanese interest in Chinese texts contributed to new ideas about literary canons and national character. By constructing an account of Japanese literature through the lens of The Water Margin’s literary afterlives, Hedberg offers an alternative history of East Asian textual culture: one that focuses on the transregional dimensions of Japanese literary history and helps us rethink the definition and boundaries of Japanese literature itself.