Italian Ceramics
Italian Ceramics

Author: Catherine Hess

Publisher: Getty Publications

Published: 2003-01-01

Total Pages: 282

ISBN-13: 0892366702

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In 1984 the Getty Museum acquired an exceptional collection of Italian Renaissance maiolica, or tin-glazed earthenware. These often brilliantly colored objects range from an early Florentine jar with relief-blue decoration to a much later Mannerist dish with grotesque ornament. The collection was the subject of Italian Maiolica, a beautifully illustrated catalogue that the Museum published in 1988. Italian Ceramics amplifies and updates the earlier volume, including objects—some of them porcelain and terracotta—acquired during the intervening years. Among them are a pair of eighteenth-century candlesticks representing mythological scenes and a tabletop with hunting scenes; and, from the 1790s, the beautifully modeled and painted Saint Joseph with the Christ Child. Italian Ceramics contains the most recent scientific, historical, and iconographic information about the Museum’s holdings. Completely revised and expanded, this book offers a wealth of new information about the Getty Museum’s superb collection, which spans more than four centuries of Italian ceramic art.

The Globalization of Renaissance Art
The Globalization of Renaissance Art

Author: Daniel Savoy

Publisher: BRILL

Published: 2017-12-11

Total Pages: 353

ISBN-13: 9004355790

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In The Globalization of Renaissance Art: A Critical Review, Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse’s goal of transcending Eurocentric boundaries, reflecting on the strengths and weaknesses of current terms, methods, theories, and concepts. Although it is clear that the global perspective has exposed the artistic and cultural pluralism of early modern Europe, it is found that more work needs to be done at the epistemological level of art history as a whole. Contributors: Claire Farago, Elizabeth Horodowich, Lauren Jacobi, Thomas DaCosta Kaufmann, Jessica Keating, Stephanie Leitch, Emanuele Lugli, Lia Markey, Sean Roberts, Ananda Cohen-Aponte, and Marie Neil Wolff.

Asia in the Making of Europe, Volume II
Asia in the Making of Europe, Volume II

Author: Donald F. Lach

Publisher: University of Chicago Press

Published: 2010-01-15

Total Pages: 422

ISBN-13: 0226467104

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This is the second volume in a series that traces, century by century, the role of Asia in the making of Europe. The rise to world dominance of the Western nations in modern times and the rapid industrial growth of the West, which outpaced the East in technical and military achievements, have led to a historical eclipse of the ancient and brilliant cultures of Asia. Historican Donald F. Lach, in his influential scholarly work, Asia in the Making of Europe, points out that an eclipse is never permanent, that this one was never total, and that there was a period in early modern times when Asia and Europe were close rivals in brilliance and mutual influence.

Private Collectors of Islamic Art in Late Nineteenth-Century London
Private Collectors of Islamic Art in Late Nineteenth-Century London

Author: Isabelle Gadoin

Publisher: Routledge

Published: 2021-09-09

Total Pages: 232

ISBN-13: 1000437000

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This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.