The Operatic Archive

The Operatic Archive

Author: Colleen Renihan

Publisher: Routledge

Published: 2020-04-03

Total Pages: 315

ISBN-13: 0429649134

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The Operatic Archive: American Opera as History extends the growing interdisciplinary conversation in opera studies by drawing on new research in performance studies and the philosophy of history. Moving beyond traditional aesthetic conceptions of opera, this book argues for opera’s powerful potential for historical impact and engagement in late twentieth- and twenty-first-century works by American composers. Considering opera’s ability to serve as a vehicle for memory, historical experience, affect, presence, and the historical sublime, this volume demonstrates how opera’s ability to represent and evoke historical events and historical experience differs fundamentally from the representations and recreations of other modes (specifically, literary and dramatic representations). Building on the work of performance scholars such as Joseph Roach, Rebecca Schneider, and Diana Taylor, and in consultation with recent debates in the philosophy of history, the book will be of interest to a wide range of scholars and researchers, particularly those working in the areas of opera studies and performance studies.


The Operatic Archive

The Operatic Archive

Author: Colleen Renihan

Publisher:

Published: 2020

Total Pages: 10

ISBN-13: 9780367134327

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The Operatic Archive: American Opera as History extends the growing interdisciplinary conversation in opera studies by drawing on new research in performance studies and the philosophy of history. Moving beyond traditional aesthetic conceptions of opera, this book argues for opera's powerful potential for historical impact and engagement in late twentieth- and twenty-first-century works by American composers. Considering opera's ability to serve as a vehicle for memory, historical experience, affect, presence, and the historical sublime, this volume demonstrates how opera's ability to represent and evoke historical events and historical experience differs fundamentally from the representations and recreations of other modes (specifically, literary and dramatic representations). Building on the work of performance scholars such as Joseph Roach, Rebecca Schneider, and Diana Taylor, and in consultation with recent debates in the philosophy of history, the book will be of interest to a wide range of scholars and researchers, particularly those working in the areas of opera studies and performance studies.


Opera 101

Opera 101

Author: Fred Plotkin

Publisher: Hyperion

Published: 1994-12

Total Pages: 520

ISBN-13:

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Written by an opera insider and featuring an introduction by Placido Domingo, here is a thorough, friendly, and truly complete guide to learning how to love and appreciate the opera. After a brief history of opera, the book includes a guide to operatic terms, a minute-by-minute listener's guide to 11 central works, a list of recommended books and recordings and much more.


The Rough Guide to Opera

The Rough Guide to Opera

Author: Matthew Boyden

Publisher:

Published: 2007

Total Pages: 774

ISBN-13:

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A unique handbook on the most thrilling of art forms, spanning four hundred years of music drama. The title features lively biographical sketches of some 150 composers from Claudio Monteverdi to Poul Ruders.


Charles Garnier's Paris Opéra

Charles Garnier's Paris Opéra

Author: Christopher Curtis Mead

Publisher: MIT Press (MA)

Published: 1991

Total Pages: 360

ISBN-13:

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By making systematic use of the mostly unpublished Opera Archive, Mead fills in the missing links to previous investigations and unlocks the significance of this seminal masterpiece.


Opera North

Opera North

Author: Kara McKechnie

Publisher: Emerald Group Publishing

Published: 2014-11-04

Total Pages: 487

ISBN-13: 1783505028

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This study seeks to explore universal issues relating to the production of opera, based on the very specific example of Opera North. Containing extensive archival materials, it is a resource for opera scholars, opera workers and opera lovers, which examines the fields of opera studies through history, ethnography, and production analysis.


Opera Observed

Opera Observed

Author: William Holmes

Publisher: University of Chicago Press

Published: 1993

Total Pages: 292

ISBN-13: 9780226349718

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William C. Holmes provides a rare look behind the scenes into the world of early eighteenth-century Italian opera. Based on a rich store of newly recovered documents, mainly the personal papers of Luca Casimiro degli Albizzi, this social history illuminates the complexities of staging opera in the 1720s and '30s: the role of the impresario in planning an operatic season, financial and artistic difficulties, the importance of patronage, the power of individual singers and composers, considerations of set design, and the practice of altering librettos. A member of an illustrious Florentine family, Albizzi (1664-1745) served as one of the principal impresarios of the Pergola, Florence's earliest and greatest opera theater. He also carried on an active correspondence with impresarios in other cities, freely giving his advice on various economic and artistic concerns. Holmes uses the Albizzi family archives—the most abundant and varied material yet available about an eighteenth-century impresario and his theater—to deepen our knowledge of an extraordinary but little understood period in Italian opera. This book will appeal to anyone curious about operatic history.


"Don Giovanni" Captured

Author: Richard Will

Publisher: University of Chicago Press

Published: 2022-06-14

Total Pages: 315

ISBN-13: 0226815412

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Part I. Clouds of feeling: excerpt audio recordings. Imagining excerpts; Rhetorics of seduction; Demons and dandies; All too human -- Part II. Invented works : complete audio records. The visual stage; Cruel laughter; Dancing in time -- Part III. Partial visions : video recordings. Zooming in, gazing back; Trauma retold; Libertines punished.