Adoptee Ed Li is on a mission to find his missing sister. An elaborate plan is devised that involves him teaching in a rural Chinese village, which Ed soon discovers it isn't his idea of a good time. In fact, when he sees a chance to quit, he takes it. But just before he can get out of Dodge, a local girl is murdered. Suspect? That Chinese teacher from America: Ed. With the help of his female colleague, Ed sets out to clear his name, uncovering a web of deceit in a village that's on the verge of becoming a lucrative jade mine. The deeper he digs, the more horrors he unearths. With memories of his sister drawing uncanny parallels to the victim's life, possibility of redemption and revenge looms.
An eye-opening and previously untold story, Factory Girls is the first look into the everyday lives of the migrant factory population in China. China has 130 million migrant workers—the largest migration in human history. In Factory Girls, Leslie T. Chang, a former correspondent for the Wall Street Journal in Beijing, tells the story of these workers primarily through the lives of two young women, whom she follows over the course of three years as they attempt to rise from the assembly lines of Dongguan, an industrial city in China’s Pearl River Delta. As she tracks their lives, Chang paints a never-before-seen picture of migrant life—a world where nearly everyone is under thirty; where you can lose your boyfriend and your friends with the loss of a mobile phone; where a few computer or English lessons can catapult you into a completely different social class. Chang takes us inside a sneaker factory so large that it has its own hospital, movie theater, and fire department; to posh karaoke bars that are fronts for prostitution; to makeshift English classes where students shave their heads in monklike devotion and sit day after day in front of machines watching English words flash by; and back to a farming village for the Chinese New Year, revealing the poverty and idleness of rural life that drive young girls to leave home in the first place. Throughout this riveting portrait, Chang also interweaves the story of her own family’s migrations, within China and to the West, providing historical and personal frames of reference for her investigation. A book of global significance that provides new insight into China, Factory Girls demonstrates how the mass movement from rural villages to cities is remaking individual lives and transforming Chinese society, much as immigration to America’s shores remade our own country a century ago.
When Deng Xiaoping’s efforts to “open up” China took root in the late 1980s, Xinran recognized an invaluable opportunity. As an employee for the state radio system, she had long wanted to help improve the lives of Chinese women. But when she was given clearance to host a radio call-in show, she barely anticipated the enthusiasm it would quickly generate. Operating within the constraints imposed by government censors, “Words on the Night Breeze” sparked a tremendous outpouring, and the hours of tape on her answering machines were soon filled every night. Whether angry or muted, posing questions or simply relating experiences, these anonymous women bore witness to decades of civil strife, and of halting attempts at self-understanding in a painfully restrictive society. In this collection, by turns heartrending and inspiring, Xinran brings us the stories that affected her most, and offers a graphically detailed, altogether unprecedented work of oral history.
An unprecedented, intimate account of the lives of modern Chinese women, told by the women themselves -- true stories of the political and personal upheavals they have endured in their chaotic and repressive society For eight groundbreaking years, Xinran hosted a radio program in China during which she invited women to call in and talk about themselves. Broadcast every evening, Words on the Night Breeze became famous throughout the country for its unflinching portrayal of what it meant to be a woman in modern China. Centuries of obedience to their fathers, husbands and sons, followed by years of fear under Communism, had made women terrified of talking openly about their feelings. Xinran won their trust and, through her compassion and ability to listen, became the first woman to hear their true stories. This unforgettable book is the story of how Xinran negotiated the minefield of restrictions imposed on Chinese journalists to reach out to women across the country. Through the vivid intimacy of her writing, these women confide in the reader, sharing their deepest secrets. Whether they are the privileged wives of party leaders or peasants in a forgotten corner of the countryside, they tell of almost inconceivable suffering: forced marriages, sexual abuse, separation of parents from their children, extreme poverty. But they also talk about love -- about how, despite cruelty, despite politics, the urge to nurture and cherish remains. Their stories changed Xinran’s understanding of China forever. Her book will reveal the lives of Chinese women to the West as never before.
'I broke a law simply by being born.' In the late 1980s, Shen Yang was born during the fiercest years of China's One-Child Policy. As the second daughter of the family, she was a massive liability - an excess child, a product of illegal birth. From being raised by her grandparents in a remote village as soon as she was born, to being whisked away to her aunt's home in a distant faraway city, Shen Yang's existence was doomed to be shrouded in the utmost secrecy and silence. Armed with a false identity and ID card, she experienced years of neglect and humiliation from her aunt's volatile family who saw her as yet another burden to bear. On top of it all, it seemed her own biological parents had come to forget about her. In a riveting memoir, by turns witty and inspiring, Shen Yang bravely provides a vivid account of the family planning era in China, as she jots down her journey towards overcoming the limits of her upbringing and forging her own identity amidst the sorrows of her childhood. More than One Child is not only Shen Yang's story; it is the untold story of the enormous, yet invisible community of excess-birth children. And this book is Shen Yang's way of saying goodbye to her childhood, and goodbye to an era. 'This is the voice of China's Invisible Generation - vividly written, well balanced, brilliant, humorous and very sharp - it elicits a rollercoaster of emotions that breaks through the silence shrouding the lives of excess children born during the One-Child Policy.' --Xinran (Author of The Good Women of China, and The Promise: Love and Loss in Modern China) "The One-Child-per-Family policy was a tragedy forced upon China's mothers, children and their families. Finally, in this book, Shen Yang has dared to tell the truth, speaking out bravely about the experiences she lived through." --Ma Jian (Author of The Dark Road) "Now that the one-child policy has been relaxed, the stories of these illegal children will soon be a part of China's national collective memory. But to those who grew up tainted with this humiliation, the scars are permanent. One is Chinese writer Shen Yang, who wrote her story in part to extinguish the nightmares that still haunt her." --Vincent Ni, The Guardian
At the dawn of the 1930s a new empowered and liberated image of the female was taking root in popular culture in the West. This 'modern woman' archetype was also penetrating into Eastern cultures, however, challenging the Chinese and Japanese historical norm of the woman as homemaker, servant or geisha. Through a focus on the writings of the Western women who engaged with the Far East, and the Eastern writers and personalities who reacted to this new global gender communication by forming their own separate identities, Katrina Gulliver reveals the complex redefining of the self taking place in a crucial time of political and economic upheaval. Including an analysis of the work of Nobel Prize laureate Pearl S. Buck, The Modern Woman in China and Japan is an important contribution to gender studies and will appeal to historians and scholars of China and East Asia as well as to those studying Asian and American literature.
