The Operas of Rameau

The Operas of Rameau

Author: Graham Sadler

Publisher: Routledge

Published: 2021-01-04

Total Pages: 364

ISBN-13: 9781472479266

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The present volume, devoted solely to the composer's operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameau's operas.


The Operas of Rameau

The Operas of Rameau

Author: Graham Sadler

Publisher: Routledge

Published: 2021-09-09

Total Pages: 373

ISBN-13: 1317022297

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In recent years, interest in Rameau’s operas has grown enormously. These works are no longer regarded as peripheral by performers and audiences but are increasingly staged in the world’s major opera houses and festivals, while the production of first-rate recordings on CD and DVD continues to flourish. Such welcome developments have gone hand in hand with an upsurge in research on Rameau and his period. The present volume, devoted solely to the composer’s operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameau’s operas. The individual essays are informed by a variety of disciplines or sub-disciplines including literature, archival studies, musical analysis, gender studies, ballet and choreography, dramaturgy and staging. The contents are addressed to a wide readership, including not only scholars but also practical musicians, stage directors, dancers and choreographers.


Jean-Philippe Rameau

Jean-Philippe Rameau

Author: Cuthbert Girdlestone

Publisher: Courier Corporation

Published: 1969-01-01

Total Pages: 674

ISBN-13: 9780486262000

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Definitive, full-scale biography and critical study of great 18th-century composer. Rameau's life and times, influence on Gluck, acoustic and harmonic theories, other topics, plus full treatment of great operas and ballets. Over 300 musical examples.


Dance and Drama in French Baroque Opera

Dance and Drama in French Baroque Opera

Author: Rebecca Harris-Warrick

Publisher: Cambridge University Press

Published: 2016-10-27

Total Pages: 505

ISBN-13: 1107137896

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Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.


Monstrous Opera

Monstrous Opera

Author: Charles Dill

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 220

ISBN-13: 140086481X

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One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator. In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placate his audiences by substantially revising his musical texts in later performances, sometimes abandoning his most creative ideas. Monstrous Opera illuminates the complexity of Rameau's vision, revealing not only the tensions within the music but also the conflicting desires that drove the man--himself caricatured by his contemporaries as a monster. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Politics of Opera

The Politics of Opera

Author: Mitchell Cohen

Publisher: Princeton University Press

Published: 2020-12-08

Total Pages: 510

ISBN-13: 0691211515

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A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and music by such greats as Monteverdi, Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics—through story lines, symbols, harmonies, and musical motifs—has played an operatic role both robust and sotto voce. This is an engrossing book that will interest all who love opera and are intrigued by politics.


Music and the Exotic from the Renaissance to Mozart

Music and the Exotic from the Renaissance to Mozart

Author: Ralph P. Locke

Publisher: Cambridge University Press

Published: 2015-05-07

Total Pages: 473

ISBN-13: 1316298205

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During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.


Beyond Exoticism

Beyond Exoticism

Author: Timothy D. Taylor

Publisher: Duke University Press

Published: 2007-03-05

Total Pages: 332

ISBN-13: 9780822339687

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DIVStudy of how systems of power and domination have shaped representations of otherness in music./div


Dramatic Expression in Rameau's Tragédie en Musique

Dramatic Expression in Rameau's Tragédie en Musique

Author: Cynthia Verba

Publisher: Cambridge University Press

Published: 2013-02-21

Total Pages: 341

ISBN-13: 1107311004

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Cynthia Verba's book explores the story of music's role in the French Enlightenment, focusing on dramatic expression in the musical tragedies of the composer-theorist Jean-Philippe Rameau. She reveals how his music achieves its highly moving effects through an interplay between rational design, especially tonal design, and the portrayal of feeling and how this results in a more nuanced portrayal of the heroine. Offering a new approach to understanding Rameau's role in the Enlightenment, Verba illuminates important aspects of the theory-practice relationship and shows how his music embraced Enlightenment values. At the heart of the study are three scene types that occur in all of Rameau's tragedies: confession of forbidden love, intense conflict and conflict resolution. In tracing changes in Rameau's treatment of these, Verba finds that while he maintained an allegiance to the traditional French operatic model, he constantly adapted it to accommodate his more enlightened views on musical expression.