Author: George Ashdown Audsley

Publisher: Forgotten Books

Published: 2017-12-18

Total Pages: 594

ISBN-13: 9780484004503

Excerpt from The Organ of the Twentieth Century: A Manual on All Matters Relating to the Science and Art Organ Tonal Apportionment and Divisional Apportionment With Compound Expression Under such circumstances it was only natural that I should take up pen and pencil to add something, however humble, to the literature of the Organ; especially at a time when so little of any real value was being said, and so little indicative of scientific and artistic advance was making its appearance in the organ-building world. My first essays in this direction appeared in the years 1886-8, in a series of articles published in the English Mechanic and World of Science; in which, for the first time in the literature of the Organ, an attempt was made to differentiate, in their proper tonal appoint ments, the Church Organ, the Concert-room Organ, and the Chamber Organ. These were followed by lectures and articles on the Swell in the Organ; in which, for the first time, the necessity of imparting powers of flexibility and expression to all the Manual Divisions and the Pedal Organ was advocated on logical and artistic grounds. In the year 1905 The Art of organ-building was offered to the organ-loving world. Since then my studies in tonal matters have been continued; their results furnishing the sole apology for the appearance of the present work, which I have ventured to entitle the organ OF the twentieth century. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.