The Organ As a Mirror of Its Time : North European Reflections, 1610-2000 Text & CD
The Organ As a Mirror of Its Time : North European Reflections, 1610-2000 Text & CD

Author: University of Rochester Kerala J. Snyder Professor Emerita of Musicology at The Eastman School of Music

Publisher: Oxford University Press, USA

Published: 2002-06-28

Total Pages: 393

ISBN-13: 0198032935

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Because it has always represented a rich collaboration of the music, art, architecture, handicraft and science of its day, the organ, more than any other instrument, continues to reflect the spirit of the age in which it was built. The Organ as a Mirror of its Time, the first book to consider this instrument's historical and cultural significance, reflects the efforts of twenty leading scholars of the organ. The book chronicles the history of six organs in Scandinavia and Northern Germany, at least one specimen for every century from 1600 to the present. By considering their original contexts and their histories since they were built, as well as the extraordinary coincidences that link them together, the book offers a unique perspective on the cultural history of northern Europe. A CD with appropriate repertoire played on each of the six instruments accompanies the book.

The Organ As a Mirror of Its Time
The Organ As a Mirror of Its Time

Author: Kerala J. Snyder

Publisher: Oxford University Press

Published: 2002-07-18

Total Pages: 392

ISBN-13: 0195349369

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Because it has always represented a rich collaboration of the music, art, architecture, handicraft and science of its day, the organ, more than any other instrument, continues to reflect the spirit of the age in which it was built. The Organ as a Mirror of its Time, the first book to consider this instrument's historical and cultural significance, reflects the efforts of twenty leading scholars of the organ. The book chronicles the history of six organs in Scandinavia and Northern Germany, at least one specimen for every century from 1600 to the present. By considering their original contexts and their histories since they were built, as well as the extraordinary coincidences that link them together, the book offers a unique perspective on the cultural history of northern Europe. A CD with appropriate repertoire played on each of the six instruments accompanies the book.

Twentieth-Century Organ Music
Twentieth-Century Organ Music

Author: Christopher S. Anderson

Publisher: Routledge

Published: 2013-06-17

Total Pages: 436

ISBN-13: 1136497897

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This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.

Lutheran Churches in Early Modern Europe
Lutheran Churches in Early Modern Europe

Author: Andrew Spicer

Publisher: Routledge

Published: 2016-12-05

Total Pages: 498

ISBN-13: 1351921169

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Until recently the impact of the Lutheran Reformation has been largely regarded in political and socio-economic terms, yet for most people it was not the abstract theological debates that had the greatest impact upon their lives, but what they saw in their parish churches every Sunday. This collection of essays provides a coherent and interdisciplinary investigation of the impact that the Lutheran Reformation had on the appearance, architecture and arrangement of early modern churches. Drawing upon recent research being undertaken by leading art historians and historians on Lutheran places of worship, the volume emphasises often surprising levels of continuity, reflecting the survival of Catholic fixtures, fittings and altarpieces, and exploring how these could be remodelled in order to conform with the tenets of Lutheran belief. The volume not only addresses Lutheran art but also the way in which the architecture of their churches reflected the importance of preaching and the administration of the sacraments. Furthermore the collection is committed to extending these discussions beyond a purely German context, and to look at churches not only within the Holy Roman Empire, but also in Scandinavia, the Baltic States as well as towns dominated by Saxon communities in areas such as in Hungary and Transylvania. By focusing on ecclesiastical 'material culture' the collection helps to place the art and architecture of Lutheran places of worship into the historical, political and theological context of early modern Europe.

Dieterich Buxtehude
Dieterich Buxtehude

Author: Kerala J. Snyder

Publisher: University Rochester Press

Published: 1987

Total Pages: 586

ISBN-13: 9781580462532

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An enlightening, revised edition of the definitive biography on celebrated organist and composer, Dieterich Buxtehude. This book is a new edition of the most comprehensive life-and-works study of the great Baroque-era organist and composer Dieterich Buxtehude (ca. 1637-1707), released to celebrate the tercentenary of the composer's death. Originally published in 1987 and long out of print, Dieterich Buxtehude: Organist in Lübeck is considered by most musicologists to be the definitive biography. It also includes close description of Buxtehude's compositional output, from trio sonatas to the famed Abendmusiken: Buxtehude's yearly oratorio presentations. The young J. S. Bach traveled to Lübeck on foot in 1705 to learn as much as he could from the great master of the organ and of Lutheranchurch music. The revised edition contains new information on the organs that Buxtehude played in Scandinavia and Lübeck, excerpts from the newly available account books from St. Mary's in Lübeck, a discussion of newly discovered sources, including one written by J. S. Bach, an evaluation of recent scholarship on Buxtehude, and an extensive bibliography. Written for both the casual reader and the serious scholar. The accompanying music CD (this material is now provided on a companion website) provides examples of all genres discussed in the book -- vocal works, a trio sonata, harpsichord music, and organ music newly recorded on the North German meantone organ in Gothenburg, Sweden, by a noted specialist in this repertoire, Hans Davidsson, who is professor of organ at the University of Rochester's Eastman School of Music and the founder of the Göteborg Organ Art Center (GOArt). Kerala J.Snyder is Professor Emerita of Musicology, Eastman School of Music (University of Rochester).

Handbook of Materials for Wind Musical Instruments
Handbook of Materials for Wind Musical Instruments

Author: Voichita Bucur

Publisher: Springer Nature

Published: 2019-09-06

Total Pages: 827

ISBN-13: 3030191753

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This book addresses key questions about the materials used for the wind instruments of classical symphony orchestra such as flutes, clarinets, saxophones, oboes, bassoons and pipe organs. The content of this book is structured into four parts. Part 1- Description of materials for wind instruments deals with wood species and materials for reeds used for making clarinet, oboe and bassoon- and, with metallic materials and alloys for - horn, trumpet, trombone, etc. Auxiliary materials associated with the manufacturing of wind instruments are felt, cork, leather and parchment. Part 2- Basic acoustics of wind instruments, in which are presented succinctly, some pertinent aspects related to the physics of the resonant air column. An important aspect discussed is related to the effect of wall material on the vibration modes of the walls of wind instruments. The methods for measuring the acoustical properties of wind instruments are presented. Part 3- Manufacturing of wind instruments, describes the technology used in manufacturing metallic tubes and pipes made of wood. Part 4 - The durability and degradation of materials addresses data about methods for cleaning wind instruments, studies factors producing degradation of organ pipes, describes methods of conservation and restoration of brass instruments and of historical pipe organs. Finally, the properties of marble are described, being the only one nondegradable and sustainable material used for pipes for organs.

Instrumentalists and Renaissance Culture, 1420–1600
Instrumentalists and Renaissance Culture, 1420–1600

Author: Victor Coelho

Publisher: Cambridge University Press

Published: 2016-05-26

Total Pages: 353

ISBN-13: 1316571785

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This innovative and multi-layered study of the music and culture of Renaissance instrumentalists spans the early institutionalization of instrumental music from c.1420 to the rise of the basso continuo and newer roles for instrumentalists around 1600. Employing a broad cultural narrative interwoven with detailed case studies, close readings of eighteen essential musical sources, and analysis of musical images, Victor Coelho and Keith Polk show that instrumental music formed a vital and dynamic element in the artistic landscape, from rote function to creative fantasy. Instrumentalists occupied a central role in courtly ceremonies and private social rituals during the Renaissance, and banquets, dances, processions, religious celebrations and weddings all required their participation, regardless of social class. Instrumental genres were highly diverse artistic creations, from polyphonic repertories revealing knowledge of notated styles, to improvisation and flexible practices. Understanding the contributions of instrumentalists is essential for any accurate assessment of Renaissance culture.

Music and Theology
Music and Theology

Author: Daniel Zager

Publisher: Scarecrow Press

Published: 2006-12-13

Total Pages: 290

ISBN-13: 1461701511

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The scholar Robin A. Leaver holds a unique place in sacred music scholarship because of his training in both music and theology. He has written widely, bringing acute insights on a variety of musical repertories and topics related to Martin Luther, sixteenth-century psalmody, hymnody, and the sacred music of Johann Sebastian Bach. In Music and Theology, twelve scholars influenced by Leaver's work contribute essays in diverse areas of sacred music history and philosophy, focusing on the intersection of music and theology. Ranging chronologically from the twelfth-century writer and composer Hildegard of Bingen (1098-1179) to present-day considerations of American church music and worship, the volume provides thought-provoking new work for all who study church music. Reflecting the prominent emphasis in Leaver's own scholarship, eight chapters deal with the music of Johann Sebastian Bach, including his organ music, sacred cantatas, and passion settings. A final chapter provides a chronological listing of Leaver's own voluminous writings on music and theology.

Experimental Systems
Experimental Systems

Author: Michael Schwab

Publisher: Leuven University Press

Published: 2013

Total Pages: 232

ISBN-13: 905867973X

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In the sciences, the experimental approach has proved its worth in generating what subsequently requires understanding. Can the emergent field of artistic research be inspired by recent thinking about the history and workings of science?

J. S. Bach
J. S. Bach

Author: George B. Stauffer

Publisher: Oxford University Press

Published: 2024-05-16

Total Pages: 649

ISBN-13: 0197661203

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In the obituary that appeared soon after his death, Johann Sebastian Bach was described as "the world-famous organist" and "the greatest organist...we have ever had." In Hamburg, Dresden, and other big cities, Bach dazzled audiences with his organ playing, performing passages with his feet that many thought impossible for the hands. One eyewitness declared that he had never seen anything like it. His extant organ works--more than 250 chorale settings and free pieces--are filled with bold, dramatic passages and fully independent pedal parts. They represent the most important body of music in the organ repertoire and the only genre that Bach turned to continuously throughout his life, from his earliest efforts as a teenager in Ohrdruf to his final deathbed revisions as a cantor in Leipzig. In this new survey, leading musicologist George B. Stauffer traces the evolution of Bach's organ works within the broad spectrum of his development as a composer. With detailed discussions of the individual pieces, the book shows how Bach initially drew on contemporary models from Germany and France before evolving a personal idiom based on the concertos of Antonio Vivaldi. In Leipzig, he went still further, synthesizing national and historical styles to produce cosmopolitan masterpieces that exude sophistication and elegance. Serving as a backdrop to this growth was the emergence of the Central German pre-Romantic organ, which inspired Bach to write pieces with unique chamber-music, choral, and orchestral qualities. Stauffer follows these developments step-by-step, showing how Bach's unending quest for novelty, innovation, and refinement resulted in organ works that continue to reward and awe listeners today.